Monthly Archives: December 2025

Final Revisions and Themes Are in Sight

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My gay, 80s, cinephile ghostly horror novel is now rounding the corner and racing down the stretch as I work on the final revisions hurtling towards the climax.

This has been a very interesting voyage on the writing ship. My first novel written without a guiding outline, my first period novel — albeit a period I lived in and in locations I knew quite well — and a novel that is sounding more and more literary as I grapple with the themes that organically emerged from the crisis and the characters.

The poor thing has had an identity crisis as I struggled to find a suitable title for my creation, but unlike Victor Frakenstein, I did eventually give it a name, Outrageous Fortune. Now, Shakespeare was not in my head when I started writing the text. Very little was in my head aside from certain aspects and things I wanted to play with as a writer, ghosts and a cursed motion picture film on dangerous nitrate stock, but when one of the characters announced that she was unwilling to suffer ‘the slings and arrows of outrageous fortune’ I knew I had stumbled across the title.

Thematically, my gay horror novel has delved into an existential question about morality in a cold and indifferent universe. If reality has no intrinsic morality — show me the particle that carries the ‘good’ or ‘justice’ between elements of matter — then the only morality that exists is the morality we conjure by our actions and our thoughts. But if we perceive a moral quality to our actions then that becomes something we cannot un-perceive and it is the knowledge of the meaning we have prescribed upon an indifferent universe that binds us.

Outrageous Fortune is quite unique among the novels I have written, the most thematically complex and with the most explicit sex scene of my writing history, only time will tell if I can find a market for it.

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Movie Review: Wake Up Dead Man

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Wake Up Dead Man, the third Knives Out mystery, opened to a limited theatrical release on Thanksgiving, the day my sweetie-wife and I saw it, and will be available on Netflix, the service that produced the project, on December 12th.

Netflix

Daniel Craig once again stars as Benoit Blanc, a private detective noted for solving perplexing and intricate cases of murder. Blanc has been drawn to a small New York town where the local Catholic priest, Jefferson Wicks (Josh Brolin), was murdered, with suspicion falling on the parish’s junior priest, Jud Duplenticy (Josh O’Connor), whose troubled past—which includes a short, fiery temper and killing a man during a boxing match.

As is standard for murder mysteries of this sort, there is a large cast of characters all with seeming motive to murder Wicks, despite at one time being devoted to him. Being a Knives Out mystery, the case is stacked with notable names all thoroughly enjoying themselves.

I enjoyed the movie, felt it clipped along at a decent pace, but my sweetie-wife felt there were moments in the middle where it slowed too far and that it could have been cut. The story does present a number of reversals where you believe a solution has been presented and then that answer is demolished. Perhaps one of those false resolutions could have been removed without damaging the film, but if so, this is a very minor fault in the production.

It is a shame that Netflix won the bidding war 5 years ago after Knives Out surpassed $300 million at the box office and thus required that the sequels be primarily streaming affairs with brief—too brief—runs in actual theaters. Wake Up Dead Man, unlike Glass Onion, is much more of a traditional murder mystery and doesn’t engage in a restart of the story halfway through the run time like Onion did. (Do not get me wrong, I loved Glass Onion, but I don’t feel it’s really all that much of a mystery as it is Johnson having fun playing with the tropes of a sequel.)

If you get the chance to see Wake Up Dead Man in the theater, take it; otherwise, it will make a fine evening’s viewing at home on Netflix starting December 12.

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After Action Report: Loscon 51

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After working at the day job with my schedule shifted from its routine 9-6 to an early morning 7-4 my sweetie-wife and I made the drive from San Diego to Los Angeles for Loscon 51, the 51st Los Angeles Area Science Fiction Convention.

Now, Loscon starts the morning of ‘Black Friday’ but as I will never have the seniority to win the bidding to have that Friday off from work I am resigned to the fact that I can never make programming any earlier than 8pm on the con’s opening night.

Saturday was a different story. Not only were we there for the full set of panels and presentations but I had the privilege and pleasure of participating as a panelist on a pair of them.

1:00 PM I took part in a discussion of apocalyptic fiction, its uses to transmit to coming generations warnings of the dire threats that they would face. We also addressed the tangle that if we, the previous generations had left the world in such bad shape why should anyone paid head to our warnings?

4:00 pm was a much more lighthearted discussion as we tackled the voyage of the McGuffin. We discussed many famous cinematic McGuffins, the difference for McGuffins that are active in the plot and required by the characters for its resolution and passive ones that don’t do anything in the story but are the treasure/item that is sought by the characters.

Saturday evening, after the sweetie-wife and I played out customary games of Dominion online, I visited the open room parties for a while, taking part in conversations, snacking on junk food and soda, and having a wonderful time. After the parties I found a quiet corner and worked on the revision for my novel.

Sunday, I participated in three panels, Developing a Creative Habit, AI & Science Fiction, and I closed out the convention with a discussion of Spiritually in Science Fiction and fantasy.

Directly after the final panel, It was time to climb into the auto and drive home to San Diego. All in all it was a glorious weekend.

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