Streaming Review: Get Duked!

Several weeks ago, my sweetie-wife discovered the trailer for the Amazon Original, meaning they purchased the exclusive rights, feature film Get Duked!and on August 28th it became available on Amazon’s Prime Video Streaming service.

Get Duked! (You ignore the exclamation mark) is the comedic, farcical story of 4 city boys dropped into the hinterlands of the Scottish highlands as part of a contest the Duke of Edinburgh Award but three of these young lads are delinquent youths with the final member of the quartet a naive youngster who actually cares about the prize, a laminated certificate.  However, once there are beyond the supervision of the sole adult in charge of the contest the ragtag assembly are hunted by mysterious and murderous landed gentry intent on ‘culling the herd’ of degenerate and unacceptable influences. Add into this mix of underachieving and limited intellect boys a collection of baked farmers and a local police station intent of glory beyond tracking the local and evasive bread thief and you have a movie that is pretty far from serious.

Written and directed by Ninian Doff in his feature film debut Get Duked! is a frivolous affair that is suitable for an hour and half of drama free entertainment. The young actors are capable and manage the difficult balance between being youths in trouble and characters you do not want to get injured or killed while several older actors get a chance to show off some comedic chops usually missing from the sort of parts that they play. I’m particularly thinking of Kate Dickie perhaps best known for her turn on Game of Thrones as the unbalance Lysa Arryn turning in a fine performance as the local chief constable desperate for glory and advancement.

The Scot accents in the film get a little heavy and with rapid overlapping dialog some viewers may wish to engage their television’s closed captioning systems to follow all of the voices but in general Get Duked! provides decent light-hearted escape from today’s terrible times.

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Discovery During Drafting

One of the things I hear fairly often from pantsers, writer who compose their text directly without a synopsis or outline guiding their writing, is that creating an outline feels to them like something that drains away surprise and spontaneity from their work.

Fair enough for them but I find that even with my extensive outline and synopsis building the pieces still manage to surprise me with revelation along the way.

My current work in process started with just the barest idea of who got killed, who killed them and why. Okay, that’s the essential elements for a murder mystery but hardly enough for me to fully understand the world or the characters so I moved on to extensive notes about the world.

I created these notes to explain to myself how the ship, which would take generations to reach its destination, worked, how the various groupings of people coalesced into stratified cultures and how all that impact the formation of character and motivation. That itself revealed some subtle changes to the original concept that deepen the ‘reality’ of the world.

Next I produced a bullet pointed act break down of the story as experience by my protagonist. I like working with acts not because the structure is king over all but because understanding how structure emerges from story illuminate what I need for this particular tale.

The curious thing and the discovery is that when I started making the bullet points for Act 1 I had a very simple understanding of the antagonists point of view, a very reductive reason for their actions, but when I reached Act 5 and the protagonists and the antagonists clash in a final revelation of truth not only had I discovered a deeper relationship between the two but the antagonist’s motivations had deepened. It because easier to see how they were the heroes of their own story and discovering this at this very early stage will make the prose outline a richer and better document with its own surprised which will repeat with the novel itself.

Somehow, I always have discoveries inside my thoroughly plotted stories, discoveries that would have eluded me had I tried to ‘pants’ my way through it.

This is not to say pantsing is a wrong approach merely that surprise and discovery is part of every process and you need to find the process that works for you.

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Horrors Ahead but It’s All Good

The horror I am referring to is not the dystopian political landscape, nor the hellish pandemic scarred terrain of our future for the next few months but rather to dark cinema, frightening film, that will shortly be coming into and enriching my life.

This week year 11 of the Horrible Imaginings Film Festival. Two years ago, the festival moved from its native city of San Diego to the Santa Ana in Orange county about an 80-minute drive from my home and in anticipation of days going back and forth to the festival I took several days off extending my weekend to five days. Of course, the pandemic has shattered these plans but the festival’s director Miguel Rodriguez has managed to keep the celebration alive by movie it online and this weekend I will still be watching blocks of short films and several features all of these from around our world. It will not be the same without the mingling in the theater’s lobby, discussing the films we just watched with the fans and filmmakers but in the depressing times we must find what joy we can.

This weekend will not be my only excursion into unknown horror cinema. Sunday night while doom scrolling through the terror that is my twitter feed, I came across a link of an older Finnish horror movie that the tweet described as a were-reindeer movie. I mentioned it to my sweetie-wife, who has a love of things Finnish, and soon we discovered the film The White Reindeer from 1952 was a Cannes and Golden Globe Award winning film inspired by pre-Christian Finnish folklore. Well, damn! That’s something we both need to see and bang a Blu-ray of a recent restoration has been ordered and should arrive from Germany later this month.

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Fight Your Motivated Reasoning

Motivated Reasoning is the process where, quite subconsciously, a person used their reasoning to arrive a conclusion that conforms to their already held preconceptions and notions avoid the unpleasant dilemma of changing their opinion about a subject.

People utilize their motivated reasoning skill in a variety of settings and problems but it always occurs for subject to which the person has attached a high personal value, usually related to an identity or core personality self-image. A person who thinks of themselves as generous will find all manner of ‘reason’s when faced with evidence of selfishness. A person devoted to a political faction will construct elaborate chains of logic to maintain that their chosen position and party are ‘good’ and not tainted but some misdeed. An artist who has poured deeply person feeling into a work is likely to reject criticism rather than reevaluate their process or technique. All of these actions and example are not evidence of a person being ‘bad’ or dishonest, often the motivated reasoning takes place below the level of awareness, it is a defensive mechanism.

The best way to combat it is to question not that which confronts your world view, or that which attacks your directly, but question those things, evidence, and conclusion that make you feel warm and safe. The lie that is most dangerous is the lie we want to believe. Seek out evidence and arguments contrary to your positions, and not argument that have been filtered through allies presenting the counterargument or you will simply be swayed by their own motivated reasoning. When you reach a conclusion that is alignment with what you already accept as right and proper be merciless on yourself for flaws in your reasoning and logic. This is not easy and it is a never-ending process but you cannot reach truth via self-delusion.

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Is the Mafia a Militia?

A common action among firearm rights supporters is to organize into independent militias invoking the phrasing of the second amendment as a support for their actions. This is often combined with a fairly strict anti-government mentality and a stated readiness to combat the government should it overreach. This bravado has been on display this year with displays pf tyrannical government overreach such as public health measures combating a lethal global pandemic.

The Mafia and organized crime in general whether it be Russian international criminals laundering millions of dollars through real estate or Baltimore youths dealing in street drugs are all armed and anti-government are they too also militias?

The question is ludicrous of course they are not but what divides the ‘militia’ from the ‘gang?’

It is important to remember that when the second amendment refers to a ‘well regulated militia,’ it is speaking of a common and well understand definition. The militia was an irregular force that could be called up and activated at the state’s requirement. The need for individuals to have a right to bear arms was essential as the militias were not funded and supplied by the several or individual states. Each man brought his arms and the commander of the local militia, and these were men of wealth and property, financed the heavier arms such as cannons. It is clear from history and intent that the second amendment is an individual right that supports the militia’s existence.

But any group of people with arms are not a militia.

When a group of people self-organize to enforce the law as they see it, pass judgement on guilt, and met of punishment, they are not a jury they are a mob and are not conducting a trail but a lynching.

As with a jury a militia is an arm of the state. A citizen can arm themselves to prepared to fulfill their duty to the state as a member of the militia but the activation and deployment of the militia is a state matter not one of personal preference or self-aggrandizement.

If you organize, cross state lines, and commit likely crimes you are not a ‘militia’ you are a gang.

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Defeating Trump is Merely the Eye of the Storm

Trump is not the storm that is battering our political shores. Trump is the storm surge, the destructive water crushing and eroding our norms and shattering the dykes of good governance but he is merely a product of the storm, an emergent property of the cyclone and should he be defeated in November, even if it is by margins so large and unquestionable that we are certain of the result on election night, the storm will not have passed but instead will have presented the false calm of its eye.

Without the benefits of aircraft, satellites and radar an approaching hurricane seems at first like a large but normal storm, there is nothing in the growing winds, darkening clouds, and sheets of rain to foretell the monster that is imminent. For decades the growing reactionary racism, rejections of reality, and insular inbred system of information of the Republican party and its supporting organization have been the building storm. Trump is not a sudden lightning strike that shatters the air and then vanishes he is the product of the building winds, the lowering pressure that pulls the sea from its bed to wash away civilization. While the storm surge deals tremendous damage, it is not the most dangerous part of the hurricane that is the eye wall where the winds are the fastest and can rip tress from their roots and houses from their foundations.

When you pass through the eye wall into the storm’s eye the winds vanish, the skies clear, and the calm can lure you to your death. Because when the other side of the eye brings the storm back it does not build slowly as it did before but rather the winds go from calm to full force in moments, now battered weakened and damaged structures from the opposite direction, shattering weaking building with the sudden force.

Trump defeat will be a moment of clam but Trumpism, the vile, racist approach to American governance will not have vanished. The attacks, spurious and hyperbolic on the new administration will, with their resemblance to GOP behavior during the previous Democratic Administrations, seem like a return to normalcy and like the hurricane’s eye we must not be lulled into compliancy or expect that the worst is over. 2022 and 2024 will be end of the eye and the return to the fight for survival and we must be ready for it. The storm surge will have passed but not the storm.

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I Miss the Theatrical Experience

All of my life I have been a fa of movies. My earliest memory is of some Hammer Frankenstein in lurid color at a drive in in North Carolina. I can vividly recall sitting in the Sunrise theater in Ft Pierce Florida watch Escape from the Planet of the Apes, and while in the navy the day before we deployed to the Western Pacific for a six-month cruise, I spent twelve hours in various theaters watching movie after movie. In short going out to a movie is a valuable experience for me and one that I have dearly missed since the pandemic induced shut started in March.

On social media I can see that in some states the theaters are re-opening with enhanced procedures to help fight the spread of COVID-19 but not yet here in California and honestly as much as I miss the experience I’m very hesitant to return to that sort of public exposure without the benefit of a vaccine.

I am not passing judgement on others if they are taking every available precaution but this is not a game and people are dying. I know that with the medication I take for my arthritis avoiding infection is particularly important for me and that’s a major if not the dominate factor in my thinking. But I also interact with others, albeit fewer that I have before this crisis started, and I must do my part in preventing to spread, sparing my community, my friends, and my loved ones.

Despite my 55″ 4K television watching movies at home is not the same experience but for 2020 it will have to suffice.

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Was The Cold War Just Over Tax Rates?

From the post-World War II period through to 1991 the United States of American and its allies engaged in a deadly game of brinksmanship utilizing nuclear bombers, middles, and artillery, with the Soviet Union and its allies for the fate of the world. We were assured that this was a war that pitted democracy, with the First World, the USA and its allies, against the tyranny Second World, the USSR and its allies with humanity’s future balanced on the knife’s edge. The USSR’s collapse ended the conflict and revealed a corrupt, monstrous system if lies, propaganda, and murder.

And the American Republican Party can’t let the war go.

In any two-party system each of the two major parties are a coalition of interests ideally with a few unifying themes or goals and for the second half of the 20th century what unified the GOP was a dedicated stance against the USSR and communism. Bereft of that binding force the GOP floundered for compelling arguments for its election and finally settled on culture war issues that satisfied its religious wing, energized it racist elements, and the business elements provided the control rods required to keep the entire pile from going super-critical and melting down. Beginning in 1994 more and more of those control rods were removed until 2016 provided the final crisis, sent the entire stack critical, and released the rampaging nuclear monstrosity that is Donald J. Trump.

And now we have reached a point where a majority of the GOP finds more than 170,000 pandemic deaths ‘acceptable,’ and in order to retain their minoritarian grip on power our votes are being undermined, the Post Office is sabotaged, and very concept of democracy is under assault. So, what was that Cold War victory for? Was it just to preserve low taxes for the wealthy? Was the entire conflict about biblical literalism?  It must have been because it seems the only charge the GOP knows to deploy is to point at their opponents and with mouths agape like the 70s remake of Invasion of the Body Snatchers, scream ‘Communist!’ And like that movie it is an idea out of time and out of place with the moment.

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Classic Film Review: Black Sunday

To be clear I am speaking of the 1977 thriller directed by John Frankenheimer and not the 1960 horror movie directed by Mario Bava.

In a decade of growing terrorist attacks and twenty-four years before the terrible events of September 11th, Thomas Harris, whose fame as an author would be cemented with his creation of Hannibal Lector, penned his first novel Black Sunday about an attack on that most American of institutions, The Superbowl.

Robert Shaw plays David Kabakov an elite Israeli agent who when leading an assault on a terrorist cell in Lebanon uncovers a plot to attack the United States early in the year. With nothing more to go on that a glimpse of the face of the woman planning the attack David, his partner Robert, and the FBI face nearly insurmountable challenges in thwarting the murderous plans.

As the plot unwinds and mysteries are resolved David’s awareness grows that he has been part of the growing problem and he begins to doubt the righteousness of his prior actions.

Black Sunday seems today like a movie that simply could not be produced. Central to the terrorists’ plot is using the Goodyear Blimp as part of the attack and it is not a no name knock-off in the film but the actual blimp. It is inconceivable that a major public corporation would allow their most recognized symbol used as part of a plan to murder tens of thousands, and yet there it is. A quick bit of research showed that Frankenheimer had good relations with Goodyear and with a few restrictions, such making it clear that Bruce Dern’s deranged blimp pilot was a contractor and not a Goodyear employee, sweet talked the company into cooperating. The massive crowds of a Superbowl were achieved by again getting some unlikely cooperation, the NFL allowed the production to film at the 1976 Superbowl, which accounts for the bicentennial iconography in the movie, which was intercut with staged scenes of panic and chaos during the movie thrilling conclusion.

All in all, Black Sunday is a well-made, well-acted, and entertaining piece of cinema. It is currently streaming on Amazon Prime.

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Missing My Shockwaves Podcast

When it came to my podcast listening Fridays used to be horror days. It was the day the new episode of Shockwaves would drop with its multiple hosts discussing the last films that they had watched, the film that they had produced, and interviewing some of the most interesting voices in horror. Then in Jun massive sexual scandal rocked the parent company and Shockwaves vanished from my feed.

I’ve been searching out some sort of suitable replacement but the search has been difficult. There are lots of horror podcast but finding one with the right mix of people with the right base of knowledge feels impossible. Shockwavesintroduced me to several interesting films and while my taste never matched exactly with any of the hosts there was an enough of an overlap that I could find new stuff to watch and even understand them enough to know why we didn’t agree on some.

They will be missed.

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