Category Archives: Television

Painful Television

No, I am not referring to the televised US Presidential Debate. I did not watch as I already have more than enough information to make an informed vote. Sadly, I am talking about a Scottish murder mystery limited series Deadwater Fell.

Currently available on the steaming service Acorn but also available as a single stand-alone purchase for the limited series Deadwater Fell is the story of a tragic fire that kills the wife and children of the village local doctor, Tom (David Tennant) and how the fallout from the events splinters the town and relationships.

My problem with the series is I truly disliked spending time with these characters. There is scarcely one that is pleasant, and most are actively abusive and manipulative. While all the characters have big dramatic issue, events, and troubles, the very nature of the characters make me immune to care.

The actors perform their tasks admirably, making these repulsive characters real and I do not hold them accountable for the writing. Though as I said to my sweetie-wife while we were watching the final episode, ‘If I want to watch Tennant being manipulative and evil, I’ll just watch Season One of Jessica Jones.’

In addition to the character abrasive natures the writing also seems to suffer from the author pushing the characters into scene for the audiences benefits rather than from a natural outgrowth of character motivation. For example, Tom, the Doctor, goes to Jess and tells her a sad story of his abuse as a child, as story Jess later learns is a lie. It reveals a bit of Tom’s character and his manipulative nature but Tom going to jess served no purpose for Tom. He wasn’t gaining anything. No cooperation, no item he needed, there was literally from Tom’s perspective, no purpose to do that. It advanced plot and revealed character but only by being out of character.

With less than ten minutes left to the final episode we abandoned the series and played Dominion.

I cannot recommend this series to anyone.

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Streaming Review: Get Duked!

Several weeks ago, my sweetie-wife discovered the trailer for the Amazon Original, meaning they purchased the exclusive rights, feature film Get Duked!and on August 28th it became available on Amazon’s Prime Video Streaming service.

Get Duked! (You ignore the exclamation mark) is the comedic, farcical story of 4 city boys dropped into the hinterlands of the Scottish highlands as part of a contest the Duke of Edinburgh Award but three of these young lads are delinquent youths with the final member of the quartet a naive youngster who actually cares about the prize, a laminated certificate.  However, once there are beyond the supervision of the sole adult in charge of the contest the ragtag assembly are hunted by mysterious and murderous landed gentry intent on ‘culling the herd’ of degenerate and unacceptable influences. Add into this mix of underachieving and limited intellect boys a collection of baked farmers and a local police station intent of glory beyond tracking the local and evasive bread thief and you have a movie that is pretty far from serious.

Written and directed by Ninian Doff in his feature film debut Get Duked! is a frivolous affair that is suitable for an hour and half of drama free entertainment. The young actors are capable and manage the difficult balance between being youths in trouble and characters you do not want to get injured or killed while several older actors get a chance to show off some comedic chops usually missing from the sort of parts that they play. I’m particularly thinking of Kate Dickie perhaps best known for her turn on Game of Thrones as the unbalance Lysa Arryn turning in a fine performance as the local chief constable desperate for glory and advancement.

The Scot accents in the film get a little heavy and with rapid overlapping dialog some viewers may wish to engage their television’s closed captioning systems to follow all of the voices but in general Get Duked! provides decent light-hearted escape from today’s terrible times.

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Quick Hits Aug 20, 2020

Just a few quick thoughts and observations for today.

Democratic Convention: Despite being a former poli-sci major and minor political junkie I have not been watching the convention. However, from analysis and coverage from both the right and the left it seems that they’ve found a way to do their messaging in these strange terrible times. They are keeping their aim fixed on the prize, defeating Trump, and are showing a level of unity quite unusual for this party. I understand the frustration from progressive that Republicans have highly placed speaking slots at the convention but this election is unlike any other in our nation’s history and the first problem, removing Trump from office, takes priority over everything else at the moment. More than ever, policy must come after victory.

Agents of SHIELD: The series, with all its ups and down, completed its seventh and final season swinging for the fences and engaging in some seriously epic storylines. Overall, I really enjoyed the series and I have started a re-watch from season one. The hints and rumors of a tie-in with the next phase of the MCU are intriguing and we’ll see where they go.

Writing my Next Novel: I’m almost ready for the prose outline of the new and still untitled novel. I’m currently working on a bullet point outline, just the most critical points for each of the five acts but as I go each act has more bullet points than the previous indicating that the story is taking off on its own. For this murder mystery aboard a generations starship I plan to incorporate some of the story structure ideas advocated my screenplays writer and Chernobylseries creator Craig Mazin.

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Series Review: Lovecraft Country

Sunday night saw HBO’s premier of the long anticipated series adaptation of Matt Ruff’s novel Lovecraft Country.

I have not read the novel so my impressions of the series and the only ‘aired’ episode so far is driven entirely by the onscreen material.

Episode one centered on Atticus ‘Tic’ Freeman (Jonathan Majors) an army veteran recently discharged following the Korean War’s armistice as he travels home to Chicago because his father has gone missing. Uniting with his Father’s brother George (Courtney B. Vance), who travels researching his guide to safe travels for Black people in Jim Crow America, and childhood friend Letitia (Jurnee Smollett), he travels to ‘Lovecraft country’, rural Massachusetts, following clues to his father’s disappearance and hints of an ancestral legacy.

Aside from a vivid dream sequence at the episode’s opening Lovecraft Countytakes its time revealing its cosmic horror nature instead rightly focusing on character, mood, and critically environment creating a believable and frightening world with terrors drawn from history as well as the imagination. Jonathan Majors is well cast as ‘Tic,’ the bookish young man with a love of pulp adventures now grown into a handsome muscular man but with those same doubts and self-image issues waiting just under the surface. Jurnee Smollett’s Letitia while seemingly a woman who appears primarily as a sensualist also possesses depths and intellect that in the first episode promise greater things for her character and Vance’s Uncle George brings a sense of wisdom and hard-earned experience to the trio.

The cinematography fills a night encounter rich saturated colors from blood red flares while daylight excursions have a washed out colorless and joyless oppression to them, reflecting well the dual nature of the story and the show, fantastical weird apparitions existing alongside with banal historical evil. The show’s soundtrack is a mix of period and modern music and that I found a little jarring but other viewers are less likely to have their suspension of disbelief bumped by the choices.

It is nigh on impossible to adequately judge a story by just 10 percent of its content other than to say that the characters and encounters are all laid out in a pleasing, engaging manner and if the entire series maintains this quality, we are in for one frightening ride.

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Corona vs Chernobyl

For some strange and unknowable reason here in the depth of a global pandemic I have started re-watching HBOs Chernobyl mini-series. Brainchild of show runner and writer Craig Mazin the five-episode series follows the historical disaster at the Chernobyl nuclear powerplant following the explosion that ruptured the core and endangered million with its radioactive contamination. The series has won a number of awards around the globe and garnered praise for its acting, direction, and writing.

Mazin centers the themes of truth and lies at the heart of his scripts for Chernobyl opening the series with the question, ‘What is the cost of lies?’Given the lengthy time for writing, pre-production, and production Mazin’s work was not a direct comment on the Trump presidency but the applicability of those themes and questions are unavoidable.

The Chernobyl nuclear reactor number 4 exploded because of lies and because of the reliance of the system upon not only lies but that the lies of the authorities were never to be questioned. Lies hampered the recognition of the disaster and hampered attempts to mitigate its lethal consequences.

And yet dozens of scientists and engineers and bureaucrats managed to evade the lies and with the dangerous work of hundreds of thousands more and the sacrifice of millions more confront and contain the contamination. The Soviet system when confronted with the awful truth of the explosion and what it imperiled spent vast amounts of treasure and resources doing what was required. Mikhail Gorbachev the final General Secretary of the Communist Party of the Soviet Union has expressed the belief that the economic cost of the Chernobyl disaster was a critical factor in the dissolution of the Soviet Union.

Which brings me to the global COVID-19 Pandemic.

The government of the United States, the world’s wealthiest and most technologically advanced nation/state, under the presidency of Donald Trump, aided and abetted by support from his governing party the Republicans, has lacked the courage shown by the brutal communist government of the former USSR.

The Administration has failed to spend the treasure necessary, has failed to muster the resources required, has left its citizenry to face the crisis alone and instead has continually counseled with lies resulting in a count of 150,000 thousand dead, a count that continue to rise.

Trump and his GOP enablers have plugged their ears, squeezed their eyes shut and like children pretended that the mess simply doesn’t exist.

This is not to praise the Soviet System. It was a brutal, monstrous, and evil empire responsible for the murder of millions. It subjugated and enslaved its own citizenry and that of its neighbors the world is better off with its collapse.

It is shocking however that a system so utterly reliant upon lies and the denial of truth rose to a crisis while a party that prides itself on virtual signaling its patriotism leaves its country to burn.

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Leave Fiction in its Period

Last night my sweetie-wife and I watched a portion of the BBC’s live presentation of The Quatermass Experiment. Written by Nigel Kneale and originally produced as live television in 1953 the shows centers on Bernard Quatermass and Britain’s first men into space with the disastrous and horrifying consequences of that first rocket flight. Kneale is one of my favorite television and film genre writers who produced material that was both thrilling and thoughtful. His ghost story The Stone Tape remains a beloved production to me.

In 2005 the BBC recreated the energy of live television with this new production of The Quatermass Experiment. Transposing the action to the modern-day United Kingdom. Instead of Quatermass’ Experimental Rocket Group being part of the British government it now stood as a private space launch concern. However, much of the dialog and drama revolves around the concept of a first flight into space and for 2005 that’s a concept that simply doesn’t carry a lot of sense of the unknown. The mystery of where the spacecraft flew to simply can’t be sustained in our current technological world. And while 500,000 miles is further than any manned flight actually flown it’s still in our own neighborhood and unlikely to yield up a story about aliens and monsters.

The Quatermass Experiment belong to its period just as numerous other stories that shouldn’t be ‘modernized’ such as The Manchurian Candidate or Fail-Safe, another experiment into revitalizing live television.

Works of art are products of their time, the social pressures and environments that both inspired and constrained the artists as they created and it is in their time they should remain.

 

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Comic Con Online

I won’t have a lot to say about this as I have never been a regular attendee of San Diego’s famous Comic-Con. My interest in the Comic industry has always been light, never a collector myself but during the 80s reading the issues purchased by my collector friends. That said I am not putting down the Comic-Con. It’s a tremendous event that now puts a global spotlight on things geeky and nerdy and I am thrilled that so many of my friends have such a good time most years.

The pandemic, just as it has with some many other fun events, canceled in person Comic-Con but the organizers have thrown together a virtual convention with panel discussions and presentations now available on YouTube. Yesterday my sweetie-wife and I watched a pair of these, first a cast discussion for What We Do in the Shadows, FX’s hit vampire comedy and this was quite enjoyable and then an interview discussion with Charlize Theron about her evolution in an action star and general all around badass on-screen.

The online presentation is a poor substitute for the crowded chaos that is Comic-Con and I dearly hope that my friends can soon return to in person geekery.

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Understanding Your Material

It’s interesting and instructive to compare two bits of film, though one is television, and their approach towards the military and their depictions of military men.

In Them! military characters confront giant ants created by mutation induced from the first atomic explosions. It is simply amazing to see the nuanced actions that are correctly capture in their bearing, their methods, and in their characters. One excellent example is when attacking a nest in the open desert and they are using bazookas as part of their assault. When you load that WWII weapon there is actually a wire lead that goes from the round to a terminal on the firing tube. I know this because I’ve watched training films from the war on how to properly load and fire the weapons. The characters in the movie correctly follow the weapon system’s procedure.

Nearly 50 years later in the iconic television series Buffy The Vampire Slayer the titular character Buffy is working with an elite special forces unit hunting down demons and monster in her hometown. When these best of the best warriors are briefed by a scientist on their next target thy have no questions for her and are silently dedicated to the mission and following orders. Buffy is the outsider and non-conformist with a string of questions and concerns.

This scene entirely misses the boat about what it means to be an elite warrior in U.S. service. These men are smart and those smarts are part of why they are elites. It is simplistic and reductive to think of special forces personnel as silent followers of orders.

The difference between the two productions likely comes down to the fact that in the 1950s nearly everyone knew someone who served and that close association informed the writing and production choices. For Hollywood of the late 90s and early 2000s people will actual services records in the production pipeline are likely to be rare to non-existent. Production companies get their writers and producers and directors from college and industry training with very few coming to film production later in life with the sort of life experiences that could help avoid these sorts of mistakes. It is also unlikely that anyone in the production system knows or knew anyone that served is such a capacity. All of us lead lives that are far too insular. Having veterans among the staff and having veterans review the material to help assure accuracy would be baby steps to getting such characters correct.

And the same is true for characters beyond those with military service. It is true for characters of religion, nationality, or ethnicity.

 

Representation matters.

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Quick Hits

I’ve started outlining a new novel proposal. I have already stepped through the five acts and bullet pointed all the major beats, Now it is time to produce a prose document synopsizing the story and show that to my editor. It’s another dark cynical SF story.

Also, I am working my way, finally, through Netflix’s Marvel Limited series The Defenders but so far, and I have watched six out of eight episodes, I am far from impressed. The writing on this one fails to lock into the voice for the various characters and they instead feel like that they have the shape of the personalities but lack the depth. There has been a tendency, possibly created by time pressures, to go for the most obvious plot turn or bit of dialog. Several times I have mentally delivered the upcoming dialog before the character on screen actually utters it.

San Diego has recieve3d the go ahead from the State Government to move forward into loosening social distancing restrictions and Saturday I will be at Mysterious Galaxy Bookstore to sign stock of my novel Vulcan’s Forge.

 

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Mind Exchange is Fantasy Not SF

The final indignity for the original series of Star Trek was the episode Turnabout Intruder where a bitter woman, Janice Lester, used trickery and an alien device to swap bodies with Captain James T. Kirk generating some of the series most over the top performances from William Shatner.

The body swap, a fantastical process where one person’s mind is placed into the body of another is tired trope and one that should always be understood as fantasy not science-fiction.

The core erroneous concept for this idea is that there is a separation between body and mind, that our ‘selves’ exist independent of our bodies and thus could be transplanted into a new form like a sapling being moved to a larger pot.

Our minds are emergent properties of our bodies. The subtle and complex interactions of physical experience, hormonal balances, and genetics give rise to the varied and unique personalities of the human race. There is not independent mind to move from one body to another. It is the body that generates the mind and with a different body, or a significantly altered one, the mind is different. Numerous brain injury and disease cases bear witness to this fact of life.

All of that said, I think I have found at least one, far out but barely plausible method of telling a body swap story. Now to see if I can make it work.

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