Category Archives: Movies

Captain America and Magneto: Marvel’s Original Anti-Fascists

It is interesting to contrast Marvel’s best-known Anti-Fascists, one nearly the Platonic Ideal of a modern comic book hero, Captain America, the other a genocidal villain driven by trauma and terror, Magnet. Both gained their anti-fascism during fascism’s original run, World War II but reacted in diametrically different manners. In discussing these two characters I will be referring to their cinematic presentations, Caps’ from the very successful Marvel Cinematic Universe and Magento from Fox’s more erratic X-Men franchise and associated films.

Steve Rogers was an underweight, under-sized, unhealthy man when American entered the war but driven by his intense sense of justice he desperately wanted to serve in the US Armed Forces despite being categorized as ‘4-F.’ After coming to the attention of Dr. Erskine Rogers was recruited into an experimental program to enhance human ability and attempt to create a ‘Super Solider.’ It’s important to note that in his interview with Erskine when asked if he ‘wanted to kill Nazis’ Rogers replied that he didn’t want to kill anyone but that he doesn’t like bullies. With an ideology that was already solidly anti-fascist Rogers also already possessed his most heroic qualities. The Super Soldier Serum may have granted him transhuman capabilities, but it was his moral code that defines his anti-fascism and also governed it limits.

Erik Lehnsherr a Polish Jew who would eventually take up the alias Magento was subjected to the horrors the Holocaust by Germany’s genocidal Nazi regime and while his mutant ability to manipulate all forms of metal was already present its development and his control were insufficient to protect either himself or his parents. Surviving the mass murder of Jews only because the attention of Dr. Klaus Schmidt aka Sabastian Shaw, Erik comes to his anti-fascism as a reaction to the brutal treatment of himself, his family, and his fellow Jews rather than from an innate moral code, despite as a younger man being a man of faith. Following World War II Erik adapts a personal mission as a NAZI hunter particularly interested in finding and taking revenge on Dr Schmidt. After successfully preventing nuclear war in an alternate history version of the Cuban Missile Crisis and targeting for destruction by the government that fear his and other mutant’s powers Erik adapts the name Magneto and identifies more as a mutant than with his Jewish ancestry. Taking the lesson he learned at the hands of Nazi brutality that humanity’s prejudice will lead it to always destroy those who are different he makes mutant survival and dominance his objective. Eventually Magneto attempts a massive attack to transform many of the world’s leaders into mutant regardless of the danger and death his machine will unleash because his objectives have transformed in obsessions.

Here we can compared critical moments between the two characters and how character plays into the importance of these moments.

Rogers, still a scrawny specimen without the benefits of Erskine’s serum, is suddenly confronted with a grenade during training, unaware that is a practice dummy round and while the rest of the trainees run for safety, he throws himself on the device attempting to shield everyone from the blast. He understands on an intuitive level self-sacrifice.

Magento’s mutant creation machine requires his unique abilities as a power source and the power levels needed are likely to kill him. Rather than subject himself to that risk and danger he kidnaps a teenage girl with the ability to steal his power and forces her to bear that risk. Erik’s terror and trauma has transformed him into his own version of fascism sacrificing others for his own goals.

And therein is the critical difference between the character and the moral difference in ways to combat fascism. You cannot adopt fascist ways without becoming a fascist yourself. It is noble to offer yourself up for the cause it is evil to offer up others.

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The Importance of Good Cinematography

I have a bit of a time crunch this morning so this will simply be a quick observation.

During the week I started a re-watch of From Beyond the second H.P. Lovecraft adaptation from Stuart Gordon following his version of Reanimator with returning cast member Barbara Crampton and Jeffrey Combs.

While the script is far from stellar it was perfectly serviceable, at least at the start before it veered into distinctly non-Lovecraftian area of BDSM and sexuality but right from the start the film is undercut and severely damaged by its cinematography.

The scenes are well lit, and everything is clear and shop from the foreground to the background and that is the trouble. Now I do not know if this was because of some budget restraints, directorial edict or simply a stylistic choice by DOP Mac Ahlberg but it doesn’t work.

Even when the characters are supposedly in a darkened space and using flashlights the scenes are well-lit and everything is perfectly visible. There is no use of shadow and darkness of create danger and mystery in the character’s space a serious failing for any horror film. There is nice work when the ‘resonator’ is engaged and the scenes become bathed in lavender and purple as the other-worldly dimension intrudes into our own, but had the other scenes been lit more realistically, with more care to the light and shadow then the drastic change during the inter-dimensional events would have been more effective.

 

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Stop It with The Pan and Scan

Last night my Sweetie-Wife and I decided to watch a streaming film. The first couple of movies she selected from Amazon’s steaming library, we were going to Amazon because their catalog of foreign specialty films seems the best, were unsuitable because they were not available via our Prime memberships and in addition to a rental fee were sourced from 16mm prints. I am never going to pay a rental fee for a low-quality dupe from 16mm.

She advanced that she wanted to see a spaghetti western preferably one with Klaus Kinski a quick search turned up I am Sartana … Your Angel of Death. Okay we gave that one a try.

It didn’t look right.

The original aspect ratio was 2.35 to 1 but that was not the presentation Amazon offered up. In addition, the director or director of photography adored shooting through along zoom lens which magnified camera shake which was additionally magnified by the Pan and Scan alteration. On top of that fast camera movement and frequent transitions to ‘Dutch Angles’ made the experience not simply unappealing but actually headache inducing.

We switched over to Django Defies Sartana which is presented in its original aspect ratio, 1.85 to 1, and taken from a much better source.

In these days of high definition wide screen televisions there is no call for Pan and Scan at all and it should be eliminated.

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Blu-Ray Review: The White Reindeer

 

A few weeks ago as my sweetie-wife and I relaxed watching Travel Man, an amusing show that spends 48 hours in various cities and well worth a watch on Hulu, I came across a tweet suggesting that people need to watch this older Finnish film about a woman that becomes a were-reindeer luring men to deaths. I shared the information with my sweetie-wife who instantly wanted to see it. (She has a love of things Finnish.) Searching failed to find any site hosting The White Reindeer for streaming and because my own curiosity grew quite elevated and I ordered a Blu-ray of the film from Germany. (It’s a joy owning a region free Blu-ray player and being able to view discs from literally anywhere in the world.)

Several weeks later The White Reindeer arrived in our mailbox.

With a running time just over an hour The White Reindeer fits nicely into the sort of time slot that from the period would have been a ‘B’ picture but its quality is in no way associated with that ter. Starring and co-written by Mirjami Kuosmanen The White Reindeer’s protagonist is Pirita a young woman who find her newly married life to reindeer hunter Aslak more dull than she had expected as he is required to spend significant time on distant expeditions. In desperation she turns to a local wizard for magical help to make her irresistible but due to either the unusual nature of her birth or the malicious actions of the stone god that grants the power Pirita becomes a shapeshifter transforming in a rare white reindeer that no hunter can resist chasing to their doom.

The director Erik Blomberg avoids the typical transformation effects of the age and instead of lapse dissolves uses clever edits and cuts to suggest the change and promotes the fantastic feel of the film far better than if we had watched Pirita become the reindeer.

The White Reindeer won Best Fairy tale Film at the 1953 Cannes Film Festival the Golden Globe for Best Foreign Film in 1956.

More closely related to horror cinema that fantasy with clear mirroring of Universal’s The Wolf-Man without being derivative The White Reindeer is essential viewing for lovers of international horror films.

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HBO’s Fahrenheit 451

The past Saturday I finally got around to watching HBO’s adaptation of the Ray Bradbury novel Fahrenheit 451. written in 1953 the novel is a dystopian tale about a future where books are banned and firemen respond not to structure fires but to discoveries of illegal libraries and destroy them with flame.

This adaptation seems to take inspiration from the original novel and the 1966 film adaptation while inserting new elements from the filmmakers. The final product comes off as clumsy and inconsistent. The novel’s growing threat of war and commentary that an illiterate citizenry has been dropped in favor of the much more generalized idea of a population made docile with social media and entertainment. While the social medical aspects are a clever way of updating the themes of the novel removing the external threat of war steals away the purpose of the critique.

Montag’s family life and comfortable lifestyle have been removed stealing away the concept that rebellion and free thought are not without their costs. A loner loses nothing going out on his own and I believe Bradbury was very well aware of this.

The surveillance state of this adaptation is a bungled plot device as are the use of drugs to pacify the population undercutting the social media commentary that in the original work had been fulfilled by comic books and pornographic magazines.

Perhaps the greatest failure of HBO’s film is the insertion of a McGuffin devices to try and create an action adventure third act. A single strand of DNA containing all of the world’s surviving literature becomes a motivating prop that thematically is loose and disconnected from the rest of the work and only serves to provide a ‘heroic’ victory.

All in all, this adaptation is not worth the less than two hours it takes to watch it.

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Horrible Imaginings Review #6

Because of the way the online nature of this year’s Horrible Imaginings Film Festival worked once you started a feature or a block of shorts the user then had six days to complete viewing the material before the access closed. That means though I had been unable to complete all the blocks during the official run of the festival I still have several days to finish up blocks of short films before I lose the capability.

Last night after my sweetie-wife retired for the evening I watched the block of short films centered on the theme ‘We’re All in This Together.”

Perhaps the weakest block thematically as nearly every film could easily be placed into blocks such as ‘Blood is Thicker Than Water’ or “People Behaving Badly,’ this selection of film still managed to produce a few standouts.

Hammer follows a man, played by Eric Roberts, who comes home to find his wife engaged physically with another man. While a hammer seems to provide a solution, the final reveal is quite a commentary of jumping to conclusions.

House Hunting explored a possible internet craze that lay just beyond possible but not so far that it could be safely ignored.

But perhaps my favorite of this block is Make A Wish centered on a wife’s surprising and frighteningly violent but loving gift to her husband on his birthday.

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Horrible Imaginings: Reviews 4&5

I missed yesterday so this will be a double review but not doubled sized.

Sunday, we kicked off with the feature Diablo Rojo from Panama. The story concerns an owner/operator of a transit bus, his young co-worker, and witched and demons that pursue them over a dark secret from years earlier. Lost in the jungle area of the countryside with the addition of a pair of traffic cops and a priest they must unravel the mystery and put things right. Competently made Diablo Rojo was perfectly serviceable but did not manage to elevate itself above that. Too many elements were crammed into the same plot and convenient exposition fell from characters that had no justification for that information just because the story required. However, these are issues common to horror and non-horror film and this one was still fun to watch and possessed the most badass priest in a long time.

The blocks for Sunday were on the themes of Isolation and People Behaving Badly. Isolation in general did not work as well as the other block, perhaps because with often only a single character it’s more difficult to craft a good story. People Behaving Badly offered up killers and slasher and gave us more shorts that exceeded our expectations. The standouts from this block were Overkill a farce of the slasher genre, and Waffle and its disturbing take on when the gig economy invades the real of friendship.

Monday my sweetie-wife and I enjoyed the feature documentary Hail to the Deadites about the growth and power of the fandom community surrounding the Evil Dead film series.

I closed out Monday evening with the feature Repossession from Singapore. Jim is a 50-year-old engineer suddenly laid off from his employment and too proud to admit it to his family or to lose his status symbols descends into deceit and desperation to maintain his lifestyle as an evil from his past creeps back into his life bringing horror and helplessness. Repossession is an excellent example of slow burn horror. The first hour of the feature plays as a drama with only hints at something unnatural afoot and the last 30 spirals into deep supernatural terror. Hands down of the feature films this year Repossessionperfectly blending character and monsters is my favorite.

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Horrible Imaginings Review #3

The on-line at home edition of the Horrible Imaginings Film Festival continued yesterday. We kicked off the day completing the monsters are everywhere block of short films the two standouts from the completion of the block were Suspension about a fighter pilot trapped after ejecting in a tree where a monster stalks him and Malakout a haunting stop motion piece from Iran.

We then moved on to the feature film Survival Skills, presented as a narrated training movie for rookie police officers set in 1988. This filmmaker nailed the look and the tone of the 80s perfectly managing to make a satire with loads to say and plenty of entertainment.

Our house then broke for pizza and gaming before my friend and I returned to dark cinema.

Our second feature was The Return a passable tale of a young man facing the demons of his past following the mysterious death of his father. A competent Canadian entry The Return didn’t break any novel or interesting ground but managed to any critical failures.

We closed out the evening with another block of shorts the theme this time ‘Twisted Innocence.’ For me the standouts from this grouping of shorts were Bakemono where a Japanese’s girl encounters a traditional demon from folklore, My Brother Juan told entirely with a young girl being interviewed by an official of the state about her older and sick brother, and winning the award for most disturbing was Milk Teeth set in an orphanage where children pay a terrible price in hopes of being adapted.

Special mention goes to the stop motion short Kim, a charming and witty piece about a siren and her place in the grander ecology.

The festival continues.

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Horrible Imaginings Review #2

Yesterday was my first full day of streaming features and shorts form Horrible Imaginings Film Festival 11.

We started with the Feature Darkness in Tenement 45, a period pieces set in 1953 with New York City being evacuated before a suspected biological attack by the USSR. The film is set in one tenement as the residents deal with dwindling supplies and food and rising tension and paranoia. Sadly, this feature did not work for me. I think the filmmaker’s objective lay just beyond their abilities with a scrip that was functional but not quite there, talent that couldn’t quite carry the subject matter, and cinematography that capture the sense of the time.

We followed that up with a block of short films the theme being ‘Blood is thicker than water.’ This had a number of really good entries with standouts being Smiles from Spain, Separation, and Hammurabi.

At this point in my household we broke for dinner and evening board and card games.

After gaming and with my sweetie-wife retiring for the evening we resumed the festival with the feature Luz: Flower of Evil from Columbia. This feature sported fantastic production values with extensive color grading that recreated the feel on Kodachrome film that helped enhance the feature’s setting in the 1970s. It concerned an isolated community with its charismatic religious leader and their search for absolution in his repeated attempt to identify the reborn Christ. Ultimately though this feature also did not work for me. In the end the film’s conclusion failed to provide a satisfying resolution to theme or character.

We concluded with the short film block “Monster are Everywhere.” Though the evening wore too late and we shall view the final films in the block today. However, the standouts so far are Night Crawl where prisoner tunneling to escape make gruesome discoveries, Spiritual Practice, that centers on a military style training academy for exorcists, and Face your Fears where a young woman frightened of the dark engages in a terrifying game hoping to lose her phobia.

Today the terror continues.

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Horrible Imaginings Review #1 DEAD

The pandemic has forced the cancelation of many beloved events and some, like Horrible Imaginings Film Festival have move to an on-line model for 2020. So, while I have been deprived the pleasure of seeing friends and making new ones at the Frieda Cinema in Orange county this year, I have not been denied access to nearly 30 hours of horror cinema.

While the festival opened Wednesday evening with a double feature of The Brain That Wouldn’t Die and its 2020 remake for me and my sweetie-wife we started Thursday night with the New Zealand Feature length horror Comedy Dead.

Dead is the story of a stoner who has discovered a combination of marijuana and neurological medications that allow him to see and interact with ghosts, the ghost of an uptight and obsessive police officer, an attorney with a drinking problem and house arrest as they search for a serial killer stalking Wellington New Zealand.

Tilting decidedly more towards comedy than horror Dead is an entertaining little movie just under an hour and half the film delivers with talents performances, colorful cinematography, and just the right blend of explicit gore to light-hearted comedy with a touch of heart all wrapped in a light air of mystery surrounding the killer.

Dead made for an excellent launch to this year’s festival and I look forward to diving into the short film block and more feature films from around the globe.

 

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