Category Archives: Culture

Yet Another Reason to Hate A. I.

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Generative A.I. is not without decent and good uses but there has been a lot of terrible things as well, the scraping of artists’ work to feed it, my own novel has been fed into at least one A.I. to ‘train it, the enormous amounts of energy used to power it for so far little practical benefits, the dangerously destabilizing effect it could have if not carefully introduced in the economy. All that said last night I discovered yet another reason to hate the wide-spread and easy access to artificial ‘intelligence.’

After watching the programs of interest to us my sweetie-wife and I relaxed by scanning trailers on YouTube. Some were interesting, some were not but then at the end of the line produced by the search lay a trailer for The Odyssey.

Christopher Nolan began filming his adaptation of that classic story in February 2025 and it should hit theaters in the summer of 2026 so it is possible that some form of teaser trailer had just been released.

Nope.

Some forking dipshirt had prompted generative A.I. to make a trailer and it was among the most idiotic and terrible bit of video I have ever witnessed. It was evident within a few moments what sort of garbage this was, and we stopped watching, disgusted with the thing.

It is bad enough when fans make fake trailers; I still recall how hard it was to find a legitimate trailer for The Return, ironically enough also adapted from The Odyssey when the internet was overflowing with fan-made trailers using clips from various movies starring Ralph Fiennes. A.I. doesn’t even resort to clips, it just lies and throws crap into the world.

There are some very funny and creative fake trailers out there, such as Must Love Jaws which is created to make Jaws look like a buddy comedy when misfit friends Brody and Hooper have to stop the evil Quint from killing their shark friend. You would never mistake this for the real trailer, it’s a work of creativity and love, things A.I. does not possess.

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The Stool Has Three New legs

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When Reagan ascended to the Presidency in 1980, he often described the Republican party as a stool with three legs to describe the major divisions of the movement as: Family Values, Fiscal Conservatism, and Anti-Communism.

One can argue with aspects of any one or all three elements, but I do think that description pretty much told you who and what made up the GOP at that time. There are some deluded fools who think it still has bearing but the legs of that stool have long since been replaced with three new ones.

Cruelty to the Queer, Looting Public Funds, and Isolationism marbled with a rich vein of white supremacy are the new legs.

What little compassion for others in the old ‘Family Valuers’ crowd, and there hadn’t been much to begin with, has boiled away with its concentration in the homophobic transphobic, and woman-hating stew it has become.

Fiscal conservatism, however, it may may have erred with ‘supply side’, now makes no pretense at sane or rational monetary policies or decisions. The last Republican president, who is also the current one, ran the debt and deficit to insane amounts and now wants to add trillions more to it with additional tax cuts for the very wealthy.

The isolationism of the new GOP is unmistakable, democracies are derided and left to suffer invasions from militaristic and expansionist neighbors while the deep and binding commitments of the post war era are abandoned. The white nationalism is plain when books about racism are removed from the Naval academy, but Mein Kampf is left for the cadets to read.

From 1980 through about 2003 I was a registered Republican, but the mark of true wisdom is not being free of mistakes but recognizing when you have made them.v

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Absence of Religion or the Supernature Does Not Equal Nihilism.

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While as a child I was raised with moderate Southern Baptist beliefs and attended at least a smattering of Sunday School classes, the faith never really took hold. It is a truism to me that from the outside all religions look preposterous, but it is a very human thing to believe in them.

In my opinion, there is no soul, no spirit, nothing that existed that is ‘me’ prior to my birth, nor will there be anything lingering after the biochemical reactions that power my flesh cease. When I die, that is it; that is the end of all thought and all sensation. No lake of fire or endless clouds await me. This one brief passing moment in the nearly limitless expanse of time is all that will comprise my existence. For all of us, this is it; this brief, fleeting, flickering moment of consciousness is all we get.

Does that mean life is meaningless, without purpose or value? Fuck no! It means that the value life has, the purpose life has, is determined solely by each and every one of us for ourselves. We create meaning, and that is the center of a life that is our own.

It is because I hold these beliefs that I deeply despise the ‘social conservatives’ and their spiteful domineering of other people’s lives. You want to believe that sexual relations with people of the same gender is wrong? Fine, go ahead and refrain from it all you wish, but don’t tell others how to behave. Believe that life divides neatly into binary states of existence? Foolish, but that’s okay for you, but don’t tell others how to live.

We get this one tiny moment to live, and as long as it is not harming another, you should get to live your life in the manner that brings you joy in this painful, passing existence.

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This Photograph Isn’t Black and White

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This picture, while commonly called black and white, is actually greyscale. The picture elements, pixels, as I do not shoot on physical film but with a digital camera, recreate the image with tones that go from black, an absence of signal, to white, a saturation of signal, but with the vast vast majority somewhere in the middle creating some level of grey. We call it a black & white picture for simplicity and ease of language, but the actual image presented is not binary, it is more complex than that. Our troubles begin when we take what is used for simplicity and speed of communication, black & white, and mistake that for actual reality. The same applies to so much of life.

To many, the founding of the United States is a binary event, either good or bad depending on the person’s perspective. Terrible things were brought into this world with the European settlement of these continents, diseases that killed millions and destroyed civilizations, kidnapping and enslavement of millions more. It is foolish to dismiss these events and actions as mere history, products of their time, and insignificant to today’s events. Today’s home is built on the foundation of what has been. It is also true that the founding of this nation brought forth fantastic new ideas. The very concept of true human liberty and equality expressed in those events reverberated around the globe, inspired countless struggles for freedom and set the conditions for those who followed to even conceive of righting the wrongs of history. The founding of the United States, like the photograph, is not a black & white thing, it is both good and bad, existing far beyond the straightjacket of binary thought.

Nature doesn’t exist in any binary. Everything out there is part of a spectrum of existence, gender, intelligence, consciousness, everything.

Reject the binary and see what is real.

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My Two Unpopular Takes on Frankenstein

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rankenstein is not science-fiction.

The Creature/Creation is not sympathetic.

There is not a small number of people and fans who want to count Mary Wollstonecraft Shelly’s 1816 novel as one of the first if not the first work of science-fiction. I disagree, but not because I want to dismiss such an influenceable work. Frankenstein is one of the most important works of literature. Two hundred years plus after its publication we still not only debate and adapt the work itself, but the theme of irresponsible creation echoes in so many works it would be futile to list them all. Both HAL9000 and the Terminator owe a debt to Shelly’s vision. But the fact that so much science-fiction mines that productive vein that she uncovered doesn’t make the original science-fiction as well.

In a work of SF, the method of the fantastic is vitally important to genre. Taking a Pegasus to the moon is not science fiction, but using a cannon to shoot myself there is. Method defines the genre. While Shelly may have been inspired by Galvanism it is absent from the text. In fact, in the text of the novel Shelly doesn’t just hand-wave her way past how Frankenstein created life, she leaves out the method entirely. She leaves it out because the method is unimportant to her theme and her subject. She wasn’t interested in how he created life only the ethical issues that raised. Verne’s trip to the moon is built upon the method of getting there and far less interested in what that means. Shelly’s creation of life ignores the ‘how’ but explores the why and the consequences. Frankenstein is one of the most important works ever created but it is not science-fiction.

The Creature is not sympathetic to me because it comes off to me as a dangerous, murderous, narcissist. Much has been made about how the doctor abandoned the creature, leaving it to suffer torment in isolation. That’s fair enough and is Shelly’s point, but the creature’s actions following that are impossible to justify.

While I think we can agree that vengeance is at best a questionable course of action, and had the creature’s vengeance been directed solely at Frankenstein it would be far less reprehensible but that it is not how the text unfolds.

To make his creator suffer the creature not only murders a child only because the boy is a relation to his creator but then frames an innocent woman to suffer the mob justice for his own crime.

When the creature confronts his creator in the ice caves of Switzerland, he proclaims that no being could love as greatly as himself but hurt and abused he swore to hate as greatly. He betrays the classic profile of a narcissist, his own feelings are paramount and those of others, such a murdered child, grieving parents, or those unjustly lynched for his crimes are of no consequence. There is precious little difference between the creature taking his violent vengeance on innocent bystanders and the mass murders of American murdering strangers.

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The Prisoner, A Conservative Psychiatrist, & Our Dark Times

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In 1967 star and producer Patrick McGoohan released into the world a surreal allegory of television series The Prisoner about an unnamed espionage agent kidnapped to a secret island called ‘The Village’ with the reason for his sudden resignation of great interest to his captors. A full decade before the brilliant surrealist filmmaker Daid Lynch would burst onto the scene with Eraserhead, The Prisoner would be most people’s introduction to film and television that would later be called Lynchian.

An important aspect to The Village and its totalitarian governance is that dissidents, malcontent, and people who attempted to resist were not labeled criminal but rather sick, mentally unbalanced. after all, no sane person could possibly resent to idyllic life present by the Village.

36 years after the debut of The Prisoner, conservative columnist and former psychiatrist Charles Krauthammer commenting on Democratic politician Howard Dean toying with conspiracy theories that President Bush had been forewarn of the terrorist attacks of 9/11 coined the term ‘Bush Derangement Syndrome,’ mirroring the Village’s policy of treatment dissent and disagreement as mental illness allowing easy dismissal of any and all criticism. Granted, Krauthammer probably meant the term as merely play on words and not at all a serious rebuttal, but the fast adoption of the term and its repeated deployment negates whatever intent the writer had.

A dozen years after Krauthammer introduced mental illness as a dismissal and pejorative for those is disagreement the term ‘Trump Derangement Syndrome’ entered the political terminology with current events expanding it to include ‘Musk Derangement Syndrome’ to include the wealthiest man alive and the administration hatchment man for regulatory governance.

As this administration proves itself criminal, callous, careless, and cruel the terms ‘TDS’ and “MDS’ are employed more and more. After all, no ‘right thinking’ person could possibly oppose such ‘common sense’ actions such as ignoring the courts, holding due process in contempt, and persecuting ‘enemies of the people’ for their speech.

At the end of the Prisoner’s only season when our unnamed protagonist finally discovers who is ‘Number One’ the person in charge of the Village and all its conformity demanding madness, it is a person who looks precisely like himself. The allegory clear, we all live in the Village. We have put ourselves there, caged by our own conventions and demands for tranquility.

And now in reality we are trapped in a ‘Village’ of our own making. Our wardens insisting that our rejection of an insane, idiotic, and cruel administration proof of our mental illness. I, for one, wear the ‘syndrome’ badge with honor. The truth remains, this is a cruel, criminal and deeply stupid administration and the truly deranged are those who profess that is normal and good.

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Tesla Vandalism Is Domestic Terrorism

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Before I start let me state without qualification or evasion that Elon Musk, unelected and unaccountable, should get the fuck out of our government.

A recent spate of vandalism against Tesla dealerships and charging stations has erupted on the news cycle prompting the President to declare the acts as ‘domestic terrorism’ with promises of persecution. This is turn has caused some corners of the left to insist that it is ‘just vandalism’ and not terrorism.

I would maintain that acts of violence, against people or property with the goal of effecting political change, in this case driving Musk from his position of power, is pretty much the definition of terrorism. It occurred within our national jurisdiction and presumably from American nationals making it thoroughly domestic. Simple logic renders the inescapable conclusion that these acts are indeed ‘domestic terrorism.’

That’s not the real fuck issue.

The real issue is that this administration will in no way or in no manner treat all acts of domestic terrorism equally. The pardoning of the violent insurrectionist who attempted to overthrow a fair, free, and legitimate election is proof of this. Further evidence is the legal action against the man who organized pro-Palestinian protests.

When Trump promises to use law enforcement against some persons but not others, he is employing the fascist credo ‘For my friends, everything; for my enemies the law.’

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Fake it Till You Make it

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The affirmation ‘fake it ’till you make it’ has long been one employed to fight the dreaded ‘impostor syndrome.’ To be a writer with confidence, act like you have that confidence, play the part until it because a reality for you. This applies to nearly all areas of human activity; act the way you want to be, and it will help you become exactly that.

I think there’s a dark mirror-universe version of this effect as well. I think if you want to be that thing you are act is fairly irrelevant. You will tend to become what you pretend to be, even if that was not your original intention.

There’s an activity, principally online, known as ‘owning the libs,’ where people, mostly men, perform in a manner to provoke anger and outrage from liberals and then rejoicing in the fact that you managed to make the outraged. The fact that there’s an entire community of people acting this way is of concern because in my opinion many of them are ‘faking it’, being homophobic racist until they ‘make it’ actually becoming homophobic racists.

Compounding this effect is the presence of actual homophobic racist all too eager to welcome anyone to their ranks. The pressure of conformity within any social group is powerful, humans are social creatures, and those drives are very hard to overcome. Pressure to conform to the hateful community eventually molds those ‘pretending’ into actual adherents.

So, maybe that ‘okay’ hand gesture wasn’t really and truly meant as a white power symbol, and maybe that ‘roman salute’ was just someone throwing their heart to the crowd, but such things a welcomed with great joy by the fascists and racists and positive reinforcement changes people. Sometimes they fake it until it makes them Nazis.

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Aesthetics Defines Fascism

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One of the more tedious debates in popular political discussion is the endless argument about placing fascism on the left or on the right. Both ends of the political spectrum are desperate to have the 20th century’s greatest monsters reside in their opponents family tree rather than their own. As such both sides are immune to actual arguments and logical constructions because it is a requirement of their purity that the ‘truth’ bend to their personal preference and that their ‘side’ remains free of that taint.

Some years ago, I saw the fascinating documentary Architecture of Doom which examined the NAZIs from an artistic point of view instead of a political one. The thesis was that while the party lacked any real coherent political philosophy adopting conflicting positions if that led to real power its aesthetics were fairly consistent. From Hitler on down there was a real obsession with how things looked. A fixation on the ‘high’ art of the past and a hatred of the modern ‘degenerate’ art.

Which brings us to America today and the neo-fascist that have corrupted the Republican party.

This past week Trump dismissed most of the board of the Kennedy Center for the Arts and installed himself as that chairman. When asked about it during the Super Bowl interview one of his comments was “It’s not going to be woke. There’s no more woke in this country.”

Later that day the Super Bowl paused for its massive halftime show led by performs Kendrick Lamar. Apparently, I did not watch the game or performance I was at Disneyland, there were no white performers in the show and there’s been quite a bit of griping about that show. Of course, most people have interpreted the complaints to be principally about racism and they are not far off in that assessment. But a great component of the right’s racism is again an aesthetic issue. These performers don’t look like what these racists think people who are to be admired and coveted should look like.

This applies to the queer and trans communities as well. The neo-fascists know precisely what they think men and women should look like and those who vary from that image are the ‘degeneracy’ that the neo-fascists fear and abhor.

None of this is meant to dismiss or play down the very real legal threats that are multiplying like tribbles in our government today. The flood of illegal actions, dismissals, and seizure of power is a very real threat to our system of government. These must be fought. We are under assault from every quarter and the artistic is a vital one not merely a sideshow.

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Movie Review: Companion

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Nailing the genre of Companion is a tricky endeavor. Many consider it to be a horror film, after all it’s about an A.I. that’s for the run time of the film is primarily engaged in a spree of killing. Other classify the film as science-fiction/thriller, I guess because they turn their nose up at horror. What is undeniable is that Companion is at its heart a satire taking aim at terrible men and the manner in which they treat their romantic partners.

Warner Bros Studios

Sophie Thatcher, whom I last watched in the terrific Heretic stars as Iris, an emotional support robot, that is sex bot, to craven and despicable Josh (Jack Quaid.) They have journeyed far into the countryside for a weekend with two other couples, Eli, (Harvey Guillen) & Patrick (Lucas Gage) and Kat (Megan Suri) & Sergey (Rupert Friend.) Very quickly things go badly when in an act of self-defense Iris kills one of the men and events spiral out of everyone’s control.

Some have complained that Companion’s trailers, revealing that Iris is in fact a machine, destroys the movie’s ‘twist’ but that is not the case. The script is loaded with reveals and reversals that at each turn enhance the story and further the satire.

Writer/Director Drew Hancock has crafted a find piece of cinema that is both highly entertaining, rightfully funny without ever losing it thematic core while avoiding becoming a tiresome lecture. Sophie Thatcher is excellent in her performance, often making these tiny choices that very subtly convey quite a bit about Iris and her internal monologue.

This is a film I can whole heatedly recommend.

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