Category Archives: Television

I’m Back

So, I have been busy these last two weeks looking after my sweetie-wife following her surgery. Everything went very well and today I am returning to my day job. I am also returning to, hopefully, regular updates to this blog and back to my writing.

Here are a few thoughts on recent shows but not full deep dives.

Star Trek: Strange New Worlds

Following the adventures of Captain Christopher Pike, commanding officer of the Enterprisebefore Kirk, this series seems to have found the right balance between honoring the past and original series while striking out for new territory with new characters and fresh takes on old ones. I am particularly enamored with Jess Bush and her take on the underutilized character Nurse Christine Chapel. There are breaks with canon but so far these have created new and compelling storylines that justify the rupture.

Ms. Marvel

The latest MCU series to debut on Disney+ Ms., Marvel follows the life of Kamala Khan a Pakistani-American highschooler and devoted Captain Marvel fan as she navigates life in the MCU, her Muslim family and neighborhood, with varying levels of devoutness, and her sudden and inexplicable acquisition of superpowers. The show’s style is vibrant, energetic, and exploding with energy, much like the life of a teenage while neatly balancing the fantastic with the reality of modern life for a character caught between tradition and the wider American culture.

I have very little actual knowledge of Muslim-American culture, and less that would apply to the specifics of being Pakistani-American teenage girl, but the show feels honest and respectful giving me an insight I have not before possessed. Well worth the watch.

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How a Conservative Columnist Displayed Both His Ignorance and His Bias

Elements of the geeky internet awoke yesterday when the ironically name conservative writer David Marcus (Also the name of the fictional son of Trek’s James T. Kirk) accused the new slate of shows of going where it has never gone before ‘woke’ politics.

Now many have already leapt into the conversation with numerous examples od how Star Trek from its very inception had always displayed a more liberal political viewpoint. However, I think that there is more interesting facet to examine in Marcus’ factually wrong essay that displays his own quite strong inherent bias.

First let’s look at a blatant factual inaccuracy. Marcus writes.

 Since its creation in 1966 the franchise has had myriad iterations on big screen and small, basically invented the sci-fi convention, and has charmed audiences across every generation.”

This might be true of Media conventions but there were 29 World Science Fiction Conventions dispensing coveted award before the first large Star Trek convention. (Setting aside a smaller gather in a library conference room.) It is clear that the author has very little practical knowledge of fandom or its history.

Next Marcus takes issues with the casting of politician Stacey Abrams as the President of the United Federation of Planets in the streaming series Picard. Stunt casting is a long and stories tradition in Hollywood, when Babylon 5 moved to TNT there was pressure to cast some the networks wrestling stars in the series for cross promotion and Star Trek in its original 60’s incarnation cast famed celebrity lawyer Melvin Belli as a corrupting alien ghost. Star Trek: The Next Generation saw the casting of real-life astronaut Mae Jemison. This sort of stunt casting is hardly new and not at all new to Trek.

But apparently what set this essay in motion for Marcus, and that’s my opinion from reading the piece, is the brief video from the 2021 insurrection and riot at the US Capitol.

Again, from Marcus’ piece.

The second was a weird plot twist in the pilot of new show, Strange New Worlds in which the 2020 capitol riot is depicted and blamed for starting a Second American Civil War and the destruction of the planet. To put it more succinctly, Orange man bad.

It is illuminating that Marcus see it in this light when in the actual text of the show the character narrating the events is hopes of preventing an alien culture from engaging in a global extinction

CBS Ventures (Screen Cap)

level war describe the start as a ‘fight for freedoms,’ makes no mention who started what, or assigns any blame. Only that the fight grew and grew and grew until it nearly destroyed humanity. And there’s not even a the barest of refences to any currently politician.

The video footage from the insurrection lasts a total of six seconds. From this bit of lifted archival footage Marcus constructs an alternate reality worthy of the Daniels’ multiverse where humanity has hotdogs for fingers. He sees the shows creative team putting all the blame for Trek’sWorld War 3 cannon firmly on the conservative shoulders when the text makes nothing like that argument.

Why does he jump so readily to that conclusion?

To me the answer is plain but is to be fair conjecture. It is because he knows that the violence and death are the product of the modern conservative culture. He desperately wishes it were not so, he desperately, like all of us, wants to be the hero and not the villain. Facts are stubborn things, and the facts are clear it was conservatives that stormed the capitol with murderous intent unwilling to accept the legal, fair, and democratic process that had defeated them. It is far more soothing to the ego to point fingers, accuse others of propaganda, and play the victim than to look into the mirror recognize that you are the evil man.

Marcus’ histrionic response to six seconds of archival footage reveals that he is aware that his faction are the villains, and his response is deep and deadly denial.

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Streaming Review: Star Trek: Strange New Worlds

Be aware that I am an old fart and the first thing that comes to mind when someone says ‘Star Trek’ to me is the original series and the original actors, much of the newer batches, particularly the newest, have little call for me.

That said I was excited by the news of Star Trek: Strange New World which proposes to go back to when the Enterprise was commanded by Captain Christopher Pike as seen in Trek’s original pilot The Cage.

In the pilot when we meet Pike (Anson Mount) he is deeply troubled by some haunting past event which he doesn’t share even with his S.O. (Significant Other not Supply Officer) An event

Credit: Paramount Pictures

that has him grounded and doubting himself. However, when his first officer, Number One (Rebecca Romijn) goes missing on a first contact mission Pike resumes command of the Enterprise and launches a mission to save her. During the rescue and first contact mission Pike must come to grips with his trauma and rediscovers, partially through Lt. Noonien-Sign (Christina Chong) a survivor of a horrific event, what it means to live fully under a terrible cloud. An understanding reinforced by his friendship with his science office Spock (Ethan Peck)

Strange New Worlds tips its hat and pay homage to the original series in a number of ways but also breaks canon continuity so your milage may vary on how well it integrates with the franchise as a whole. Secondary characters from the original series appear as crew members, Doctor M’Benga (Babs Olusanmokun) appeared in only a couple of episodes in the original show is now the ship’s primary medical officer, assisted by Nurse Christine Chapel (Jess Bush). Additional original series characters include Cadet Uhura (Celia Rose Gooding) and Chief Kyle (Andre Dae Kim) though he looks far too young to be a Chief.

Production design and set decor also took inspiration from the original series while not sacrificing a modern appearance. Graphics that appear on the bridge monitors are directly referencing original low-tech graphics of the original show and control even have some of the domed color button that always looked so candy-like to me.

However, the show is not without its flaws. The distances between star systems is preposterously brief, particularly in respect to the original series. Also Lt. Noonien-Singh’s background is clear break with continuity as James Kirk famously made first contact with the Gorns. There is a tendency to use advanced technology as magic and I doubt that will fade away in subsequent episodes.

But, overall, I enjoyed the pilot and will return next week for more.

Star Trek: Strange New Worlds streams Thursdays on Paramount+.

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My Upcoming Geeky Artistic Weekend

Which artistically is starting tonight, Thursday.

Tonight, I plan to go out and see the foreign language Finnish horror film Hatching before it vanishes from theaters in my area. (I must admit I adore my AMC A-List subscription that makes rolling the dice on movie so much easier.)

Also tonight is Star Trek: Strange New Worlds. My sweetie-wife and I will be giving the series a try. Now, I’ll confess that lately the trek shows have not been working for me but hope springs eternal.

Saturday evening I plan to venture to San Diego’s Balboa Park for more experiments in night photography. Last weekend when I left the secret morgue I spied the California Tower lit by colored lights and thought it would be a good subject for my meager photographic skills.

Sunday morning my sweetie-wife and I will go out and catch the new Doctor Stranger movie.

All in all I am looking forward to this weekend.

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Series Review: Slow Horses

 

Originally, I hadn’t planned on adding Apple TV+ to my collection of streaming services. While they proposed a few films and television programs that interested me the lack of any back catalog made the service less than appealing. However, after a year of free access for buying a new computer, I have found that there is more than enough content to justify the affordable price and among that content if the series Slow Horses.

Adapted from the espionage novel of the same name by Mick Herron Slow Horses centers on

Apple TV+

Slough House a division of MI5, the UK’s domestic intelligence service, where disgraced, burnt-out, and embarrassing officers are sent to wait out their careers performing pointless, mindless, and route tasks far from the bright and shinning center of Britain’s spy service.

The Leper Colony of intelligence officers newest addition is River Cartwright (Jack Lowden), grandson of a legendary officer, but River has disgraced his family name with a disastrously bad terrorist training exercise and is now exiled to Slough House where he answers to Jackson Lamb (Gary Oldman) an apparent drunk and burn-out.

When Diana Taverner (Kristin Scott Thomas), MI5’s Director of Operations, has a false flag operation go spectacularly badly endangering the nephew of Pakistani general, she sets up Slough House to take the blame for her operation. Cartwright, Lamb, and the other misfits derogatorily called Slow Horses, must not only outwit Taverner and reveal the truth of her operation but must rescue the kidnapped nephew before fascist nativists murder him.

Slow Horses is much closer to John le Carre’s fiction that to Ian Fleming’s super spy stories, though in addition to the gritty, grimy, and dirty world of killers and spies, Slow Horses adds office humor and humanity to the bottom barrel officers trying to do the right thing. With five of the six episodes released, Slow Horses has very nearly reached its conclusion in adapting the first novel. The acting to superior, particularly Oldman’s portrayal of Lamb, a man who has seen too much of the worst of humanity but still harbors a strong sense of right and wrong hidden within a flatulent disguise. The production design is spot on with sharp contrasts between ‘the palace’ MI5’s modern steel, glass, and cyber enhanced headquarters and dirty, broken, and drab building that is the home to cast offs of Slough House.

Apple has already produced a second season of Slow Horses coming late 2022 and I for one am up for it.

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Streaming Review: Moon Knight

 

I find it difficult to adequately review a story where the ending has not yet been revealed. So much hinges upon a tale’s ending and a poor one, yes I am looking at you Game of Thrones, can wreck all that came before it. However, to build conversation Disney+ and Marvel Studios have opted for the week-by-week release format and so here are my thoughts on Moon Knight with just two episodes released. (It seems quite wrong to refer to them as ‘aired’ when they exist on a streaming service and not a broadcast one.)

Freed from the shackles that had once forbidden reference magic or time travel, both elements now firmly embedded with the greater MCU, Moon Knight embraces mysticism and ancient gods

Image: Marvel Studios

as the titular character is an avatar for an Egyptian deity devoted to justice. An additional level of complexity and complication is that the story’s protagonist suffers from Dissociative Identity Disorder, (DID), commonly known as ‘split personality’. Steven Grant is a quiet, unassuming English gift shop employee with an interest in Egyptology, but when asleep or under stress, the personality of Marc Spector, and tough capable American Mercenary, emerges. Chased by enemies Marc has instigated by stealing a mystical artifact from a secretive Egyptian cult, Steven learns that not only is his world unlike anything he has imagined but that everyone’s fate may be tied to his own.

Oscar Isaac delivers a subtle but large performance at Steven/Marc with only minimal changes to his hair styling as a visual cue to the currently dominate personality. Ethan Hawke is charming, controlled, and fanatical Arthur Harrow, devote to rival Egyptian god, and the leader of the cult pursuing Steven/Marc. The supporting characters as of episode two have had only cursory development but the writing is strong enough that they hold promise we can hope will be fulfilled.

Overall, the series is engaging, mysterious, and worth watching more episodes. We can hope that they don’t muff the ending. After the disappointment of Eternals is it good to see that Marvel can still launch a new cast of characters now the question is can they land them?

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Series Review: HALO

 

Adapted from the 2001 Xbox game HALO: COMBAT EVOLOVED Paramount + debuted yesterday the pilot episode of their Sci-Fi series HALO.

While I have played the game and its sequel I have never dived deeply into the lore or worldbuilding for HALO and as such my interpretation of the series is not a comparison but as a new viewer.

Set in the distant future of the mid 26th century, HALO is concerned with both a conflict between the Interstellar human government, breakaway rebel/insurrectionists colonies the war between the humans an alien coalition known as the Covenant. The story centers on a cybernetic warrior Spartan 117 ‘Master Chief,’ part of an elite unit of cybernetic fighters.

When the Covenant attack the separatist world of Madrigal, the Spartan intervene and discover in addition to a sole survivor of the massacre that the aliens were seeking some device on the colony. Factions with the human government splinter and contest each other for the best methods in dealing with both the Covenant and the Separatists with Master Chief, acting on an element of his reawakened humanity, finding a measure of independence from his programing.

HALO boasts impressive production design and special effects with many of the game elements both faithfully reproduced visually and credibly for today’s discerning audiences. The storyline is not a direct adaptation of the game’s plot and I believe I read somewhere that the show runners have no intent to adapt the already existing lore and story from the games.

The pilot episode seems to be unable to make up its mind what it wants in terms of tone. The action sequences are fairly well staged and fast paced but with the tangled political plotlines leaving the viewer without any clear faction to support the action is undercut. In the pilot it is unclear if any of the factions deserve the viewers sympathy or emotional investment.

Pablo Schreiber performed quite well as Master Chief but with and without his helmet. However, I found Natascha McElhone’s performance as Dr Halsey, creator of the Spartan Program, stiff and unconvincing. Several times we have her looking directly down the camera lens and I was at a loss to understand just what emotion or thought she was attempting to convey. This may be a directorial issue as I had no such troubles when she was in the American version of Solaris.

The episode’s dialog is best described as serviceable. While the exposition is not as heavy handed slapped into your face as JMS’s on Babylon 5 there were repeated instances where the characters spoke more for the audience benefit than from any inner need.

Overall, there is enough there to hold my interest and bring me back for another episode, but the series has failed to truly hook and me and leave me with anything more than a mile interest. Hopefully that will change with more and better episodes.

A gentle reminder that I have my own SF novel available from any bookseller. Vulcan’s Forge is about the final human colony, one that attempt to live by the social standard of 1950s America and the sole surviving outpost following Earth’s destruction. Jason Kessler doesn’t fit into the repressive 50s social constraints, and he desire for a more libertine lifestyle leads him into conspiracies and crime.

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Nordic Noirs

Nordic Noirs

 

My sweetie-wife a few years ago introduced me to Nordic Noir crime shows and I have grown to really enjoy them.

Here are a few that we have watched and I have enjoyed. Some are available on Netflix, some on Amazon, and others we watched on disc thanks to my region-free player.

The Bridge (Bron/Broen) A Swedish and a Danish detective team up when a murder victim is found on crossing the border in the middle of the bridge between their two nations. The second season has very silly virology, but the lead character is utterly fascinating.

Arctic Circle A Finnish/German co-production the series is centered on a tiny town in the far north of Finland in the Lapland area. Another storyline that has suspect virology this series is great for its small town feel while having an international plot.

Rebecka Martinsson Another Finnish production, this one adapted from a series of mystery novels about the titular character a high-powered lawyer with a screwed-up life that returns to her Lapland hometown and becomes intwined in murder investigations.

The Chestnut Man A Danish series this show follows a pair of investigators, one on load from Interpol, as they attempt to unravel a series of grisly murders where all of the victims were mothers.

The Valhalla Murders an Icelandic series about murders tied to a foster/adoption home.

Trapped another series from Iceland, this time am ocean ferry is forced into port during a storm and the local police must untangle the murder mystery during the tempest.

Bordertown Returning to Finland this series about a cross border murder investigation between Finland and Russia.

The Killing is a Danish show with a twenty-episode story arc investigating the murder of a high school girl that becomes deeply entangled with city politics.

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Learning to Watch Episodic Television

 

Not me mind you, I grew up watching TV in the 60s and 70s. Episodic TV was normal for most of my life, but it is a relic of a time now past, and some people have trouble engaging with it.

I follow a number of podcasts where younger people watch movies and television and hearing their interaction with an episodic series like the original run of Star Trek is interesting.

Having known pretty much only serialized story telling where the events of earlier episodes influence or even drive the events of later episodes they are sometimes befuddled when the character don’t reach back and use solutions that they have already discovered. Or when the characters act surprised to learn some fantastic historical fact more than once. Such as ancient Greek gods were in fact visiting aliens, such as in original Star Trek episodes Who Mourns for Adonais and Plato’s Stepchildren. It is unnatural to their story consuming habits to treat each and every individual episode as a unique story independent of the others.

This is not a slight on them. Art changes and the art forms of earlier generations are rarely consumed or interpreted the same by following generations.  I have seen people perplexed by Rick in Casablanca waiting so long to shoot Major Strasser unused to a production code that forbade the hero for shooting a man, even a Nazi, who had not yet pulled his weapon. Strasser must try to shoot Rick before Rick is justified in shooting Strasser.

It will be interesting to see what new evolutions in story telling confound and confuse future artistic consumers.

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Resident Alien: Mid-Season Impressions

 

The SyFy channel’s series Resident Alien has been progressing through its second season and now with several episodes completed here are my thoughts.

For those who missed the first season the show is about an alien whose mission was to destroy human life on Earth. However, after crashing he becomes stranded and adopts the identity of a doctor in a tiny Colorado mountain town. The second season continue the story with several residents of the town aware of the doctor’s true nature and the conflict between the alien ‘harry’ and his emotional ties to his friends and humanity in general. There are also secret government agencies chasing after Harry to capture him.

The second season feels a little more scattered, with less narrative momentum than the first one, though the character interaction and rich comedy are still quite present. Harry had clear goals is season one which provided most of the character’s motivations and in this season, he seems more adrift, more buffeted by the plot than driving it. That said, the ending is where this ties together and it, they pull it off then the season will still be a success,

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