Category Archives: Culture

Nonsense Nomenclature

Recently the San Francisco Board of Supervisors officially proclaimed something that has been a common cry for Gun Control activists that the National Rifle Association is a ‘Domestic Terrorist Organization.’ This is absurd when shouted by protesters and idiotic when made as an official statement from supposedly cooler heads.

Terrorism is the use of force with the principle intent of utilizing fear to affect a political process. Certainly some of the cowardly mass murderers were terrorists, slaughtering helpless people at worship, while shopping because of racist and bigoted ideologies, particularly to ignite a ‘race war’ is terrorism. It is also true that the ideology behind it is a terroristic one, without hopeless odds to induce their twisted bigoted beliefs through the political process, no matter the recent successes of blatantly racist politicians and candidates, the ‘radicalization’ of angry young men continue to generate these cowardly murders.

However, that is a long way from the NRA being itself a terrorist organization.

A player, though its powerhouse days may be behind it, in the American political process, the NRA has never sanctioned, endorsed, or encouraged any of the mass murders. The NRA, its endorsements, and its financial contributions have serous impact on the political landscape seriously undercutting any reasonable attempt to define it as a ‘terrorist’ organization.

Labeling the NRA a terrorist organization is not reasonable but it is understandable.

While the NRA has not in any way encouraged or endorsed these murderous attacks it has displayed a callous indifference. Offering nothing more than the empty phrase ‘thoughts and prayers’ while pointing accusing fingers at video games the NRA stubbornly refuses to take any action to prevent these evil acts giving the impression that no amount of bloodshed or pain can ever matter more than their own narrowly defined self interest.

This heartless inaction, in my opinion, will, in the end, cause greater harm to the organization’s goal and objectives than any minor or modest legislative compromise. As I have argued before eventually a cultural tipping point will be reached, a like a dam bursting, the flood that follows will wash away everything that came before. I think it is instructive that in the 2018 election cycle the Democratic Party did not run and hide from a solid stance in favor of more gun control. The old collations have passed away and in this delicate time new ones are forming. Trump harms the Republican’s ability to reach beyond their core base with the college educated and far less devoted suburbs already fleeing to the Democratic party just new cycle of re-districting is about to be begin. The 2020 election will impact the next decade and the dam may already be bursting.

Share

It is Probably a Bad Movie Anyway

Some weeks ago I first saw the trailer for the thriller The Hunt and I was unmoved and uninterested. If you are familiar with the classic story The Most Dangerous Game, a piece of literary fiction that has been adapted into film several time or the Ozploitation movie Turkey Shoot  then you are aware of the basic set-up for The Hunt, a group of people are forced to the objects of a big game hunt and must fight and use their wits to survive. When I saw the trailer my thoughts went to Turkey Shoot  and frankly seeing that again prompted more interest.

Last weekend a conservative friend of mine brought up the film because of controversy that was apparently bubbling over at conservative websites. The movie grand satire was that gun-toting liberal elites were the hunters and that they had selected ‘deplorables’ Trump supporters and the like as their game. Under fire for this set-up, with Trump taking part in condemning the movie, and the horrific tragedy of three mass shooting events, one certainly politically motivated, within seven days, Universal pulled the movie indefinitely from their release schedule.

Ruben Baron at the website CBR reports having read the script by Damon Lindelof and Nick Cuse and compares it to an episode of South Park  where both the liberal hunters and conservative prey are presented in a bad light. In an attempt to be even handed apparently the script treats the liberal hunters as stereotypes and the people selected for the hunt are guilt of more than simple right-wing political positions but are also spousal abusers and such. (Though that itself ignore that domestic violence spans the political spectrum and reveals more about the screenwriters than perhaps they intended.) The central hero is a Red Stater who was selected by mistake when her name is confused for the hunt’s actual target.

I find it amusing that before Fox News, Trump, and PJ media jumped into the fray certain that this was nothing more than a liberal hit job on ‘real’ America that the most sympathetic characters were likely to be the conservatives being hunted. Narrative fiction, at least in the European tradition, is about character struggling to overcome adversity to achieve a goal and in that mold the characters an audience is most likely to root for are the ones fighting to survive. They have with the highest stakes in the conflict, are the ones suffering at a disadvantage, and the ones more likely to fail. I am reminded of a WWII training film about enemy interrogation where an allied aircrew is captured by the German and subject to various tricks, threats, and subtle techniques to divulge classified information. When I watched the film it was very difficult not to root for the Germans. They had the objective, they were facing the clock, and to win all the Americans had to do was shut up and say nothing. I suspect this script, in addition to being bad satire, would have placed the audience sympathies with the hunted.

youtube placeholder image

youtube placeholder image

 

Share

The Missing Parallel

Often my mind will wander down counter examples when I hear a familiar phrase or explanation. For example many years ago during a conversation when a friend who had been in the US Navy with me discussed a bit of debauchery ashore during liberty in a foreign port he excused his behavior by saying ‘I’m only human.’ It occurred to me that no one ever says that when doing good actions even though altruism is also a very human thing to do.

Recently my mind has tripped over a familiar construction and the missing parallel to it, Judeo-Christian.

The phrase Judeo-Christian is often used as a stand in for Western European, though both elements of the phrase originate from the Middle East. Judeo naturally relates to Judaism, that ancient religion tracing its history back through Genesis and Adam and Eve. Christian of course refers to the religion that sprang up around Jesus, a Jewish holy man from the early Common Era and whose life and teachings represent the fundamental break between the two religions. The two religions have had a quite contentious and violent history as over the centuries followers of the Christian faith have engaged in pogroms, Inquisitions, conspiratorial slander, and murderous hate against the Jewish minority. This recent and mostly fictional welding of the two philosophies in a single Judeo-Christian tradition is really at odds with their history and is primarily propaganda. A propaganda that for the most part the Jewish people are not participants in. Consider this counter construction, Judeo-Islamic.

Islam, just as with Christianity, traces its history and origins through the Jewish faith and traditions. Where Christians believe Jesus was the final prophet from a long line of Jewish holy men and the living god made flesh the Islamic faith views Mohammed as the final Prophet that culminate the linage begat in the Old Testament. Where the Jewish faith traces its origins to Abraham’s son Isaac, the Islamic tradition is to trace their heritage Abraham’s other son, Ishmael. All three religions site Abraham as the man God selected to give birth to a chosen people and the followers of these major religions are often referred to as ‘The people of the Book’ because of their common origin and yet I have never heard any speak of a Judeo-Islam culture or tradition.

Share

When You Stare Into The Art The Art Stares Back Into You

Obviously this post’s title is a play on the famous statement about staring into the void and how that changes you what I am speaking about is not so much about change as revelation.

With the release of Tarantino’s Once Upon a Time In Hollywood his largest box-office opening to date, there have been a slew of reviews with interesting takes on what the themes and cultural significance of this cinematic fairytale. Given the subject matter, 1969, the Manson Murders, the transition from ‘Old Hollywood’ to a new star system, and the failure of the ‘Hippie’ movement as the idealistic 60s gave way to the cynical and dark 70s Once  quickly became a mirror that reflected the philosophies, politics, and morals of those critiquing the film.

It is an interesting and I think often forgotten aspect of critique that what once comments upon, compliments, or derides in any work of art but particularly with narrative pieces, says as much about the reviewer as it does about the art itself.

In my writers circle I often say ‘No honest review can be wrong,’ as a truthful critique, one that if reflected of the person’s sincere thoughts and reactions, paints the art as it impacted and moved, or failed to move, that person.

It has been fascinating watching the political chatterers liberal and conservative react to Once  revealing their internal biases, talking past each other, and illuminating the very real differences between those world-views. It could be an interesting experiment for some writers to write phony reviews in their characters’ voices.

Share

The Strangely Enduring Relevance of Shock Treatment

This week I re-watched 1981’s curious film Shock Treatment. Originally conceived as a sequel to the cult hit The Rocky Horror Picture Show  Shock Treatment  evolved into something darker, deeper, and more serious that that beloved rock musical. On one level the story is a simple straight forward sort of musical faire, Brad and Janet’s marriage is tested by temptation, fame, and manipulation by romantic rival for Janet’s affections until they ultimately triumph and literally ride off into the sunset. yet the film is also a biting commentary on television, the slippery nature of truth, and the power audience surrender to performers and content creators. Shock Treatment  is a deeply symbolic film with an approach that has more in common with David Lynch than most conventional filmmakers and it asks audiences to accept a level of unreality that transcends conventional narrative construction. Released long before the plague that is ‘reality’ programming this film speaks to the inherent deceptive quality of television and the dangers of accepting as ‘real’ anything that is presented in that flicking tube. And even though cathode ray tube and raster scans have vanished from out living rooms the film’s themes resonate stronger then they ever did in 1981.

Corporate control of mass culture, celebrity invasion of politics, and the deadly siren lure of instant fame, dangers we grapple with today are all major elements in Shock Treatment’ssly satire. The sinister similarity between Farley Flavors and Donald Trump feel more real to me than that other cinematic creation his inspired, Back to the Future’s  Biff Tannen. Lies are the beating heart of Shock Treatment,  the lies that seduces us, the lies we tell ourselves, and the lies we endure to simply ‘get along’ and in that theme I can’t help be feel that Shock Treatment’s  cinematic cousin is Craig Mazin’s outstanding series Chernobyl.

Nearly forgotten it is shocking just how relevant Shock Treatment  remains in 2019.

Share

It’s Not About Being Mentally Ill

Three mass murder shootings in seven day. It’s utterly horrifying to contemplate but today I am not going to discuss the pros or cons of firearm regulation but rather the tired cliché of describing the cowards behind the trigger as ‘mentally ill.’

It has been said before and will be said again that people suffering from mental illnesses are far more likely to be victims of violent crimes and assault than perpetrators and yet every single time this happens there are those who rush forward to blithely pronounce the murderers as mentally deranged and ill. If the facts so clearly support the concept that the mentally ill are victims of violence why are people always placing the blame on them? I think it comes down to three major reasons. I am not presenting the three reason in any order of importance, each one’s weight varies upon who is making the argument and why but I do think that all three broadly and culturally apply.

It’s a Dodge.

In the context of mass shooting when someone with a firearm starts killing as many people as they are able politically for those on the right it’s vitally important to shift the conversation as fast as possible. This is not to say that either side of the control argument has the stronger case but rather an observation that the political payoff for the right and conservative is to move the topic away from the gun itself. I call it a dodge rather than a reason because if this were a sincerely held belief, that these events are a result of seriously mentally disturbed people then those making that argument would be at least attempting to mitigate the effect with some action but that is almost never the case. No serious attempts are made to strengthen or enhance our deplorable mental health facilities in this nation and hence this argument is a dodge.

Popular Entertainment

For literally decades lazy incompetent screenwriters, and creators of all sorts, have waved away the haphazard and inconsistent motivations of their antagonists with the proclamation that the characters are ‘mad.’ The insane violent psychopath became an easy tired trope of bad writing and burrowed itself into a collection consciousness until for far too many people the blurry line between flawed artistic creation and reality faded into nothingness leaving us with the actually belief that murderous violent people are in fact psychopaths and that psychopaths are murderous and violent.

Rationality has Destroyed Evil.

The Enlightenment and Modernists thought insists that the world is a rational construction and that everything within it can be understood with the power reason. For so many aspects of reality this has held up extraordinarily well modern scientific thought has given us a world of abundance, long life, and unparalleled health even if those benefits are not yet even distributed but one thing we have loss in the calm logical model of the world is the concept of genuine evil. When these evil cowards appear and begin their indiscriminate slaughtering logic and reason fail to comfort us and in a desperate attempt to ‘explain’ people reach for madness as the answer. Because believing in actual evil has fallen out of favor insanity, a vastly misunderstood aspect of human health with much more to learn than is known provides a rational if utterly wrong answer to the question Why.

Share

Terrific Art, Terrible Person

As a consumer what do you do when the artist is a terrible person?

In this day and age when less and less of what was once considered ‘private’ become public and common knowledge more and more anyone who is idealized and lionized is revealed to have not just feet of clay but dark black hearts as well.

I am not speaking of just the abrasive personality, the demanding and tyrannical nature of their relations with coworkers and assistants but deeds that are criminal and often unforgivable. I need not give a detailed listing of the recent and distant scandals that reveals some artists, performers, and creators to be truly reprehensible people.

What should you do?

There are no easy or one-size fits all answers. To each of us lies our individual moral duty and obligations and as shepherds of our own consciences we have to find the answers alone, but I can share some of what guides me and perhaps that might illuminate for myself and other how to approach the difficult and fraught choices.

I have to ask myself does the art endorse, reflect, promote, or otherwise give support to the actions that I found reprehensible?

Kevin Spacey is a talented actor and apparently, yet to be proven in a court of law, a terrible person when it comes his behavior. Does his art endorse the sort of actions he has been credibly accused of? It doesn’t seem so to me.

It is easier separate the artist and the art when the art lies completely apart from the artist’s reprehensible actions, Polanski’s Macbeth is my favorite film adaptation of the classic play and has nothing to do with the man’s criminal actions. I can enjoy the filmmaking, the artistry, and still support the position that he deserves the jail time he escaped.

Share

Nazis, Socialism, and Madonna’s First Movie

It has been brought to my attention recently that there are still, and I imagine going on forever, people insisting that Nazis are actually socialists and by extension left wing politically. The arguments fail to convince me and I’ve laid out in other posts why I think the Nazi fall clearly on the right. What I find fascinating about this argument is contorted logics employed in services of preconceived conclusions; they are rationalizations and not reasons.

Back in 1985 I engaged in the strange habit of renting the worse movies I could possibly locate on VHS. A little mom-and-pop shop just around the corner from where I lived had the most interesting collection of odd movies with titles such as Hitchhike to Hell  and then one night the gem A Certain Sacrifice  appeared on the shelves. This micro-budgeted movie shot in 1979 and 1980 and looking as though the film stock was all of 8 mm wide included an unknown performer, Madonna. By the mid 1980s her stardom had exploded and the filmmaker capitalized on this by releasing his movie on home video. Thought Madonna attempt to stop the release she failed in the courts and I was treated to a truly terrible movie.

What does this have to do with the question if Nazis were or were not socialists?

After watching the film with my roommate one of the games I engaged in was arguing that A Certain Sacrifice  was not in fact a bad movie but a masterpiece of filmmaking rich with metaphor and symbolism. My arguments were artistically sound and of course utterly untrue. The fact that I could spin a consistent narrative that ‘explained’ all the bad film choices as something smart and creative did nothing to change the facts of the matter. The same is true in this political argument.

You can quote from the early years of the Nazi party to prove points, ignoring the uncomfortable truth that those elements were brutally eliminated during the night of long knives. You can construct logical arguments that proceed from a foundation that everything totalitarian is socialist and get to your preferred conclusions, but linguistic dexterity and slippery arguments do not change facts on the ground.

But how can we know the facts on the ground? How can we test this concept?

Easy, watch actual Nazis and see where they place themselves politically.

It is on the right.

People giving Nazi salutes election night 2016 were not bemoaning a loss.

People marching by torchlight and chanting ‘Jews will not Replace Us’ did not organize a ‘United the Left’ protest.

It was not the Democratic Party that found itself represented by an actual Nazi in the 2018 congressional elections.

Nazis nearly always self-sort to the right, their behavior betrays their natural placement on the ideological spectrum.

Share

A Party Without Solutions

I try to consume political media from a wide variety of sources, including news and opinion journalists. To me it is a firm truism that no person, party, or faction has a complete truth and as such I am always looking for new points of view, new ideas and solutions to the problems and challenges facing out nation and our world.

Finding liberal or progressive writers, commenters, and podcasters with proposed solutions is scarcely any trouble at all but the converse is not true for conservative thought. When I read or listen to conservative writers and podcasters it very quickly becomes evident that there is a real dearth proposed solutions. This is not to say that there aren’t things that the GOP and conservatives want to enact or achieve but it seems to me that everything on that list, be it ‘constitutional carry,’ tax reductions, or a lax regulatory structure, is something that they desire regardless of any current condition.

Instead when I read or tune into conservative media it is often about their state of  ‘siege.’ It’s endless vitriol, attacks, and frankly whining about the unfairness of the culture, exaggerated and imaginary dangers of ‘SJWs’ eradicating Christian culture, or pitiful attempts to re-play the cold war and depict every progressive proposal as the rebirth of Stalinism.

As a country, a society, and as a species we face serious challenges, stagnating wages, crumbling infrastructures, racial strife, rising authoritarianism, spreading mass murder, and climate change and yet one half the American political system offers nothing but platitudes.

This is terrible time and I fear it could become much worse before it gets better.

Share

Thoughts on Religious Liberty

I am a big proponent of individual liberty. We have but one life here in the vast cold and unsympathetic universe and absent harm to other we should be free to live our short allotment of years as we see fit this included adhering to whatever spiritual or religious standard that we might adopt to give our years some sort of meaning.

Recently I listened to an edition of the podcast The Ezra Klein Showand his guest was conservative columnist and critic of popular culture Rod Dreher  If you know anything of Dreher’s writings and work then you know that one of his major themes and one he returned to quite often is that religious liberty, particularly for socially conservative Christians, is under assault with a coming Orwellian nightmare that promises to crush all dissent from the majority opinion. His opinion, if I hear and read it correctly, is that the ‘Culture War’ has already been lost and that protecting the rights of Christians as a beleaguered group under assault from a majority intent on eradicating that Christian thought is an essential role for government.  Well know cases that need protection or are examples of this crushing mindset include the bakeries that refuse to created wedding cakes for same-sex couples, pharmacies that refuse to dispense medications for some purposes, schools that are citizen for terminating the employment because of an employee’s private life, employers demanding exceptions to insurance regulations, and hospitals the refuse to allow certain medical procedures. In Dreher’s opinion each of these cases has at its core a deeply held, critically important test of religious conviction and a state that seems determined to crush religious beliefs where it conflicts with the greater culture. (There is an argument to be made that this religious belief defense is nothing but a cover shielding a deeper and hostile bigotry but true or not that is not thee point I am discussing today.)

A critical element common to all of these cases, and an aspect that I think is far more important, is that in none of these examples are we witnessing the convictions of religious individuals. Each and every one of these cases is an organization, a fictitious person, and often a licensed non-profit, insisting that the rules that apply to other corporations and company do not apply. It is important to note that the creation and protections of fictitious persons, companies, and non-profits, are an act of the state. It is a set of laws created outside of any religious sphere crafted with a secular intent for a secular purpose.  These laws, regulations, and structures in the commercial and profit driven world exist to help shield the assets of entrepreneurs to foster economic growth and stability. They, in effect, say, you John Smith, can create a business and we will treat that business as a person, it’s taxes will be separate from yours, it’s liabilities will be separate from yours, and it’s action will be separate from yours but under Dreher’s argument the companies get all these benefits granted by the culture and the law while also claiming a special protection based upon the creed of it’s owners, despite that business being a separate entity.

Moving into the issue concerning non-profits this becomes even more egregious. Non-Profits are specially licensed and sanctioned to serve a public good, receiving carved out protections backed by the secular state because their mission is defined as something that is intended to benefit society as a whole and not a particular isolated segment or population. It is a perversion of that intent to allow non-profits to discriminate. In South Caroline the governor has petitioned and received a federal waiver that permits a federally funded Christian foster agency to not only refuse to place children with same-sex couples for adoption but also allowing the agency to refuse to place children with Jewish homes because that is a ‘violation’ of their Christian beliefs.

Individuals have the freedom to believe what they wish, but not legal and financial support from secular society.

Share