Category Archives: Books

The Queen’s Gambit and the Peril of Sports Movies

The Queen’s Gambit and the Peril of Sports Movies

Written and Directed by Scott Frank with luscious cinematography by Steven Meizler The Queen’s Gambit stars the luminous and captivating Anya Taylor-Joy Elizabeth Harmon and follows Beth life from her discovery of chess in the basement of her orphanage through her trials and tribulations with substance abuse, loss, and love as she climbs the ranks of world championship chess in the late 50s and 60s.

Adapted from a 1983 novel of the same name by Walter Tevis The Queen’s Gambit is both a character study and a sports film. Following Beth from age five when she is orphaned after her mother is killed in an automobile crash through her young adulthood in her twenties the story charts the characters growing addiction with prescription medication and alcohol as she develops her skills and talents as a chess prodigy while haunted by the tragedies of her life.

Skillfully directed with the best use of split-screen instead of a montage and deftly written with nary a scene of line of dialog out of place by Scott Frank the limited series immerses the viewer in Beth’s life and challenges with a bold confident style that never shies away from the more troubling aspects of her journey. Anya Taylor-Joy’s performance is masterful with careful control she expresses more with voiceless expressions than many actors ever achieve with speeches full of sound and fury that signify nothing. I have been a fan of Ms. Taylor-Joy’s acting since seeing her in the amazing horror film The Witch, and here she commands every scene and every shot without overwhelming them with ‘star power.’

Steven Meizler’s photography is simply amazing. His use of low-level light while still capturing deeply saturated colors is fantastic, creating scenes with depth, character, packed with emotion and yet never breaking the sense of period. More than once I have watched a period set film orseries and the photography spoiled the suspension of disbelief in subtle way that still proved impossible to ignore, not so here.

The Queen’s Gambit does fall into the category of film that is the ‘sports movie,’ and as such faces the challenges of the genre.

The first is the ‘Big Game’ problem. Usually a sport movie, no matter the sport, turns it emotional ending on the final big game, the championship match that the character of characters has been striving towards the entire story. The problem is that they can only win or lose and with rare exception the popular satisfying ending is winning and with the audience aware of this it tends to drain the drama from the play. A League of Their Own subverted this by having characters the audience identified with and cared for on both teams so someonewas going to lose, and the audience would be torn in their loyalties. The Queen’s Gambit had no such option and was forced to confront the issues head on. The solution Scott Frank found satisfied emotionally.

The second major problem facing sports movies is the requirement to understand the play involved. One reason the vast majority of sport movies fail to work for me is that I do not watch sports as a pastime and so the players’ great plays and terrible plays are not self-evident to me. The Queen’s Gambithas the issue multiplied as there are few people who could grasp and the dynamics of master level chess. Here Scott Frank used primarily play-by-play commenters to illuminate the games being played and avoided the trap of letting the audience ‘hear’ Beth’s thoughts as she played. During one critical match I knew that dramatically Beth’s opponent needed to perform a move she wasn’t expecting and yet I also knew I had no hopes of seeing and understanding if his move was the expected or surprising one. Frank solved this dilemma by having an observer mutter ‘He wasn’t supposed to do that,’ the dialog, though a tad clunky, worked.

Overall, The Queens Gambit is a masterful piece of television and the story fit the limited series format. It is doubtful that it could have been as thoroughly satisfying had someone tried to compress it into a single feature film.

The Queens Gambit is currently streaming on Netflix.

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The Exorcist is a Very 70s Novel

I just finished re-reading William Peter Blatty’s novel The Exorcist. The story by now is familiar to nearly everyone interested in horror fiction. Young Regan McNeil is possessed by the spirit of demon and her fiercely atheist mother Chris McNeil after exhausting everything the worlds of science and medicine have to offer calls upon a Jesuit priest suffering a crisis of faith Father Karras and an aged but experienced exorcist Father Merrin to save her daughter.

Published in 1971 The Exorcist displays some interesting hallmarks of that period in its construction. Now, I am not referring to disco music or leisure suits but rather the way extra-sensory perceptions and abilities had been absorbed into the public consciousness.

What started in science-fiction print media and had grown throughout the 50s and 60s, telepathy, prescience, and telekinesis became accepted wisdom, along with pyramid power and ancient astronauts.

What does this have to do with a novel about the demon Pazuzu possessing the body of 12-year old Regan McNeil?

Before Karras can appeal to his Bishop for permission to perform the ritual of exorcism he must first eliminate the possibility that the phenomena associated with Regan are natural and explainable by the science at the time. This includes the shaking of her bed, objects flying about her room, and Regan possessing knowledge of events and languages unknown to her.

As Karras grapples with the enormity of the possibility of an actual possession his faith, already shaken, is undermined by the explanation that all the strange events may be caused by telepathy and telekinesis. This is not a by-product of Karras being a person who is weak in his scientific knowledge or understanding, he is a trained and respected psychiatrist. The novel, though published in the early 70s, is so infused with the popular wisdom at the time, that this priest of science considers telekinesis are rational and scientific justification for observed events.

I was a teenager in the late 70s and re-reading the novel for the first time in many decades it is a strange deja vu sensation to be brought back to that unique period in American Culture.

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Things Named Vulcan’s Forge

I titled my novel Vulcan’s Forge as a reference to the Roman god of fire and smithy because the McGuffin at the center of the sf/noir was capable of producing effects well beyond the character’s normal access. Of Course, I was aware that Star Trek had popularized Vulcan as an association with its particular alien species. In fact, I had expected that there might have been a push from the publishing house to re-title the novel and that would have been fine with me, I am generally not precious about my titles.

The book sailed through the editing and publication process without any ever suggesting or hinting that an alternative title should be explored and now I am discovering all the other things that are called Vulcan’s Forge.

Vulcan’s Forge 1998 a techno-thriller, that’s when you don’t want to be marketed as present day science-fiction a category invented by The Hunt of Red October, by Jack Du Brul.

Vulcan’s Forge a 1997 Star trek­ tie-in novel set a year after the events in the movie Star Trek: Generations.

Vulcan’s Forge a custom Jewelers located in Kansas City Missouri.

Vulcan’s Forge a thoroughbred racehorse from the 1940s.

 

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No Two Books Get Written the Same Way

Mind you that title isn’t referring to no two authors write their books the same way I am talking about that as an author myself each book follows its own unique process from concept to manuscript.

My editor recently told me that he’d like to see material that is closer in tone to Vulcan’s Forge than the military SF adventure I recently showed to him. I’m good with that, after all I did write Vulcan’s Forge and I understand the wisdom of keep a stylistic and tone consistency to help build a readership. So, I responded with a few ideas that had been bouncing around my head and he came back indicating which one at this point interested him the most.

Now, I’m drafting the outline for this book using my typical five act structure as a framework. Her, it is was good enough for old Bill Shakespeare it’s good enough for me.

As is typical for me the very act of outlining, in even the basic form, expands and deepens my concepts turning vague ideas into concrete story and plot elements.

But, it’s not the same process I used on other books. Sometimes I just write out a long prose document telling the basic story from front to back, leaving spots that I know are too thin that I will have to work out later. Sometimes I craft careful character studies and maps first and then start the outlining, and this time it’s numbered bulleted points for act of the five acts with a separate character files that grows as I explore the story and structure.

The point is when you attend a con or a writing workshop and someone tells you from on high that this is the ‘one way’ to write a story know that what they are passing is bunk. There isn’t one way for different writers and not even for the same writer. Experiment, investigate, and discover the way that works for you for the project at hand.

 

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A Prolog and Chapter One Are Not Interchangeable

I’ve started reading a new novel, no I am not going to name the book because as this is not a review site I only name titles when I love the work, and I am concerned about how the whole thing has started.

This novel opened with Chapter One and spent about 12,000 words on a set of characters that I realize we are unlikely to ever see again. The event of those pages clearly was important to the plot that unfolds in the rest of the story and set up many crucial details that I can see the author intends to use through the adventure. However, since none of our principal characters are around in these scenes this feel terribly like a prolog to me and not the opening chapter of a story.

I may have spent 12,000 words getting to know characters, understanding their emotional lives, and concerned about the troubles they face, but now all that emotional investment feels wasted.

This is related to the troubles with stories that end with ‘it was all a dream’ an its variations or sequels that undo all the emotional stakes from previous installments. (I’m looking at your Alien 3.)

Ideally when people engage with your fiction, by reading, listening, or viewing, they should become emotionally invested in the characters and the outcomes of their struggles. The resolution of the story and the plot and the return on that investment with catharsis or pathos being the final reward. When it ends as a dream then it’s like that check bounced and we’re left with nothing for the emotional currency we’ve spent. The check has bounced. In the case of Alien 3 after we’ve come to really care about Newt and Hicks in Aliens and desperately wanting for Ripley to save them both the sequel comes along and repossesses out victory making us into suckers for caring.

This novel has pulled me into these characters lives and now has waved a hand and said, ‘Don’t think about them anymore. Here’s new people to get emotional about.’ But I’m now burned and I am more likely to keep my emotional distance wary of the author is going to again steal characters away. Had this been labeled a prolog I would have been emotionally ready to learn things but not become attached. The poor doomed rangers at the start of A Song of Fire and Iceare not our main characters and telling us that it is a prolog allowed us as the readers to learn the vital information their story needed to tell us without playing us for suckers.

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The First Negative Review Has Arrived

Wednesday evening just before I slipped off to bed, I got a Google alert of a new review of Vulcan’s Forge. Yes, I have an alert set up over at Google to keep me informed of when people post things about my debut novel. The review came from a person in the United Kingdom which makes sense as the publisher is a UK entity.

It was my first unqualified negative review.

I say ‘negative’ and not ‘bad’ because I do not want there to be the slightest suggestion that I imply that the review itself is poor. As I have said often in my writers group meetings no honest critique or review can be wrong. It is how that person reacted to that piece on that day. It is the underlying assumption upon which is build the critique phrase ‘Your mileage may vary.’ What is wonderful for one person is terrible to another.

How did I react to my first truly ‘I did not like this book’ review?

Shrug.

It is part of the gig. Now, I am not suggesting that anyone else is wrong is they feeling more strongly when that get a negative review. Authors are people and people differ wildly but for me I can accept that someone really did not like by work and not feel any real emotional distress. If fact I read the review and then went off to bed and slept quite well.

If it didn’t matter to me then why did I read the review? why seek them out?

Well, taking criticism is a skill and it requires practice. It’s good to get hit and learnt that you do survive it.

I’m also curious. It is fascinating to see the wildly different interpretations people have about the work. This applies to positive reviews as well as negative ones. Everyone bring their own lenses to their reading and so the exact same text will never be interpreted the same way by any two people. I love seeing the various internal codebooks through which this is deciphered. (Of course, I bring my own to the reading of these reviews and not matter how diligently I try I can never fully escape them, but still I do try.)

Perhaps for other it is very good advice to never read reviews but for me it is a fascinating glimpse into the inner working of another person’s mind.

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The Blog Tour’s Final Stop

The final stop on the blog tour for Vulcan’s Forge happened yesterday March 29th with Jessica Belmont. She apologized for being a day late but hell, in these hectic, crazy, and frankly frightening times a date getting slipped is fully understandable. The pull quote from here review that I am using is:

Tension, intrigue, and action galore, Vulcan’s Forge was a compelling read

It has been very gratifying watching the response come in from the blog tour. The book has gathered responses from enjoyable to enthusiastic with none of the reviewers giving it bad marks or savaging the piece. That will come. It will eventually gain dreaded 1-star reviews at Amazon, Goodreads, and other places but that is how things should be. Nothing is a good fit for everyone.

This has been a long road to publication and it’s been surprising that it was my odd little SF-Noir that was the first novel to cross the finish line. This is an example of how you should not self-reject. I wrote this book for myself, first. It was what I wanted from a science-fiction noir but I wasn’t certain that others clamored for the same thing. I didn’t write this to the market and I think because of that it found its success.

Thank you to everyone who participated in the blog tour, to those who pre-ordered and have ordered the novel in these dark times you’ve given me a ray of warming sunlight.

 

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Publication Day Plus 1

The Blog Tour for Vulcan’s Forge continues at Scintilla. My pull quote from this review is:

Robert Mitchell Evans manages to create a world that is both a caricature and frighteningly believable. 

As they stream in it has been interesting to read the reviews of the novel. I know there is a great deal of advices suggesting that authors should not read reviews. After all reviews are for readers, to help them find the next book to add to their ‘to be read’ pile and not for feedback to the authors and there is a truth in that. Find reviewer whose taste matches closely with your own and use their information to help you find the next thing you’ll fall in love with. For author negative reviews can be emotionally crippling, or so I am told. Perhaps it is because I am coming to professional publication later in life but I find I can hold negative reviews and feedback at a personal distance. So far no one has hated the book but they will change it simply is the nature of the beast.

However, I am enjoying reading the reviews. It is fascinating to see all the various lens and interpretations that get applied to the text. In my writing group I am fond of saying that no honest critique can be wrong. It is how that person, on that day, reacted to that piece of work. Sometimes people see what is there more clearly than the author and other times what they see says much more about themselves and their worldview that it does about the words on the page. None of that is inherently right or wrong it is how people function. I can know my intention in writing a piece, or in a bit of world building but I too have lens and filters through which I interpret the world and that impacts on my world building in ways that may be invisible to me. So, some of these reviews might even open interpretation that I agree with but never considered because the very premises were obscured from me.

I hope that when the inevitable terrible review rolls in I will react the way I suspect I will. I have always been that sort of person for whom a professional rejection carries little emotional weight. The rejection slip doesn’t trigger imposter syndrome or send me spiraling into self-doubt and depression. My reaction to rejection slips has always been, ‘okay, not for them’ and sending the piece on to the next editor. We shall see if I feel the same way once the first 1-star reviews start appearing on Amazon.

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Publication Day Is Here!

Today is the day. You can now buy Vulcan’s Forge online and at your local booksellers, that is if you live in an area where the shops are open. California has been under a stay at home order since last week but my local favorite bookstore, Mysterious Galaxy, is staking order online and yours might be as well.

It has been a long and twisty road to this day. It started years ago when I decided that I wanted to write a science-fiction noir that didn’t rely on the private eye or police detective plots. And there I stalled for quite a while grinding the gears of my mental transmission searching for the plot and characters of the story.

One thing that consumed more time in my gear grinder than other elements was the search for a McGuffin. Hitchcock coined the term McGuffin referring to the thing that everyone wants in a plot to drive the action of the story, think the bejeweled statue in The Maltese Falcon or the NOC list from the first Mission Impossible movie. Borrowing the wider universe from an unpublished novel of mine I finally worked out the McGuffin and then the characters and story fell into place.

With that I sat down and write Vulcan’s Forge as a 15,000-word novella that did not work.

All the core elements of the story were there but far too compressed lacking the sense of building disaster that I think is one of the central elements to noir fiction. The story had to be a full novel.

So, then I planned on writing a short 60,000-word novel that I expected to self-publish as SF books of that length haven’t really been in fashion since the 60s. However, I overshot that mark and landed at 80,000 words a much more traditional, if a bit on the short side, for novels today.

Once the manuscript was finished, survived it beta-read, I sent it to my then agent where it languished unread until our partnership dissolved and he no longer represented me.

One my own I searched publishers for someone who might be interested in this odd mix of science-fiction and noir and discovered the wonderful people at Flametree. I submitted it, they made an offer, we negotiated, and now the book is out in the world.

Flametree has been wonderful to work with. From the editorial through the promotional processes I have had nothing but good experiences with these people.

Looking back on the trials and tribulations this novel faced to reach publication all I can say is ‘Never Give Up, Never Surrender.’

 

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1 Day Until Release and The Crush of a Deadline

Tomorrow Vulcan’s Forge will be released upon an unsuspecting public. Today’s blog tour stop was Miss Known’s blog and book review site. Let us all give thanks to book bloggers getting the word out there and help authors connect with readers. The pull quote I am taking away from this review is:

“There was so much happening, it made me forget that this was a sci-fi book.”

In addition to traditionally publishing novels one of my goals has been to win The Writers of the Future contest. WotF is a quarterly contest with 1st, 2nd, and 3rd place winners each quarter, then at the conclusion of the contest year the 12 winners are brought together for a week of instruction lead by one of my favorite authors, Tim Powers. The contest does not disclose how many submissions it gets but it is known to be in the thousand each quarter and to date my best placement has been as a finalist, one of the top eight from which the winning three are selected.

Eligibility is restricted to writers who have not been professionally published and that means I lose my eligibility to enter the contest tomorrow with the publication of Vulcan’s Forge.

I have a story in progress the question is; Can I finish it before midnight tonight?

It will be an effort but I am going to try.

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