I woke up with a headache, going to work, but no real thoughts today.
Author Archives: Bob Evans
Streaming Review: Superdeep
Cinema from across the Iron Curtain produced a number of fascinating and noteworthy films including not a few deeply serious science-fiction movies some of which became bastardized American version when sold to the west. (I’m looking at you First Spaceship on Venus/The Silent Star.) Horror however was frowned upon as a serious subject and relatively few true horror movies were made with the Kremlin’s approval. With the fall of the Soviet Union and the age of digital effects that has changed and this weekend I watched a recent and decent Russian horror film Superdeep.
Serbian actor Milena Radulovic plays Anya (Presented as Anna in the English dub and subtitling) a soviet era physician haunted by her transgression of her medical ethics at the behest of the Soviet military intelligence. Now, near the collapse of the USSR Military Intelligence has called upon her services again. A secret research facility hidden in the Kola superdeep borehole has gone silent and there are hints that something biological has gone
awry. Anya and the officer who pressured her into the ethical lapse are dispatched to investigate, obtain any samples for future military applications, and depart from the facility before the official rescue teams arrive. Once there they find that the lead scientist has been denounced by his lieutenant and all contact has been lost with the lower levels of the facility. Venturing underground they encounter horrors and a threat to not only the USSR but all of humanity.
Superdeep is a decent and solid horror film. The characters are engaging and believable creating enough empathy that their situation generates genuine horror. Radulopvic’s Anya provides the movie’s sole point of view allowing the filmmaker to restrict information to only what Anya see and hears herself escalating the tension of the unknown without cheesy gimmicks to hide information from the audience. Production values are high with the sets and the special effect, both practical and digital, well executed supporting a robust suspension of disbelief. The film’s cinematography is dark, moody, and atmospheric without becoming overly intrusive always managing that balance between what the environment would require versus the emotional drive of the scenes. The film is not particularly gory, but it is visually disturbing with explicit images of bodily disfigurement and horror.
Superdeep’s failings are that more than once during the movie it is nearly impossible to not think of other classic films. It is not the case that Superdeep is a ‘rip-off production’ but rather certain directorial and photographic choices were clearly influenced by films such as Alien. However, this visual rhyming with cinematic classics only harms the film marginally and reduces it merely a solidly enjoyable experience.
Superdeep (English Dub only) is currently streaming on Shudder.
The Body Swap Hypothesis
Exchanging two people’s minds is a fairly common fantasy and sf trope with it propelling storylines in everything from Freaky Friday, Star Trek, and Buffy the Vampire Slayer. As an aside let me state that in my opinion it is fantasy one born out of our misconception that our minds and our bodies are separate and distinct phenomena. Our minds and a sense of awareness emerges from our biology and doesn’t exist independent of it, so it is something that is quite impossible to transplant. But it does make for fun entertainment.
Back in the 90s when I lived with a roommate who was equally into geeky entertainment as I was, I once asked the hypothetical questions if he could switch bodies and live for 24 hours as a woman would he do so? I was quite surprised by the speed and absolute finality with which he answered ‘no.’ I am a vastly curious person and that very much extends to how other experience their lives. I would, presuming an assured return to myself, take the chance without hesitation. I have a difficult time contemplating such a lack of curiosity about such an experience.
I am under no illusion that a brief excursion into someone else’s body for such a short time would provide a total understanding, but I think it would yield some new insights and empathy. It’s quite possible that my roommate rather than lacking curiosity rather feared emasculation. I suppose our cultural misogyny may run so deep as to make even a fantastic hypothetical threatening but if so, it doesn’t appear to have taken that deep of a root with me.
Still, the idea of the body swap is really an invitation to tryand envision life from someone else’s point of view which at its heart is the point of storytelling as well.
Talking About My Novel
Talking About My Novel
Late March 2020, right as the pandemic strangled the world into a global shutdown, FlameTree Press published my debut science-fiction novel Vulcan’s Forge. It is not a Star trek tie-in novel, though as a fan of the series from the 70s onward I have enjoyed a few, nor is it about a champion racehorse or a communist plot to erupt volcanoes but rather a blend of SF and film noir about stellar colonization and a critique of idealized 50s America.
In the book, following the destruction of the Earth and the inner solar system by a rogue brown
dwarf, humanity had colonized the local stars by way of automated slower-than-light ships that constructed the colonial infrastructure and then begat the first generation of colonists from stored eggs and sperm.
On the colony of Nocturnia, which has had no communication with any other successful colony and may be the only one that has survived, the third generation of colonists are just now taking their places in this new society modeled on mid-twentieth century urban Americana. Jason Kessler, the book’s protagonist, helps mold the culture by carefully curated mass media promoting the ideals and morals of this outpost of humanity. The problem for Jason is that he doesn’t fully believe in this family-oriented repressive suffocating society but wants a life free of the obligation to be nothing more than a ‘productive member of society’ and father of a nuclear family. When the seductive, sensuous, and mysterious Pamela Guest sweeps into his life offering him a way to have everything he’s every desired with the ever-present eye of the authorities every knowing he leaps at the possibility and suddenly find himself in tangled in a vast conspiracy that threatens his life and everything he thought was true.
Vulcan’s Forge is fairly well reviewed currently holding a 4.9 out of 5-star rating on Amazon and is currently available in Hardcover, paperback, and eBook from any bookseller.
Streaming Review: Psycho Goreman
Psycho Goreman is horror comedy with the emphasis on comedy.
After a mercifully brief voice over narration informing the audience of an ancient evil that threatened all of existence now entombed on a distant planet Psycho Goreman transitions to Earth the aforementioned ‘distant planet,’ and two children Luke and his younger sister Mimi playing a game of their own invention, Crazy Ball. (Think Calvin Ball but with a more stable rule
set.) Luke is unsure of himself and easily bossed around while Mimi is assertive, commanding, and may very well be fully psychopathic. While digging a grave for Luke’s penalty for losing Crazy Ball, the winner can dictate any terms they please for the loser to fulfil, they discover the Gem of that will eventually give Mimi full command and control over the now unearthed evil which the children name Psycho Goreman or PG for short. In a far distant location, the entities that entombed PG become aware of his release and hurry to recapture him setting the stage for the final conflict between this pair of ancient foes that will be dictated by the capricious commands of child.
With a limited budget and merely adequate digital effects director Steven Kostanski who also wrote and produced Psycho Goreman manages to create an entertaining, bloody, and disturbingly funny film centered on a terribly dysfunctional family caught at the center of a crisis of universal proportions. This movie will not be for everyone if the comedic tone is too strange for your tastes, then it is very likely that you will be unable to suspend disbelief for anything that occurs on the screen. This is not a film that strives for any sense of reality rather it swings for the fences and if that results in a homerun or a strike out will vary entirely upon your tastes. Myself, I enjoyed the bonkers approach and felt the film exactly hit its intended mark.
Psycho Goreman is currently streaming on Shudder.
Movie Review: Dragonwyck
Despite the title the film Dragonwyck is not a fantasy but rather a period drama set in the area around New York and Connecticut during the years of 1844 to 1846.
Gene Tierney plays Miranda Wells a devout Connecticut farmgirl who is asked by distant cousin Nicholas Van Ryn, (Vincent Price) to come live with he and his wife for a while as a companion to

Title: DRAGONWYCK ¥ Pers: TIERNEY, GENE / PRICE, VINCENT ¥ Year: 1946 ¥ Dir: MANKIEWICZ, JOSEPH L. ¥ Ref: DRA005AB ¥ Credit: [ 20TH CENTURY FOX / THE KOBAL COLLECTION ]
Nicholas is estranged from his wife and daughter and rules over his vast estate, Dragonwyck, as a patroon, a Dutch title nearly invalidated by the Revolutionary War and Independence, but Nicholas retains ownership of the land and extracts rents from the farmers living there.
Miranda also meets the handsome young Doctor for the farming community Jeff Turner who is also involved in the Anti-Rent movement seeking to abolish the last vestiges of patroon system. Torn between these two men and their opposing political views Miranda is mired in ancient superstitious familial curses, the growing threat of political violence, and possible murder.
Dragonwyck is an enjoyable melodrama and few actors performed haughty patrician as well as Vincent Price. Though popularly known for his work in the horror genre Price’s gifts as a thespian granted him great range with his stature and demeanor perfectly suited for the doomed nobles.
While not the best example of his work, Dragonwyck is thoroughly serviceable for anyone wanting to experience Price beyond ghosts, ghouls, and ghastly revenge.
I Am Back
Well, this has been an interesting week. Tuesday, I went for an out-patient procedure to have cataracts removed from both eyes.
I admit that I was quite apprehensive about the operation. Yes, these are routine, and surgeons perform them daily, all that is very good in the abstract but when it is your eyes getting sliced, well abstract becomes concrete quite quickly.
Overall, things went well. The most irritating aspect of the surgery itself was that it took three nurses 5 attempts to get the IV needle into my vein. One the table and thanks to the drugs pumped into my system I was awake for the entire procedure but relaxed and calm. The visuals were off, bright indistinct shapes as the doctor removed my lenses and replaced them with artificial ones.
That afternoon and evening I was unable to see anything clearly and light sources presented rainbows induced by chromatic aberrations and I passed the time listening to podcasts. Sleeping was far more difficult.
I had been given the two plastic shields to cover my eyes, they were transparent with holes to allow gas exchange and served as a barrier to prevent me from accidentally rubbing my healing eyes. Meaning I had to wear them to bed and these shields were too close to my lips with my lashes sweeping across them every time I blinked. Worse still was they tended to direct sweat into my eyes, frequently waking me with burning sensations. Luckily, I saw my Doctor the next morning and when I told her the issues, she gave me a new set of metal ones that were adjustable, and these work a hell of a lot better.
Wednesday I could see much better and by the evening I could watch TV, yay LOKI!, and playing video games. Thursday I was very nearly back to normal and today I have returned to my day-job.
Now I can get back to work on my novel, edit the first few chapter and write a new one for the tail end of the story based on the feedback my beta readers kindly gave me.
Noir Review: Kiss of Death
Noir Review: Kiss of Death
It was difficult to find a copy of Kiss of Death to watch but I eventually managed the task. The film, starring Victor Mature, is particularly notable for as the first screen appearance of one
Richard Widmark as the vicious and psychopathic Tommy Udo a screen debut that scored
Widmark an Oscar nomination.
Mature plays Nick Bianco a thief nabbed in an armed robbery that goes wrong and rather than cooperate with the district attorney’s office takes his hard time sentence rather than squeal. However, when events intervene Nick has a change of heart and begin working for the state which brings him into conflict with Udo who has an intense hatred of those who turn on their criminal brothers. There is a romantic sub-plot between Mature and a younger woman, Coleen Gray, but the film’s real focus is Bianco and Udo.
This is one of Mature’s best performances and the conflict Nick suffers as his world crumbles if evident on his feature but without a doubt the standout performance is Widmark’s Udo. If you have watched any documentaries about the film noir movement, you have undoubtedly seen the clip of Udo sending a helpless woman tumbling down a long flight of stairs. While this
capture the cruelty of his character the performance is much more than acts of wonton violence. Widmark manipulates every muscle in his face, creates a perverse curl to his upper lip, and give a joker-like grin as Udo that radiates that this person has no empathy for anyone.
Kiss of Death plot wise is fairly standard and the voiceover narration could have been dropped to improve the movie, but it should not be missed for the performances.
It’s Hard Being Defenseless
Saturday, I held the Zoom meeting and discussion for the beta readers of my most recent novel.
Beta readers for those who may not be aware are people who are willing to read a work that is complete but may, nearly always, need additional editing or writing to correct flaws that were invisible to the author.
The discussion was fruitful and represented a diverse set of opinions, some things worked for some and not for others, but there was enough commonality to give me some direction in edits, alterations, and revisions.
The most difficult element of the process is also one I consider to be the most vital; never defend the work.
As an author you will not be present when an editor, agent, or person skimming books off a shelf is reading your work. The work stands alone, and you cannot expand or explain or clarify anything. When beta readers have comments that something was missed, that it might have worked better if you had established this or explained that you cannot stop the feedback and point out where you did exactly that. Whatever it was you did it clearly did not work and defending your choices, your text, or your edits will not change that. Also, once you start defending it is very easy for the conversation to turn into attack and defend as people construct fortresses of logic for their position. At that point all valuable feedback has been lost. An author who is out to be ‘right’ about an interpretation has stopped truly listening. Defending is the antithesis of hearing.
It is hard to be defenseless. Author often are opinionated people and as such used to vigorously supporting their position but when it comes back to a reader’s feedback it is more important to remember that no honest feedback can be wrong it is what they person honestly took away from the work and if that’s not what you intended then it’s your job to diagnosis why and to fix it.
The Return of In-Person Gaming
This Saturday for the first time since the pandemic sent the nation and the world into shut down, I am getting together with my friends for in-person role play gaming.
The game that I had been running when COVID-19 came along and upended everything was FGU’s Space Opera, a complex sci-fi game setting with tons and tons of complex calculations and table as it attempts to model nearly every kind of sci-fi setting you might want for you enjoyment.
I used to run campaigns of this way back in the 80s and they were very popular with my friends. It was a challenge getting back into the swing of Space Opera particularly finding that groove where I am willing to let the wild and free nature of such a setting run free, but I think I was getting there when the pandemic suspended the game.
In the interim I have lost one player and a dear friend to the disease and I have plans to give his character a fitting exit from the campaign to honor his own unique quirky nature.
I have also taken quite a bit of time creating spreadsheets to help me run this campaign. Back in the primitive 80s when personal computers were little more than stone knives and bear skins, I used a lot of notes, notebooks, and guestimates to run the game but now with laptops, iPads, and smartphone I have more options and I am quite proud of the Excel sheets I have crafted to manage skill learning, transit time, system generation, and time keeping.
Here’s my hand drawn and letter and thus hideous sector map for the current game. I am so looking forward to this weekend.

