Category Archives: writing

Writing Other Than Yourself

 

A frequent topic of conversation among writers, particularly as ‘Own Voices’ continues to grow is the fraught challenges when someone, usually straight, white, and male, writes for characters from minority or marginalized communities.

There is a school of thought that members of culturally dominate groups should refrain from writing characters coming from those marginalized groups. On one level this seems reasonable and logical. Experiences from marginalized communities can be quite specific, with social queues and particularities that are not visible to people outside of the group. If a writer’s understanding of a group comes from mass culture itis likely to be contaminated with stereotypes, both positive and negative, rather than actual understanding.

There is also a practicality question.

Minority and marginalized communities are under representative in popular media arts and an artist not from such a community can be seen as taken up a spot in the room that might have gone to someone historically shut out from the conversation. So even well intended, well researched, efforts can contribute to harm.

But there is another issue to consider.

If as a straight white male, I should stick to straight white male characters, then my novels become a northern European sausage-fest, one that utterly fails to reflect the reality. Restricted to my own group is a disservice to my art and by extension to anyone who consumes it.

Clearly my works should include the full spectrum of humanity, and yet I do have a responsibility to consider how my place and my voice may impact others.

I think the answer may be to think of characters existing in orbitals around the protagonist/antagonist nucleus.

The protagonist and the antagonist most likely constitute the majority of my novel’s points of view. It is through these characters’ eyes that I am reflecting the world around them and whose thoughts and emotions are buried in the prose. These characters I should know the best and should be a few steps removed from myself as possible. Each major aspect that is distantly removed from my own is an added difficulty factor in getting the character right.

Sidekicks, friends, and associates are an orbital distant and are less likely to have extended scenes from their points of view. More separation and less time in their heads mean there is less danger, but not none, in committing an egregious error. More factors of difficulty can be safely added.

Minor characters, here for a scene or two, are the most distant. With these characters, as long as stereotypes are avoided, it is the safest to introduce every sort of character, to populate a world fully.

As with most artistic things there are no hard fast rules, but there are always considerations.

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Greg Bear Has Left

Greg Bear Has Left

Following complication from surgery, SF author Greg Bear passed away this weekend.

I have read many but not all of his works and found his writing to be clear, smart, and entertaining. Twice I had the pleasure of exchanging a few words with this noted writer, both times at room parties at conventions.

The more humorous chat concerned his novel Anvil of Stars in which a human ship with alien assistance is one a quest to discover and destroy the civilization that annihilated Earth by completely shattering the planet. Being of quite limited means at the time I had purchased my copy of the novel from a used bookstore. (Let us now also mourn the passing to Adamas Avenue Books as well.) Shortly after the characters have launched their won civilization ending vengeance the next several pages confirmed if they had in fact correctly located the guilty party. The several pages that were in fact missing from my copy.

I relayed this to Bear, and he responded with a jesting tone that’s what I deserved for cheating him out of a royalty.

As I said it was in jest and he laughed as he pronounced my sentence. From panel discussions and those who knew him Greg Bear seemed a thoughtful, considerate, and good man. He will be missed.

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The Joys and Importance of Beta Reads

 

I will return to my season Spooky Movie series tomorrow.

For the last week I have been reading a novella by a fellow writer as a beta reader. For those not in the know a beta read is test read by someone other than the author of a piece. The purpose is to discover how it comes across to someone unfamiliar with the story. Writers often beg and go wanting for good beta readers, after all it is unpaid labor and a good beta read is labor as not only are you responding with ‘I like that character’ ‘I don’t like that one,’ and such. But if you are a writer, you are also trying to feel the pace, the mood, and why it works or doesn’t.

That is why if you are a writer doing beta reads is more important than getting them. Sharpening those analytical skills on prose you did not compose sharpened them for when you are composing as well. The trick is to also understand what the other writer’s voice is and not step on that. The point of your feedback isn’t to turn the piece into something like what you would have written but the improve what is there by coming closer to what the author intended.

I am luck that the piece I am currently reading is well-written and entertaining with few major issues. All writers should as much as possible, go forth and beta read for others.

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Another Novel Completed

 

Yesterday marked the final corrections and updated to my latest Seth Jackson military SF novel. Seth’s an American serving in the European starforces in a future where the United States took a wrong turn in the early 21st century and became a third-rate power.

In some form or another the character of Seth Jackson and the setting has been with me for 25 years, originally taking up residence in my brain about 1988. I have written him and characters around him in short stories and in novel, none of which have yet been published, but hope springs eternal.

The previous Seth Jackson novel got very nicely complimentary rejections from publishers, with no two editors agreeing on precisely what it was about that novel that didn’t work for them. That was encouraging for me. If they all or even most agreed on the fault then it was likely an actual failing in the text but with each having their own reaction it becomes much more about personal preferences.

One editor commented that she really liked the central character and when I started this novel I had hopes of submitting it her first. Sadly, for me not for her, she has now retired from the industry enjoying a well-earned rest.

The novel clocks in at 100,000 words which was the target length I had aimed for. it also represents the first time in this setting where I have written points of view from the ship’s chiefs, which I found to be much more fun to write than the officers.

Now comes the part of the process that I, along with many other authors, despise. The shopping it around. Creating query letters, trying to change my hat from creator to hype man, a role for which I have never been well-suited. I could not sell water in the Sahara.

Whinging about it will not help. Time to do the work that is not fun.

A gentle reminder that I have my own SF novel available from any bookseller. Vulcan’s Forge is about the final human colony, one that attempt to live by the social standard of 1950s America and the sole surviving outpost following Earth’s destruction. Jason Kessler doesn’t fit into the repressive 50s social constraints, and he desire for a more libertine lifestyle leads him into conspiracies and crime.

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I am Participating on Panels For LosCon

 

LosCon is the Los Angeles area science-fiction convention held over Thanksgiving weekend. (This year November 25th thru the 27th.) Finally, after two years of COVID I am returning to Loscon one of my beloved conventions and this year I will be participating on 4 panel discussions.

I will be moderating Everything You Need to Know About Editing Saturday at 10:00 am.

I will be a panelist on Finding Your Own Voice in Writing. Also Saturday at 5:30 PM

Sunday at 11:30 am I will moderate How to Write for a Specific Genre

And I will conclude my panel discussions moderating What the Publishing Landscape Looks Like Today 2:30 on Sunday.

If you are in the L.A. area, I urge you to attend. LosCon is fun and I have missed it terribly.

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Writing on an Activation Roll

 

In the superhero role playing game champions on of the disadvantages you can added to a character’s power to lower its point cost is an activation roll. Basically, when the character attempts to use their power, flight, energy blasty, whatever it is, the player must roll dice and if they make the target roll then the power function otherwise nothing happens.

For me writing can often feel like a power with an activation roll.

I have my stories, my characters, my themes and setting but getting started on that day’s writing can be a challenge. The internet with its endless diversions is a powerful temptation, as are movies, video games, and just plain old-fashioned daydreaming.

However, once I have begun to actually write, burying myself in the exact act of placing words into sentences, bringing the characters and events to life as I type them all resistance evaporates and it is terribly easy to fall into ‘flow’ and just write.

I am certain that there are many writers who feel the same way I do. It’s the basis of my statement ‘The hardest part of writing of butt to chair and fingers to keyboard.’

What exactly is the source of this resistance I am not sure. I don’t think it is a fear of failure. I have failed so many times that is holds little terror for me. Much like rejections its failure is simply another aspect of the writing experience that is nearly inescapable. There are numerous abandoned short stories, scripts, and novel in my history. It is not heart wrenching when a story crashes on take and never achieves flight, it is just part of the process. (Though I am happy to say that unfinished stories happen with far less frequency than they used to.)

I think it is simply the desire to not work.

Writing is work.

For me it is an emotional experience. I feel that same things my characters feel. Fear, elation, arousal, these are mirrored in me as I attempt to put them into prose. That is a tiring and strenuous process and it probably the common desire to avoid strain that levels this activation cost, a toll I again and again must find a method to pay.

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Losing Cultural Context

I find it fascinating how knowledge and context can slip away and vanish from cultural knowledge. This has been demonstrated with YouTube reactors and 1973’s The Exorcist.

In the film Father Lankester Merrin and elderly priest and archeologist played by a 40 something Max Von Sydow repeatedly with shaky hands takes tiny white tablets that he carries with him everywhere.

No audience member in the 70s need a word of exposition to understand the meaning those actions. Merrin suffers from severe heart disease and takes nitroglycerin tablets to treat his heart.

And I can’t think of a single YouTube reactor that intuitively understood what the filmmakers communicated when Merrin took his pills or what was being established for the film’s climatic final act.

Times change, culture moves one, and what was common knowledge to one generation is a mystery to another. It makes me wonder what I am missing from stories, movies, and books from previous generations. What did they take as universally understood that passed me by without any impact? What are we creating today so certain of our intention and meaning that future generations will misunderstand or fail to notice at all?

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My Novel Vulcan’s Forge

March of 2020 saw the publication of my SF/Noir novel Vulcan’s Forge by FlameTree Press. Sadly, being published the week the world goes into shutdown for a once a century pandemic did nothing for the book’s sales. Still, I believe in the book and for those who are interested here’s some things about this novel.

Deep Backstory

By the end of the 21st century advances in computer sciences produced true artificial intelligence, along with automated manufacturing, advanced 3D printing, and practical fusion power. Instead of ushering in a period of expansion these technologies became the means by which humanity survived a planetary cataclysm. A rouge brown dwarf drifting thru interstellar space was discovered with a trajectory that carried through the inner solar system, disrupting all the rocky planets and close enough to eject Earth from the solar system.

Humanity launched solar sail arks carrying sperm and egg cells, fully capable artificial intelligences, and automated manufacturing equipment to save humanity by planting it on scores and scores of target worlds throughout the local stellar neighborhood. Due to the advanced technology and manufacturing techniques the cost of an ark was low enough that private groups, religious organizations, and loose confederations could launch one to preserve their culture and people.

Vulcan’s Forge takes place on a colony, Nocturnia, whose founders were fixated on racially diverse urban Americana of the 1950s. Like all who become focused on nostalgia their view of the past was not entirely historically accurate but rather a more romanticized and idealized view of that period in American history.

The Story

Jason Kessler helps create the social and cultural norms of Nocturnia by carefully curated film and television preserved in the digital storage of the ark that founded the colony. However, Jason himself find the conformity and repressed sexual mores of his colony stifling, not wishing to marry young and produce a brood of children to re-populate the species. He would rather

Flame Tree Publishing

enjoy to banned films labeled ‘anti-social’ and live a life of pleasure, but the colony’s surveillance and enforcement of their morality makes this impossible.

When Pamela Guest sweeps into Jason’s life everything changes. Contemptuous of Nocturnia’s morality and seeming immune from its enforcement Pamela introduces Jason to the possibility of everything he had ever dreamed about doing and wanting. Jason also learns that there is a secret criminal underworld to the colony and soon he and Pamela are fighting to survive as darker conspiracies than mere criminality threatens Nocturnia.

As a traditionally published novel Vulcan’s Forge can be ordered from wherever books are sold. I am including links to San Diego premier specialty bookstore Mysterious Galaxy along with links to Amazon.

I am also including the YouTube video of myself reading the novel’s prolog.

Mysterious Galaxy Paperback

Mysterious Galaxy eBook

Amazon Paperback

Amazon eBook

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Thoughts on Heinlein’s Starship Troopers

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One of the most divisive science-fiction novels published is Robert A. Heinlein’s Starship Troopers. Written as one his juvenile novels it was rejected out of hand by the publisher and immediately upon publication by another house stirred intense political debate that carries on to the present day. My meager thoughts in no way will settle this argument and for those firmly fixed in their camps nothing will dislodge them.

Troopers posits a future where humanity has spread out to the stars following some war with itself that left in its wake a unified government ending unrest and ushering in a period of

G.P. Putnam’s & Sons

prosperity. The political system of this unified government is a democracy, but one where the right to vote and run for office, the civil franchise, is restricted solely to those who have served in the armed forces.

This ‘only veterans’ franchise is often labeled by the novel’s critics as ‘fascist’ and a system of military rule. While I think the system proposed actually would never work in practice and the author hand-waved his way past serious political and practical issues, both critiques miss the mark.

Fascism has no simple, agreed upon definition. It is often hurled as a charge towards a political system, movement, or person that someone intensely disagree with. The left hurls it at the right and right throws it back. Setting aside the definition of childish tantrums, to me Fascism is a species of the political right, obsessed with a distorted and false view of history, former ‘glory,’ centralized authoritarian government, and most importantly of all the philosophy that the individual’s only value is what the state can extract from them.

The novel gives very little to no description of the culture surrounding its political system. What little history that is presented is fed to the reader as exposition to explain the political system and how it arose with nothing that glorifies some idealized historical vision.

Equally unexplored is the actual details political system. We know that military service is required for the franchise and that active-duty personnel do not have the vote but how centralized is thew power is a question that is never addressed. The closest the reader comes to understanding the culture and the government is the barbaric punishment of flogging is a common judicially ordered punishment. This predilection for cruelty as punishment is the most fascistic aspect of the novel’s setting.

Many critics point to required military service as a fascistic aspect, but I think it doesn’t meet that criterion. Fascist regimes such a Fascist Italy or NAZI Germany treat the people as something that had an obligation to the state. An obligation that could not be refused. Their service to the state was something required not chosen. The system in Starship Trooper is an inverse of that philosophy. Service is given, always at the choice of the person, and in fact the novel gives the impression that people are dissuaded from choosing to serve as more than one character attempts to talk to the protagonist out of volunteering. This plays into the novel’s philosophy of graded level of morality and I’ll speak to that and its error later in the piece. The core central issue here is that in a fascist setting the power is with the state, a state that compels service and here the power is with the individual choosing to serve.

One of the novel’s many exposition heavy scenes also display the frantic handwaving to make this political system work. An instructor asks the class why does the system work and after the students offer possible answers based on the limitation on the franchise, better people, chosen people, and so on, the teacher simply answer it works because it does. Utterly circular logic. It works because the author wants it to work.

Elsewhere in the work it is put forward that there are levels of morality with morality defined as the willingness to put oneself in danger for a goal or purpose. The lowest and most base level is self-interest. ‘I look out for number one and no one else.’ The system then progresses through family, friends, and loved one with the ‘highest’ level of morality being expressed when someone serves and risks all for their community.

Heroic self-sacrifice is a common trope in adventure fiction and something that is nearly universally admired. We need to look no further in the genre than Spock’s solution to Kobayashi Maru test in The Wrath of Khan to see this presented as noble. That said it, in my opinion, is a lousy system to base your politics upon.

The logic in Starship Troopers is that those who volunteer to place their lives on the line by serving in the military are exhibiting a ‘higher’ level or morality and thus are ‘worthy’ of the franchise and political power. This is flawed for several of reasons.

First, while the novel goes out of its way to make clear that no one can ever be denied the chance to serve it is also clear that military discipline is in effect and people are ‘mustered out’ of the service and thus forever lose the chance to exercise the franchise. That means on a practical level the military while forced to accept every as a recruit can still eliminate anyone it does not want to have the franchise. It is far too easy for a military to expel members to use service as a qualification for the franchise.

Second, it presumes the motive for joining the military is a desire to serve. This ignores the possibility of enlisted to learn a trade, experience adventure, escape an unpleasant home, or even to live the thrill of combat and killing.

Another reason this is a terrible idea is that it sees the only meaningful way to serve your community is by way of the military. Teaching, local services, research, and healthcare, the last having its own unique dangers all too well know with the current COVID pandemic, are all ways to place your own needs second to your fellow citizens’.

While I cannot agree with those who hurl ‘fascist’ at the novel’s philosophy, nor can I endorse it. Between handwaving and some very broad and simplistic assumptions it simply ignores the world as the way I have experienced it working.

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A Bittersweet Time

For me, coming to the end of an artistic project always carries waves of mixed emotions. There’s the high of actually reaching the end, sharing the exctement and thrill of the conclusion with the characters I have spent so much time with. Throughout the writing of a story, short or long, I churn up in myself the same emotional states of the characters I am recounting and creating. The sweeping climax as everything comes to head at the end is often the most emotionally engaging period for me.

There is also a sadness as the journey ends. Writing a long form piece like a novel swells this emotion. The characters, the settings, the very nature and tone of the work become a part of daily life. Even when I am not actively at the keyboard putting words in a line my mind is fluttering about their scenes to come and how they might be crafted and feel. All of that comfortable familiarity vanishes with the end of the project. What had been a stable, predictable schedule of life is no more and as a creature of established routine and habit that is always unsettling.

Finally, there is fear.

Of course, some of that fear is directed at the completed project. It’s about to be sent into the wider world, a cruel cold world of querying agents, submitting to editors, with the near certainty of impersonal rejection or outright dismissal without reply.

But some of the fear is directed at the nascent project already forming. The new work with vague characters and setting, where the tone is already known but achieving that is only a possibility. One that might not be reached. Will the project work, will it come together, or might it like others, fail to take flight and crash like an overladen bomber from the Second World War?

This is the time I am in now. My military SF novel is complete. 100,000 words following an American serving in the European Union’s star forces. It held suspense, fear, and surprises for me but now its time at the front of my mind has come to close. Now it is time to fully commit to the new story, the new characters, and to set fear aside and march into the new battle.

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