The Blog Tour for Vulcan’s Forge continues at Scintilla. My pull quote from this review is:

Robert Mitchell Evans manages to create a world that is both a caricature and frighteningly believable. 

As they stream in it has been interesting to read the reviews of the novel. I know there is a great deal of advices suggesting that authors should not read reviews. After all reviews are for readers, to help them find the next book to add to their ‘to be read’ pile and not for feedback to the authors and there is a truth in that. Find reviewer whose taste matches closely with your own and use their information to help you find the next thing you’ll fall in love with. For author negative reviews can be emotionally crippling, or so I am told. Perhaps it is because I am coming to professional publication later in life but I find I can hold negative reviews and feedback at a personal distance. So far no one has hated the book but they will change it simply is the nature of the beast.

However, I am enjoying reading the reviews. It is fascinating to see all the various lens and interpretations that get applied to the text. In my writing group I am fond of saying that no honest critique can be wrong. It is how that person, on that day, reacted to that piece of work. Sometimes people see what is there more clearly than the author and other times what they see says much more about themselves and their worldview that it does about the words on the page. None of that is inherently right or wrong it is how people function. I can know my intention in writing a piece, or in a bit of world building but I too have lens and filters through which I interpret the world and that impacts on my world building in ways that may be invisible to me. So, some of these reviews might even open interpretation that I agree with but never considered because the very premises were obscured from me.

I hope that when the inevitable terrible review rolls in I will react the way I suspect I will. I have always been that sort of person for whom a professional rejection carries little emotional weight. The rejection slip doesn’t trigger imposter syndrome or send me spiraling into self-doubt and depression. My reaction to rejection slips has always been, ‘okay, not for them’ and sending the piece on to the next editor. We shall see if I feel the same way once the first 1-star reviews start appearing on Amazon.

It is now 6 days, less than a week, until Flametree Press publishes my first novel, Vulcan’s Forge.

First novel is such a strange term. Certainly, from the point of view of reviews and the public this is number one but from the point of view of the author it is far from my first, merely the first to survive until publication.

The very first novel I ever write was way way back in 1979 during my senior year of high school. Freeeholder was a post-apocalyptic adventure novel centered on a culture of liberal pacifist survivalists.

After my tour in the U.S. Navy there was a significant period of time when I did no writing whatsoever and even following that years long dry period what I attempted to write were screenplays.

It really wasn’t until the late 90s that I returned to prose writing and then it was short stories as I was quite fearful of the commitment required for a novel. During the 2000s I started writing novels again when a particular idea seized my and would not let go until had committed it to prose.

Several novels were then written over the years, some are destined to be re-written and some are going to be forever abandoned but all were learning experiences that extended my abilities as a writer.

Vulcan’s Forge started prior to 2015 when I first wrote it as a novella but that was far too brief for the world building required for this SF noir. The novel version was written and completed in 2017. At the time I had an agent and I turned the manuscript in to him and it sat on his desk unread for year until our association was dissolved.

2019 I submitted it to Flametree Press and they bought the book. My time with them has been fantastic. I couldn’t ask for better partners in traditional publishing.

The COVID-19 pandemic is terrible. I live in California and we are today 20 March 2020, under a stay at home order, though I work in an essential area of health care and will still be going to my day job. My signing and launch event were canceled, the needs of the many outweigh the needs of one little debut author, but books are still being delivered and you can still order it from your local bookstores, so all is not bleak.

‘First’ novels are rarely the first ones written but just as with ‘overnight’ successes perception doesn’t match reality.

This will be a quick post.

So, I am revising my military SF about an American serving in the European Union’s Star Forces set in a future in which America took a wrong turn in the early 21^st century and became a second-rate power. Honest, I was cooking this idea back in the early 90s.

This is the manuscript that originally clocked in at 115 thousand words and on advice from an agency was trimmed to around 98 thousand.

As I review the original longer work, a version I had preferred, I find that I am really enjoying this book. It has been a few years since I have read it carefully, line by line, word by word, as once I send a project off to editors for consideration, I protect my sanity by moving on to the next project. So, this return to the origi9nal manuscript is a, pardon the pun, novel experience.

It feels wrong just how much I am enjoying this read. But this speaks to the truism I hold to in writing, write the book you want to read. There is your vision, there is voice, there is what makes it yours.