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More than 30 years ago I read Dune Messiah, the first sequel to Frank Herbert’s novel Dune.The continuing storyline did not quite capture my attention and I did not proceed down the course of the following novels. Now with the release of Dune part 2 completing Denis Villeneuve’s adaptation of the novel and its box office and critical success I decided to re-read Dune Messiah and see if I had a different reaction to it this time around.

The first thing I noticed was that in the passing decades I had forgotten nearly everything about the sequel novel. Vague aspects of the story’s final ending floated in my memory but of the actual plot and events, nothing.

Dune Messiah picks up a dozen or so years after the ending of Dune. Paul Atreides’ Jihad has swept the galaxy and the fanatical legions of Fremen have slaughter billions and destroyed hundreds of worlds for their Messiah. The vast powerful forces of the galaxy spanning human imperium, economic, political, and religious have crafted a plot to eliminate Paul and reclaim control of the empire. Paul, plagued by prescience, knows some aspects of the plotters plans but also sees that any misstep and error will lead to even more slaughtering and death than he has already unleashed on the galaxy.

With even more mind-bending concepts, Face-Dancers, people with such utter control over their muscles that they can assume the appearance of any person, and people reanimated after death and imposed with brain washing conditioning, Herbert’s sequel is challenging to read and even more challenging to adapt to a visual medium that the first novel in this classic series. The book makes more explicit Herbert’s premise that charismatic leaders are a danger to everyone, their enemies and their followers. While the reader may sympathize with Paul who never intended to do evil it remains clear that evil is the product of his actions no matter his intent.

With the most recent adaptation fresh in my mind, it was easy to ‘hear’ the voices of the actors playing in my head as I read the book and adding a few new member’s to the cast. I expect that should Villeneuve adapt this to the screen that Peter Dinklage will once again become part of a fan favorite franchise.

I can say that this time around I enjoyed the novel more than I had in the late 80’s when I first read it. Partly because of Villeneuve’s adaptation and partly because I have become more aware of the social and cultural antecedents that Herbert drew upon for his inspiration. I do not feel that this go around I wasted my time.