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A clever concept that can’t quite connect.

IFC Films

Late Night talk show host Jack Delroy (David Dastmalchian) desperate to reverse a slide in ratings night books a parapsychologist (Laura Gordon) and supposedly demon possessed subject (Ingrid Torelli) for a live television event on Halloween night 1977 and gets far more than he bargained for.

Utilizing the ‘found footage’ conceit Late Night with the Devil is comprised of broadcast footage and off-air recording captured by the studio cameras to recount the events of Delroy’s final program. This setting circumvents many of the issues with found footage films by giving a rational and reasonable answer as to why the cameras are not only there but why as horrific events unfold people continue to operate them. Sadly, while having a quite intriguing concept and a talented cast, LNwtD, is hampered by both budgetary constraints and a script that needed another couple of passes.

The film opens with effectively a prolog telling the audience the backstory for both the central character of Jack Delroy and the possessed girl Lilly. In my opinion, this prolog blunders in two aspects, the greater error is attempting to leaving Lilly’s nature mysterious. The audience will have almost certainly seen trailers for the film and even if they had not, they purchased their tickets expecting to see a horror film. Trying to leave the question of Lilly’s possession as an unknown doesn’t create any suspense as that is our expectation before we have even walked into the theater. The second lesser failing is that the prolog tries to tell us two different backstories, Lilly’s and Jack’s, and the best prolog are simple and direct. They inform us of the one thing we must know in order to appreciate the story from the start. Splitting the prolog dilutes it and starts the movie of in a flabby manner.

The budgetary constraints appear in the final act of the film. If you do not have the budget for a VFX spectacle then you shouldn’t try to have one. The real tragedy is that if the directors had forsworn the effects and gone for a more ground simpler approach the horror would have hit harder, felt more real, instead of what looked like VFX that could be done at home pulling the audience out of the reality of the film.

I can quibble with some of the decisions here and there. The used of hypnosis by the skeptic to attempt to disprove the possession but these are minor things more about taste than failings of the film. A more subtle approach to backstory and exposition is something that always appeals more to me than more direct expressions but again that is a matter of personal taste. I am disappointed that Late Night with the Devil did not live up to my personal expectations, but neither was it insultingly bad. The film lands in the dreaded mediocre middle of horror.