Movie Review: JAWS (1975) in 3-D

Released in 1975 Jaws, along with Star Wars two years later, created the summer blockbuster. Optioned and sent into development and production before the novel was published Jaws made a superstar director of Steven Spielberg and terrorized a generation. 14 When I came out Jaws was a memorable theater going experience and one my all-time favorite films.

Seven years ago, I attended a screening celebrating the film’s 40th anniversary but that screening was nothing like the one I experienced last night.

The digital projection was flawless with the image sharp and perfect as though we were

Universal Studios

watching a print struck directly from the original camera negative. The sounds, which may have been remastered, was rich and enveloping with the bass notes of Williams’ iconic and unforgettable score presented powerfully. Of course, what made this screening so very different from any other of Jaws was that the movie had been retro-scanned into a 3-D format.

In 2016 I made the trip to Hollywood for some Halloween themed fun at Universal Studios followed by a screening of 1979’s Dawn of the Dead retro-scanned into 3-D. Because that conversion had been so successful in presenting the film in 3-D without savaging the experience I wanted to see if Jaws had a similar result.

Yes, yes it did.

The 3-D conversion, which I understand Spielberg helped supervise, was flawless, giving the film that illusion of depth but without taking away from the masterful filmmaking of Spielberg or cinematographer Bill Butler. The added planes of depth changed the experience for me. Now, I have seen this film countless time. It is a movie I know well and can quote at length, but this version felt new and fresh as I noticed the framing of foreground and background elements in a manner I have never noticed before. Because these elements exist in their own plane of depth that are easier to notice and pay particulate attention to. For example, during Quint’s famous ‘Indianapolis’ monologue this was the first time I really noticed that Hooper is in the frame for the entire speech giving Dreyfus time to listen and subtly react as the horrific tale unfolds. With the laser-sharp projection and a screen that is never too dark due to the polarizing glasses, Jaws in 3-D is an experience not to be missed.

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