Author Archives: Bob Evans

Sunday Night Movie: Cloverfield

I have always been a fan of the giant Monster movies. I can remember being bitterly disappointed when Godzilla vs The Smog Monster came out and I did not see the film in the theater. Given that background it is a little strange that I missed Cloverfield during its theatrical run. The truth of the matter is that life gets pretty busy these days and the film slipped past me. (It’s amazing just hwo fast a film disappears from the theaters now. I can remember E.T. and Raiders Of The Lost Ark both playing for more than a year at theaters in Sand Diego.) So Cloverfield is a film I have only seen on home video. However I think home video is the right medium for this movie.

Cloverfield is a ‘found footage’ film. The best know example of this style of film making is The Blair Witch Project, a film that is supposedly cut from the film shot by documentary filmmakers who had vanished in the woods and years later the footage is found. The most recent example of this is Apollo 18 which is supposedly made from stolen classified footage. (However it clearly impossible by the events of the film that this footage ever reached Earth and there the whole conceit is thrown into abject stupidity. Apollo 18 is a film to be avoided even on home video.) I have rarely fully enjoyed a found footage film because too often the ending does not work. It is very difficult to craft a satisfying one. Cloverfield is the exception to the rule.

I watched this back in 2009 on blu-ray via Netflix and  throughly enjoyed the experience. The hand-held shaky camera worked very well on the small screen and may have been too much for me personally on the big screen.

The setting is simple. New York, May 2008, a Godzilla-class monster shows up and starts tearing death and destruction through the metropolis. Instead of an objective viewpoint, we see the entire night’s events from one hand-held camera that start the film documenting a going away party. Cloverfield isn’t really about the monster, but rather it is about love and loss and what are you willing to do for love.

The film did stir some controversy when it was released because the imagery of the destruction as such a vast scale to New York evoked for many the memories of September 11, 2001. That is understandable, but I would never call for film makers to censor themselves because of that. We remain free in our actions, our thoughts, and our arts — anything else is real capitulation.

The film is short, just 85 minutes, and moves very quickly. (Of those 85 minutes, 11 are credits as this is a very impressive piece of special-effects works, meaning 13% of the movie is credits, perhaps the high ratio of a major feature film.) Cloverfield is also a film where no one is ‘safe’ by benefits of being a major character. While not everyone dies, the loss rate if very high.

I now own a copy on blu-ray and would easily recommend this movie.

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Headache Log

10/02/2011

Started having a headache in the morning. Took 1 Treximet, thought it took more than an hour the headache did go away.

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Query Letters

I hate writing them…

Here’s a taste fo the one I am currently working on.

Seth Jackson, American expatriate and Captain of the European starship Montgomery, holds humanity’s future in his hands. He can save the European Stellar Union from conquest, escape the destruction of his career, and repudiate the prejudiced idea that he is nothing but a glory-seeking Yank, but to do this he must kill Minou Shippen, the woman he loves.

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Sunday Night Movie: The Breakfast Club

I was not a teenager when this film came out in 1985, I was 24 but still this movie had a strong and visceral impact on me. However for whatever reasons this is a film I have no memory of ever watching on Videotape, Laserdisc or DVD. I recently ordered the blu-ray via Netflix and Sunday night I st down to see if the film still had that old impact or had I changed too much.

Nope, this film is still a well written, directed, and acted movie that goes far deeper than many movies do in exploring human nature and human character. It’s kind of My Dinner With Andre but with a much greater relevance for teenagers.

At the start of the film you have five stereotypes for teenagers, the princess, the jock, the brain, the criminal, and the oddball. By the end of the movie John Hughes has deconstructed these characters into characters pulling off the impressive writing feating of not only making them into human beings, but sympathetic human beings.

The blu-ray had tons of good bonus material and I shall have to consider adding it to my library.

See this movie if you have not.

 

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a trip down memory lane

So on Sunday Night I decided to go to the drive-in. A friend of mine also came along as I was seeing a double feature of Contagion and Apollo 18. (I expected Contagion to be good and Apollo 18 to suck.) After a minor navigational error where we learned that the turn-by-turn software knew my friend’s area better then he did, we made it to the Santee Drive-in about fifteen minutes before show time.

There were plenty of spots to choose from and we ended up pretty much front row center. A quick trip to the restroom and concession stand and we were ready for the show.

I did not expect top flight visual as this was a drive in with a long throw on the projector. There were lines running vertically through the image, almost like a video display had been enlarged. Still I was seeing two feature films, first runs films, for 8$, ($12 after gas) so really there was little to complain about. The sound was transmitted via FM radio and sounded just fine on the car’s stereo.

Contagion was a damn good movie, a very realistic and scientifically  accurate portrayal of a sudden and deadly global flu outbreak.

Apollo 18 sucked rocks as I expected and —–spoiler alert —–

—ends badly when the Command Module Pilot apparently forgot how to pilot the command module. Avoid this film, even on video.

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