Tag Archives: Television

How Life Has Changed

I remember clearly a bit of frustration from my youth. I had read the Isaac Asimov novelization of the film “Fantastic Voyage” and I desperately wanted to see the movie. I have always been a fan of film and fantastic genre fiction particularly so. The problem was that this was the 1970s. There were no Blu-rays, DVDS, VHSs or Betamaxes around to sate one’s entertainment cravings.

The town I lived in did not have a revival theater, and all I could do was searched the listing on the weekly TV Guide and hope that some station like TBS , which aired a lot of films, would pay it.

I remember weeks of searching the guides, with no indication of an upcoming presentation, only my fondest hopes for one. It didn’t appear.

This weekend on a whim while scanned through the instant view option at Netflix I started watching Fantastic Voyage. Now I had seen it in the intervening years, so I was not watching to to satisfy that unscratched itch from decades past. It was just a way to pass the time and look at the filmmaking of years gone by.

However it did get me thinking about those months when I forlornly hoped against reality that it would appear in the listings.

We truly live in an age of Science-Fiction, so many treasures await our pleasures. We are approaching a film lover’s paradise.

Share

Original Series Klingons, Commies or NAZIs?

As the title informs you I will only be speaking about the Klingons as they appeared in the original Star Trek series, not he later retconed aliens that were introduced in the Motion Picture and later elements of the franchise.

Star Trek arrived during an interesting period in entertainment history, by being produced in the later 60’s the series was influenced by and could be seen as a metaphor for both World War II and The Cold War. The writers, directors and producers of the series Kor,_2266counted among their number several World War II veterans while the Cold War, now well under way, underpinned everyday life and provided an atmosphere of dread under the treat of global nuclear war. It is natural for people to look on the Klingons of the original series as a metaphor for either the NAZIs or the Communists, but which is a better fit?

Now first I am not putting forth a proposition as to what was in the creators heads when they crafted Star Trek’s original bad guys, but rather just an exercise about which brutal ideology best matches what we know of the Klingons.

There are of course a number of areas of overlap between the deadly forces of Communism and National Socialism. Both were brutal dictatorships, both murdered on a Kangvast scale, both were ruthlessly expansionistic, both were extremely militaristic, both engaged in suppression of dissidents, both crushed the individual under the power of the state.

All of these elements would seem to apply to the Klingon Empire, both this complicates the issues. However it is important to recognize that National Socialism and Communism however similar in many area are not the same thing, so perhaps by finding key differences between the two and apply them to what we know or can extrapolate from the Klingons we can determine the best match.

Communism did not recognize the right to own property. All property belonged to the state, while Nazism recognized private property in a fairly recognizable state, corporations, Kahlessand the like. From the original series we have no data about the Klingon economic models and systems, so we can’t use this as a point of differentiation.

Communism believed in an inevitable march of history; that peoples and cultures inexorably moved through certain developmental stages, in the same sequence, and that the end results would be the stateless commune.  Nazism believed in the survival of the fittest on both a racial and a cultural, which were really one and the same for them, stage. They thought that it was the natural order for the strongest culture to dominate and subjugate the ‘weaker.’

Ah here we have a bit of a match with the original series Klingons. They clearly believed that if they were stronger is was natural and right for they to rule. They did not argue their dominance from destiny, but from ability.

Communism was a very delusion and distorted view of mass teamwork. That everyone person, if given an equal share would pull equally hard for the greater good and that want and greed would die away. It was group oriented, but in a fanciful belief that people would become happy and prosperous in a share and share-alike fantasy. Nazism saw the individual as only a cog in a machine to support the state, and the race which defined the state.  Every man and woman had a duty to the state and that duty overrode all individual consideration. There was no utopian fantasy of universal brotherhood, only the importance of the state over the individual. This matches up quite nicely with Commander Kor’s speech to Kirk in ‘Mission of Mercy’ just before his men burst in to, once again, arrest the Captain.

The final point of divergence is the spread of ideology.

The communists could be though of a evangelicals. It was not enough to conquer territory, to claim resources, to amass power, they also had a burning need to convert. They desires that not only did subjugate peoples bend knees to their power, but adopted their view and Kolothvision of the future. Like the Inquisition before them the Communists could brook no heretics. The Nazis weren’t interested in that at all. Because of the racial components of their belief system,  they saw the world as a conflict between themselves and everyone else. They never expressed an argument that their system was better for everyone, they never tried to convince Kirk or the Organians that they should convert, but rather brute force to take was enough and all they required was subservience.

To me this makes it clear, for the Original Series Star Trek, the Klingons were much more like Nazis than communists.

Share

The Time Tunnel Rewatch: Rendezvous with Yesterday

So the other night I needed some unwind time and I queued up HULU+ on my big screen T.V. and watched the pilot episode of the single season science-fiction series The Time Tunnel.

The Time Tunnel was created by Irwin Allen, the television producer of such memorable fare such as Lost in Space, Voyage to the Bottom of the Sea, and Land of the Giants. Continue reading

Share

Well, I am enjoying it

Thanks to a friend of mine I am now watching the HBO series “Game Of Thrones.” I must

your host warming the iron throne

say that when HBO pulls out all the stops it can kick ass on lavish production that rival any big screen theatrical film. (Due tot he same friend I became a fan of HBO’s “Rome” which was another kick-ass series, but not fantasy.

I have not read any of the books, nor am I really planning to. It’s not that I have a disdain for the books, if I did I wouldn’t be watching the series. (It took me three years to give the show Buffy The Vampire Slayer its day in court because I had such disdain for the film.) Rather my reading time is very limited and I have to chose quite carefully what ti read, because otherwise I’ll read too much and write too little.

 

Share

I have sinned

I must publicly confess my sin and make proper atonement.

For the past two days I have sought out and deliberately watched two episodes of Star Trek: Enterprise. I do not have the excuse that these episodes, a two parter, were written by a friends as I did when I watch episodes of Star Trek: Voyager, and as such this is a sin against taste.

I watched the Season 3 episodes, Through A Mirror, Darkly parts 1 & 2 via the Netflix instant view.  This story arc takes place entirely in the producers views of the Mirror Mirror universe first seen in the original series episode of the same name. ( a truly great Episode.) Howevere the producers did not pay attention to that episode and were wildly off the mark on how that universe worked. In Mirror Mirror counter-Spock warns Counter-Sulu that should he, Spock, go missing, his asscoicates would come looking for revenge. Counter-Sulu blanches when counter-Spock that some of his associates are Vulcans. In that one moment we get so much about what has changed. The Vulcan are bad asses, more like Romulans than the pacifists we know. In this Enterprise story the Vulcan are enslaved to the humans, but basicly the same. In fact they are leading a revolt against the empire instead of being a terror within it.

There are numerous other faults in these two episodes. Production design managed to copy known sets from the original series, (The Starship Defiant, lost in the episode The Tholian Web, has appeared in the Mirror Mirror universe, bring the empire tech from about a hundred years down the road.) However they try to create sets that are meant to be aboard Defiant but are not copies of original sets, and the design fails. These new sets do not look like the belong on the same ship. There is also a CGI Gorn in the second part. they smartly kept the effect mainly to the shadows, but it did not look like a Gorn. The body looked pretty good, but the head was entirely different. Also they portrayed the Gorn as quick and nimble, guess the original wasn’t good enough for them.

During the second episode counter-Archer (the lead and Captain in the series) is repeatedly advised and taunted my visions of regular Archer. I kept waiting for the explanation for what this was. It never came. None at all. Nothing that happened in the story impacted on the regular universe and the whole story arc was pointless.

 

A waste of time. How shall I atone?

Share

Is Buffy The Vampire Slayer a Conservative show?

Courtesy of Tor.com I came across this interesting article about Buffy The Vampire Slayer. The author, Evan Pokroy, posits the thesis that BTVS is at heart a conservative show, quite at odds with the normal fare produced by Hollywood and that people of a conservative political persuasion should celebrate this series.

The article is well written and nothing in it is factually in error or untrue. It is certainly possible to view this series as one the reaffirms a number of conservative values,. However it is also possible to come away with a quite opposite conclusion, that BTVS reaffirms liberal values and morality.

Let me lay out just a brief outline of some of the liberal values celebrated, promoted, and central to the truly wonderful series.

 

“A Slayer with family and Friends, that sure as hell wasn’t in the brochure.” Spike in the episode –“School Hard”

Historically Slayers have operated in secret and alone. Granted there was support from the Watchers’ Council, but in the field, battling the demons night after night the Slayer stood alone until the coming of Buffy Summers. Through the coordinated actions of the Scooby Gang, Buffy defeated threats that lay beyond her abilities alone. Time and again in the series we are reminded that  together as a team, as a collective, are victorious.

 

I’m so out I’ve got my Grandmother fixing me up with guys.” Larry in the episode — “Earshot”

Diversity is a good in BTVS, characters are fully accepted for who they are as a person, gay, straight, or werewolf. Buffy does more than just fight and defeat demons set upon their evil plans, she also fights for people and accepts people as who they are without thought to clique or acceptance, such as her quick willingness to accept Willow Rosenberg.

 

“New Watcher? Is he evil?” Buffy in the episode Bad Girls

Buffy questions authority, the wisdom of the ages is forever being tested, challenged, and overthrown. Mothers, fathers, step-fathers-to-be, father figures and mother figures are mocked and usurped. The Old Guard is always suspect and not always right.  Parents in the show do not, in general, fare well . While Joyce Summers, Buffy’s mother, eventually comes to supporter her daughter as the Slayer, her initial reaction was to throw her daughter into the street. Willow’s mothers is a hopeless academic, clueless to her daughters reality, and Xander’s unseen parents a warning sign that not all parents are to be honored. Beyond the parental figures, nearly all authority figures are distrusted, evil, or foolish. Giles, Buffy’s watcher and mentor, starts the series more at odds than respected, and become respected the more like Buffy he becomes until he too is challenging the accepted wisdom of authority in the episode Helpless.

 

“Anyone who’s not having fun here, follow me.” Buffy in the episode–Anne.

Buffy protects and defends the weak from abuse and exploitation. She clearly sees it as part of her duties to use her strength to protect and defend those who cannot. This goes beyond fighting demons, to protecting those who are bullied and threatened. The liberal aspect is best observed in the episode Anne, there Buffy, temporarily in Los Angeles, finds runaways are being used as slave labor by a demon. Armed with a Hunga Munga and a hammer she frees the workers from their exploiters.  The Hunga Munga, a sickle-like weapon, helps create an impression of a hammer and sickle used in a beauty-shot for the rest of third season’s credit sequence.

 

The point of my essay is not to say that Mr. Pokroy is wrong, because he is not. Buffy The Vampire Slyer is truly a work of art, and the best works of arts are multidimensional. They possess many facets just as a well cut diamond does. BTVS is a well of truly exceptional art, and as such people of all philosophical beliefs can find something in the show that speaks to them.

 

I think we should celebrate well-crafted art for its own sake, and not try to fit it into the tight, restricted left/right paradigm of political discourse.  Buffy The Vampire Slayer is a wonderful show, with well-scripted characters, interesting deep thoughts, and exciting action. When you watch it you think about what it might mean, lets keep that a personal journey and not one where we impose a philosophy.

 

 

Share