Tag Archives: Movies

Sunday Night Movie:The Living Dead at Manchester Morgue

Like another movie I own, Planet Of The Vampires, The Living Dead at Manchester Morgue is a film that has been released under a bewildering array of titles. Released in 1974 this is a zombie movie that is  post-Night of The Living Dead (1968) but preceded both films that ushered in the Zombie Apocalypse®, Zombie and Dawn of the Dead (1979.)

Placed in such a unique position in zombie movie chronology The Living Dead at Manchester Morgue is a film particular to its time and place in history. For quite a while it was wholly  unavailable on home video and therefore rarely seen. I myself had not heard of this Italian/Spanish co-prpduction until it was mentioned during Zombie week at tor.com.

Today the Zombie Apocalypse® is a well established meme in the greater trans-world culture. Nearly everyone knows what is meant by the Zombie Apocalypse® and it is a common parlor game to thought-experiment your survivalist victory against the hordes of undead. In these thought-scenerios the undead are nearly always the ghouls envision by George A Romero in his film Night of The Living Dead. If one is a heretic, you propose an apocalypse of Zack Snyder’s fast zombie from the re-make of Dawn of The Dead, but most purist reject these zombies. (I do not, I own both versions the 1979 and the 2004 on home video.) If one is utterly desiring of death and failure, you might go with the Dan O’Bannon zombies of Return Of The Living Dead, but really who is interested in an apocalypse of indestructible zombies? Continue reading

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Sunday Night Movie: The Ghoul

So, yesterday I was cruising through instant view movies on Netflix and I came across a 1933 film, The Ghoul, with Boris Karloff. In the mood for something different, I added it to my queue to be my Sunday Night Movie.

The Ghoul is  story about an Egyptologist who has become so enamored with his subject that he now believes that the religion of the ancient Egyptians is factual. He spend the majority of considerable fortune on acquiring a mystic gem that reputedly can grant immortality to a person if it is sealed with the person in their tomb.

(Apparently it is immortality on the other-side, not here. on Earth.)

Because the gem is very valuable there are a lot of people willing to do violence and deceit to steal it. Because he was rich and spent it all there are heirs who are cross and unsure what is happening. Of course no one believes the ancient story and dismisses the notion that to steal the gem from the tomb will cause said Egyptologist to rise from the dead and seek out the gem, murdering all who stand in his way.

Okay, that is a pretty decent set-up for a horror film. Sadly, this is not the film they delivered. This is a scooby-doo movie. Everything at the end of the movie has a ‘rational’ explanation. Rational is in quotes because if I think it through the explanation cannot stand up to fact as presented.

Spoiler alert……proceed no further if you care about spoilers concerning a film released in 1933.

The Egyptologist is shown weak and dying in his bed (see above). He can bare sit up he is so weak. Later, after he escapes his tomb because he had been ‘buried alive’ he’s running about, overpowering much young men and killing them, and bending iron bars with his bare hands. For a guy on his deathbed just hours earlier he’s one kick ass dude!

While there are plenty of interesting ideas and set-ups, this film just doesn’t work. I would have preferred something with the supernatural in it rather than meddling kids.

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Sunday Night Movie: Star Trek III: The Search For Spock

It is a well know dictum in the SF community that the ‘good’ Star Trek films are all the even numbered ones and that the odd numbered movies are ‘bad.’ I have advised people to remember that what the even numbered, II, IV, and VI, have in common is Nicholas Meyer. He had a hand in writing all three and directed two of them.

I myself have espoused this Even/Odd dictum to people about how to judge Star Trek movies. (Counting all the Next Generation films as ‘odd.’ The first, a weak and bull film was the best of the lot. They proceeded to become more and more idiotic as the series progressed becoming what can oxymoronically called Luddite Science-Fiction.)

Recently Star Treks, II, III, and IV were released a a single blu-ray set with new bonus features. I resisted as best I could, but when I found a set for about $25 I broke down and purchased it even thought it had a ‘bad’ movie in the collection. I spent part of the weekend watching the bonus material and oohing and awing how gorgeous the films look in the Blu-ray format. Last night I decided that I would make Star Trek III: The Search For Spock my Sunday Night Movie.

Continue reading

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Fighters in Space

Thanks to George Lucas and his Star Wars films, modern SF has developed a love affair with fighters in space. Lucas used WWII aircraft footage as reference material for the special effects teams working on Star Wars and the influence is clear.

This led to a lot of imitators and copycats, all loving the carrier and fighter in space motif. For me to really became too much when the SF program Space: Above and Beyond (which I refereed to as Space: Abort and Begone) aired. In the program, which really was just WWII set in space, during a briefing pilots are advised to remember that the enemy fighter can out climb the allied fighters. Out – fucking – climb in weightless space. What the hell are they climbing against?

There are reason why carriers and fighter make perfect sense for wet navies, but trying to put them into space just makes the writer look all wet.

First, Ships and Planes travel through different media. A ship has to push water, heavy incompressible water, in order to move. This requires a great deal of energy to get very little speed. The USS Lexington in WWII could go at an astounding 34.5 knots.  (39.7 mph) to do this speed required 150,000 standard horsepower. An F4F Wildcat cruised at 155 mph, could go as fast as 318 mph on 1200 standard horsepower.

Nearly ten times as fast on less than one-tenth the power.

In space, the carrier and the fighter are traveling through the same medium, vacuum. There is no intrinsic reason why a fighter would be so much faster than a carrier. (yes the fighter has less mass, but if you have motive power that accelerate the fighter that fast, you have it for the big ship too, just takes more.)

Another reason planes and carriers makes sense on planetary surface is that planets are curved. Planes give ships an over the horizon spot capability. (In fact before WWII it was thought that spotting and scouting was the reason for Carriers, and that fighting would remain the domain of the big gun ships. The Imperial Japanese Navy persuaded us otherwise.) A ship in space has no horizon to limit detection. No need for small vulnerable spotters.

The third element that makes the airplane useful to surface navies is that the plan can carry a weapon load-out capable of sinking a ship. Note that this is general not done with the plane’s machine-guns or cannons. The attack planes carried either bombs or torpedoes. (Today it is the guided missile carried by planes that make them deadly to ships.) In SF movies we don’t see attack craft with one or two big heavy ship killers; they always attack big target with the same guns they used on the enemy fighters. Damn silly.

In terms of physics and real world analogs, space combat is going to look a lot like submarine warfare. Lots of sneaking. (if that’s possible — it may not be.) Cramped tiny spaces, and long range missiles or torpedoes for killing their targets. Note that under the water, with everyone in the same media, we don’t have carrier and fighters.

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DVD Review: The Lost Skeleton Returns Again!

A few years ago, before I had met my lovely sweetie-wife, I saw a charming movie at the local Art House theater. The movie was The Lost Skeleton of Cadavra. A tongue in cheek send up of bad SF/monster movies of the late 50’s and early 70’s. the film gave us many memorable comedy bits including the famed Amish Terrarium. If you have not seen this movie you need to see it.

Yes, not every scene works as well as it could have. Some scenes drag on too long, but overall I enjoyed the movie.

This week the sequel hit the DVD shelves. It’s rare that I buy a DVD without having seen the movie, but I was willing to take that risk with a Lost Skeleton sequel.

The good news is I felt I got my money’s worth. This was charming and funny. It was clear that the cast enjoyed working with each other again. (those whose characters had died in the first film were playing the twins of those original characters.)

Unlike cheap SF films of the era they actually tried to  shoe-horn in character  growth as part of the comedy and it mostly worked.

What didn’t work was that this film by its very nature could not be as original at the first. Many of the jokes are extensions of gags and jokes used in the first film. Because of that they lose punch and comedy needs punch.

There is nothing in the film as original or as quote worth as the aforementioned ‘Amish Terrarium.’

I can’t wholeheartedly recommend buying this DVD unless it really strike your fancy. Best rent it first.

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Sunday Night Movie: Incubus (1965)

So yesterday my sweetie-wife and I watched a film called Incubus, from 1965.

Now this was a film I had heard about, but one I had never seen. It stars — as you can see from the screen cap — William Shatner just a few years before he began his five– no three — year voyage as Captain James Kirk.

As the title suggests, it is a horror film and a demonically based horror story. (Though much better than Shatner’s other foray into devil worship The Devil’s Rain.)

What made this film so utterly mysterious and difficult to see is two factors.

One, it was thought that all know prints had been lost and or destroyed. The film failed miserably at the box office and this was before there was a home-video market to rescue turkeys like Manic Cop 2.

Second this movie was and is the only film to be entirely in Esperanto a wholly artificial language invented in the late 19th century. Continue reading

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Sunday Night Movie: The Adventures Of Robin Hood (1938)

By way of my Netflix account I got ahold of the Blu-ray for the 1938 production of The Adventures Of Robin hood, starring Errol Flynn as Robin Hood.

There have been a number of Robin hood productions. The character has been in the popular imagination for literally centuries. Which means two things to movie makers.

One, that there is a built-in audience for the stories, and producers love a built-in audience. Producers really hate risk, when it comes to putting money into films they can be very conservative.

And two Robin Hood is in the Public Domain and they don’t have to pay no rights to nobody.

This production of Robin Hood was hardly the first. Douglas Fairbanks had been in a very successful silent version and was considered the definitive screen Robin Hood until this film was realeased. Continue reading

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Sunday Night Movie: The Day The Earth Stood Still

Yesterday I got the news that award winning actress Patricia Neal has passed away and I resolved to make my Sunday Night Movie The Day The Earth Stood Still.

I have not seen very many films with Patricia Neal, but from what I have seen she was a talented actress of diverse skill and range. The films I know her best from are, of course, The Day The Earth Stood Still, and  A Face In The Crowd.

The first film clearly SF and the second very nearly SF. If you have never seen A Face In The Crowd this is a must see movie. A great, absolutely stellar cast, a pitch-perfect scrip and just as relevant today as when it was made.

Back to last night’s movie.

The Day The Earth Stood Still is a classic of SF films, and is a classic of films in general. Made in 1951 it was ahead of the curve for SF films, leading, along with Destination Moon, the charge into SF films of the 50s. Sadly, most of the films that followed were heavy on ray guns, monsters, and adventure and light in the thought and ideas that science-fiction can explore so well.

Very loosely inspired by the Harry Bates short story, Farewell the Master,  the movie is about the arrival of an alien, Klaatu, and his robot, Gort, to the planet Earth. Klaatu is greeted with gunfire and suspicion. The alien has a mission and message, but refuses to share it with any one nation or people, insisting that it must be heard by representatives of all the peoples and nations of the Earth.

This of course is impossible in a world divided between the United States and the USSR. Frustrated by terran stupidity, Klaatu eascape his captivity to learn more about humans and their fears firsthand.

What follows is in part a message film, in part a lovely look at the Earth through alien eyes, and in part a manhunt. (Or an alien-hunt if you prefer.)

I have problems with the specific message delivered in the film, but that’s okay. It’s a wonderful story, wonderfully told. I am not as allergic to ‘smug aliens’ as some of my friends are.

Of course if you have never seen this movie, I urge you to rent it. I own it on Blu-ray and the effects hold up very well for a film nearly 60 years old.

DO NOT see the remake. There is no remake. I refuse to acknowledge it.

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Amazing CGI

Follow this link to the you tube of the newest Tron Legacy trailer. (Unveiled this week at San Diego Comic-con.) It is astoundingly mind-blowing that digital ‘de-aging’ they have managed to do to Jeff Bridges. I am stunned.

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