So this morning, after losing the requisite hour of sleep the time regulatory gods, my sweetie-wife and I went to the local cinema to take in a movie. My sweetie-wife wanted to see 300: Rise of an Empire, the sequel to 300, a highly stylized retelling of the Spartan stand against the Persian Empire at Thermopylae. Now if you have seen 300, based on
Frank Miller’s graphic novel, then you know it wildly took liberties with the history and the culture of the Spartans. 300: The Rise of an Empire is true to the Hollywood tradition of a sequel being less intelligent and less well made of a film that the one it is following.
In this movie the physical are more at odds with reality, the characters as even more two-dimensional, and the story is much thinner. This is truly a film that should be shown to aspiring writing, both screenplay and prose, as an example of what not to do.
I had forgotten my watch at home so I am unable to tell you when the story starts, as the movie is front loaded with what looks to be at first a prologue, but turns out to be long tedious minutes of exposition. I am not taking about 3 or 5 minutes, I am talking about 10, 20 maybe more. When the story does start, it often stalls again for more exposition. At one point they literally give you a flashback to the opening of the movie as though you may have forgotten what happened a mere 60 minutes earlier.
This movie also is a prime example of everything that is wrong with digital effect as they are used today. While digital artists can create anything that can be visualized, that does not mean that everything that can be visualized should be created. In this film there are many shots of ships at sea, moving up and over large waves, throwing spray, and the characters aboard these vessels at standing stock still. Often these are not, or at least do not appear to be, digital doubles for the actors, but rather the actors standing in from of a green screen, lacking any realistic motion at all. In one battle the seas are so heavy that vast waves more than thirty feet high loom and present themselves as oceanic hills. Of course in reality ships if the era would be in serious danger of foundering during a storm like that, but in this movie they maneuver and attack with ease.
There is the now standard, falling damage doesn’t apply, digital stunt work, and the impossible animals. (Seriously the lend-lease with Mordor and Persia must still be in effect because the Persian war elephant or more like Oliphants, looming larger an than real land animal.)
My sweetie-wife noted that several times throughout the presentation I suppressed laughter. I assure it was not due to the filmmakers intent to impart humor. In fact this is a fairly humorless movie, and that studious effort to be meaningful and utterly failing is one of the many sources of mirth.
This movie is MST3K ready, right out of the box.


Day, Nazi Zombies, fast zombies, indestructible zombies, Zombies on a boat, zombies on a plane, Zombies on an island, Zombies in Spain pretending it was the Uk, rom-com zombies, Romeo and Juliet zombies, Sex-slave zombies, and pet zombies, so it’s getting pretty hard to find a new angle on the genre.
counted among their number several World War II veterans while the Cold War, now well under way, underpinned everyday life and provided an atmosphere of dread under the treat of global nuclear war. It is natural for people to look on the Klingons of the original series as a metaphor for either the NAZIs or the Communists, but which is a better fit?
vast scale, both were ruthlessly expansionistic, both were extremely militaristic, both engaged in suppression of dissidents, both crushed the individual under the power of the state.
and the like. From the original series we have no data about the Klingon economic models and systems, so we can’t use this as a point of differentiation.
vision of the future. Like the Inquisition before them the Communists could brook no heretics. The Nazis weren’t interested in that at all. Because of the racial components of their belief system, they saw the world as a conflict between themselves and everyone else. They never expressed an argument that their system was better for everyone, they never tried to convince Kirk or the Organians that they should convert, but rather brute force to take was enough and all they required was subservience.