Author Archives: Bob Evans

How Life Has Changed

I remember clearly a bit of frustration from my youth. I had read the Isaac Asimov novelization of the film “Fantastic Voyage” and I desperately wanted to see the movie. I have always been a fan of film and fantastic genre fiction particularly so. The problem was that this was the 1970s. There were no Blu-rays, DVDS, VHSs or Betamaxes around to sate one’s entertainment cravings.

The town I lived in did not have a revival theater, and all I could do was searched the listing on the weekly TV Guide and hope that some station like TBS , which aired a lot of films, would pay it.

I remember weeks of searching the guides, with no indication of an upcoming presentation, only my fondest hopes for one. It didn’t appear.

This weekend on a whim while scanned through the instant view option at Netflix I started watching Fantastic Voyage. Now I had seen it in the intervening years, so I was not watching to to satisfy that unscratched itch from decades past. It was just a way to pass the time and look at the filmmaking of years gone by.

However it did get me thinking about those months when I forlornly hoped against reality that it would appear in the listings.

We truly live in an age of Science-Fiction, so many treasures await our pleasures. We are approaching a film lover’s paradise.

Share

I’ve been very busy

In addition to working 50 hours a week at my day job, I have been racing to complete my novel in progress. The final section has been handed over to my sweetie-wife for her proofing and when that is done I will be ready for beta readers.

To pass the time here is a picture of Obama on the iron throne as tweeted by the White House.

Obama Iron Throne

Share

Sunday Night Movie:Zero Dark Thirty

Thanks to getting back onto a disc plan with Netflix, my selection of films has opened op and last night I watched a film I have wanted to see for some time, Zero Dark Thirty.

This is the dramatized account of the hunt for and the raid that killed Osama Bin Laden.220px-ZeroDarkThirty2012Poster From my basic knowledge of the facts I did not spot any glaring inconsistencies and the film was written and produced with a minimum of political bias.

The film uses as it’s focus a CIA operative named Maya, we never learn her last name and as for film purposes I wouldn’t even assume that this is her real name. We follow her multi-year trek through shards of intelligence data and bureaucratic infighting to try and located the world’s most hunted man. The tension is real and the filmmaker, Kathryn Bigalow who won an Oscar for ‘The Hurt Locker’ showed deft skills in managing a story that spanned such a vast amount of time and locations.

I appreciate that Ms. Bigalow did not using the stomach-wrenching video we have all seen of the attacks on 09/11. There was no need for that sort of exhibitionism in a tale this deftly told. She also never gave us the face of Bin Laden, I suspect so that even in the form of an impersonator as to deny him all manner of publicity and fame.

The script was well written by Mark Boal who was responsible for the reporting about Black Hawk Down that Ridley Scott turned into a fine film. The cast boasted no superstars, but was well represented with talented actors who seemed to inhabit their characters.

This film is worth the time.

Share

Saturday Night Movie: Lawrence of Arabia

This is not a Sunday night movie feature because Saturday evening I had the very special opportunity to see the 1961 classic Lawrence of Arabia on properly projected on the big screen. In a post last week I lamented to death of San Diego last single screen theater, the Ken, an art house theater. The management planned a series of special presentations to hero_EB20010902REVIEWS08109020301ARsay good-bye to their patrons and Lawrence was Saturday’s. In a happy turn of events, the landlords and the business found common ground, apparently after the ground-swell of support from the community, and the Ken will not be closing, so these special presentations became a celebration rather than a wake.

Lawrence of Arabia is the dramatized film version of Col. T.E. Lawrence’s adventures in Arabia, helping the Arab revolt against the Turkish Empire during the first world war. The consequences of that war reverberates in our geopolitical problems today, but let’s set that aside and look at David Lean’s masterpiece of filmmaking.

Lawrence is a minor functionary in Cairo, with a deep love for the country and its people. He is paying attention to the Arab revolt long before the generals notice. Everything changes for Lawrence when at the behest of Britain’s Arab Bureau , he is dispatched on a 3 month mission to find Prince Feisal and appraise the state of the revolt.

Lawrence exceeds his mandate and becomes deeply entwined in the Arab revolt, harboring dreams of freedom for Arabia not only from the Turks, but all European powers.

While this film dates from 1962, the cynical nature of politics and the its corrupting nature would have made it a topic well suited to the dark period of filmmaking from the 1970’s.

The film boast a cast that is unrivaled, Alec Guinness as Prince Feisal, Omar Sharif as Ali, a trusted friend and loyal support of Feisal and Lawrence, Anthony Quinn in a wonderful performance as Auda Abu Tayi a brigand with a quite realistic approach to life, Claude Rains, Jack Hawkins, and Jose Ferrer also are notable in command performance from incredibly talented actors. Most notably is that this film has the credit Introducing Peter O’Toole As T.E. Lawrence.

If you have never seen this movie, it is one that really should be seen. Sadly the chance to see it properly, on a big screen is rare, and one I was very grateful to experience.

Share

Dreams at 24 Frames per Second

I came to San Diego, courtesy of the United States Navy, late in 1981. The west coast had kensington-ken-cinema-lbeen a choice of mine and I do not regret that, but when I arrived I knew no one in this town. First the first few months my only recreation were movies and one of my favorite places to visit, though the bus ride was tedious, was the revival house, the Ken Theater.

I have always loved films, and some of my earliest memories are of movies, so it was natural that I sough out the theaters of my new home town, the Ken however was unlike anything I had ever experienced of even heard of in my naively limited knowledge.

Check out this image from one of our local weekly papers, The San Diego Reader.

KenCult6_t620

That is the Ken Guide as it appeared when I first arrived at this city, double features that changed daily, except for when the theater would run a festival of some sort, which might block out a week or two. I did not get to th Ken as often as I would have like to during this period, but I made enough time to have forged some rosey cinematic memories.

The Maltese Falcon, M, Little Shop of Horrors (the original non-musical), The Seven Samurai, Creature from the Black Lagoon (in 3D!), this is a small sample of the wonderful film experiences I have had at the Ken. Truly classic films on the big screen.

The Ken is also where I met and made friendships during the mid 80’s as I attended the midnight showings of The Rocky Horror Picture Show. I have written in another essay the importance that period played if helping me come out of a very tight introverted shell, and I will not belabor the point again, but the Ken was there for me during that time. Many fond and funny memories were forged on that sidewalk as we waited for the film.

Home video killed the revival theater. When you could own or rent the movies, fewer people would take the time and trouble to see them as they should be seen. By the 90s The Ken turned from revivals to art house films and I remained a true fan of the theater. So many smaller and independent films that never played in mainstream house played here, Cube, Raise The Red Lantern, The Lost Skeleton of Cadavra are just three that I had the good fortune to see there. I missed the revival days, but the art house experience remained fulfilling.

All that is ending. The business owners and the landlord can not come to an agreement on a new lease and the announce has been made that the theater is closing down at month’s end. This was not part of my childhood, but this feels like childhood’s end. The last single screen theater in San Diego, a place that has shown movies for over 100 years, will so be no more.

The dreams will stop flickering, but my memories are eternal.

Share

Sunday Night Movie: Yojimbo

After the light-hearted fare of the past couple of weeks I thought I might turn to something of a more serious tone for my Sunday night movie pleasures. Several of my favorite dramayojim however proved to be too lengthy for the time I had to watch a film. I settled on a classic Samurai movie, Yojimbo.

This is a movie that you are likely familiar with even if you have never seen it or heard the title. The director, Kurosawa is in my opinion one of the most copied directors to ever helm a picture. The plot of Yojimbo you may know under the remake’s title ‘A Fistful of Dollars.’ Or the really bad remake ‘Last Man Standing.’ But I feel the best is the original.

The story is simple a penniless wandering samurai – the character has no name – comes to a small town torn asunder by warring criminal gangs. While the Samurai creates an air of lawlessness around himself, he is actually a very moral man and works to bring peace to the town and the innocent people suffering under the stupid cruelty of the gangsters.

I said that I selected this film because I was looking for a darker tone, and there are certainly dark elements to this movie, but I had forgotten the moments of levity and genuine humor throughout the piece. It is a story about a good man in bad times. It is timeless and I am fortunate that I have been able to not only own a Blu-ray of this classic movie, but I have seen it projected on the big screen.

If you get the chance, rent it, this movie will not disappoint.

 

Share

The Non-Utility of the Bechdel Test

Hmm what’s this I see? A hornet’s nest? Let me get a stick surely nothing bad will come from probing it, right?

There has grown in popularity a test for sexist bias in film and other media known as The Bechdel Test. This test simple, composed of three elements, and if a film or piece of writing passes all three elements it is considered to have passed. Passing is good because that means your work is less sexist than the works that fail.

I think the Bechdel Test is far too blunt an instrument to be used in anything other than a light conversational manner.

Before I continue let me state without equivocation that I want strong well-realized characters of all genders, orientations, ethnicities, creeds, and all the other bewildering array of conditions that humans inhabit.  In now manner am I defending works where women are seriously presented in lazy, sexist stereotypes.

That said, sexism is far too broad a thing to be tested so simply.  The Bechdel test has three elements:

1)   The Film must have more than one named female character.

2)   The Female characters must talk to each other.

3)   Their conversation must not be about a man.

This has a witty simplicity and certainly there are scads of films where the female characters exist solely as wives/girlfriends with no other dimension to their character. However I contend that is the Test fails by producing both false positives – scoring a film as good when it’s depiction of women is sexist and stereotypical –and also false negatives – scoring a film as a failure when it’s females characters have real depth and characterization beyond a simple love interest – then the test has no real utility.

So here’s an example of a false positive: The Lost Skeleton of Cadavra.

Element 1

Named female characters 2 or 3, Betty Armstrong, Lattice, and it’s debatable if we should could Animala/Pammy. After all she’s not a real woman, but a construct of one from 4 Forrest animals.

Score – Passed

Element 2

Betty and Lattice have more than one conversation together.

Score – Passed

Element 3

The conversations are about shopping, cooking, their loves of dresses, and who cleans up in the kitchen. They do not in fact discuss their husbands.

Score – Passed

Now if you have seen this film you know that these two women are presented deliberately as bad stereotypes of wives. They have little self-direction, are subservient to their husbands, and in the words of the director/writer set back man/female relations half a century. While this film presented it as comedy and satire, any number of films earnestly presenting the same material would have passed the test, despite having horrid sexist tones throughout.

Now for the False Negative: Marvel’s: The Avengers

Element 1

Named female characters, 3. Natasha Romanoff, Pepper Potts, S.H.I.E.L.D. Agent Maria Hill.

Score – Passed

Element 2

None of these characters have a conversation with each other. All their conversations are with men.

Score – Failed.

Element 3

Since they did not have conversations, this too is a fail, but I suspect if they had engaged in conversation they would have still failed as it would have been likely that the subject of their discussion would have been the film’s antagonist, Loki, a man.

So Joss Whedon’s screenplay and film fails the Bechdel test. It must be sexist, right?

Of course this film has three very smart, capable women who hold their own against the male characters and prove repeatedly that there is far more to them than just a pretty face. Pepper maintains her own way in the headwind that is Tony Stark – not a minor feat, Hill has the spine to buck Nick Fury something even Coulson doesn’t do, and of course Romanoff is so talented she outwits Loki the god of trickery, winning valuable intelligence while the men uselessly debate torturing the captive deity.

 

The Bechdel tests is capable of both false positive and negatives, making it for me a tool not to be trusted. Ferreting out sexism in a piece of art can require a subtle eye, it is not achieved by a test less complex than Buzzfeed’s which Game of Thrones House are you?

Share

Sunday Night Movie: The Lost Skeleton of Cadavra

Originally I had planned on making my Sunday Night Feature this week something with a more serious tone, after all last weekend had been a light and feel–good movie experience, however when it came time to select a film, I decided to continue with the whimsical tone that had pervaded my evening. (Earlier in my sweetie-wife and I had watched a French Comedic Fantasy The Extraordinary  Adventures of Adele Blanc-Sec. If you enjoy silly fun this is worth a look, but be warned it is subtitled.)

The Lost Skeleton of Cadavra is an early 2000’s independent film spoofing the dreadful SFThe_Lost_Skeleton_Of_Cadavra_by_KronicXfilms of the later 50’s and early 60’s. It was filmed in black-and white, with highly restricted locales to capture that low budget sensation so prevalent in the films it lovingly mocks. The film’s charm works best if you have, like myself, instead of developing normal social skills, wasted your youth watching SF and horror movies late night on the weekends. The special effects are absolutely non-special, the acting is so deliberately bad that it makes most local high school productions appear to be the Royal Shakespearean, (Though it must be said it is not easy to act bad and let everyone in on the joke. ) and the dialog sets back the cause of intelligence and sexual equality. All of this make the film funny and in my opinion well worth the time.

The story is simple; Dr. Paul Armstrong and his wife Betty have come to an isolated cabin is search of a recently fallen meteorite which Paul believes is made of Atmospherium, a rare and powerful radiative element. Dr. Roger Flemming has come to the same area searching to the lost caves of Cadavra, coves so lost to memory that he’s forced to ask a forest ranger for their location.  As a dedicated Mad Scientist, Flemming is searching for the Lost Skeleton which he hopes will not hate him as other skeletons has and will make Flemming the most powerful man in the world. To do this he needs Atmospherium.  In addition to the two scientists we have an alien married couple, Kro-bar and Lattice, who have become stranded on Earth unless they can refuel their ship with Atmospherium.

The film has mutants, mind control, rock dances, raor, and the ever famous Amish Terrariums. I had the good fortune to see this on the big screen, but big or little this humor works and this is my sort of art house movie.

Share

A Brief Return to Politics

After a couple of film related posts, here’s a bit of politics for those who are inclined to hear my thoughts on the matter. This time I not interested in a particular  event or controversy , but rather an element of modern political life that had me feeling like an outsider.

Conflicted support.

It seems from most of people I have as friends on my Facebook page, or follow along on Twitter, or know in real life have a fairly easy time deciding who is right and who is wrong on any political issue. Naturally the right/wrong axis matches pretty closely to their side and the other side. I rarely feel so certain that one philosophy or strain of through has got it all worked out.

Worse yet for me I happen to have a number of positions that end up being mutually exclusive in our crude national political culture. For example I fully support marriage equality and I also support Second Amendment rights. It’s fairly difficult to find a person to vote of that fits both those bills. (yes I know about the Libertarians  but there are aspects of modern life that requires modern governance and you can have my FDA when you are my personal Guinea pig.) This of course is not my only internal political conflict, I do not believe in progressive taxation and I do support the ACA (‘Obamacare’ for the rest of you.)

I am forced in each election to put my beliefs through a grueling grinder to produce a hierarchy  and I am always for to sacrifice some to advance others. This doesn’t make me a terribly happy person with the votes I must cast, but it the reality of the universe. You cannot let the perfect be the enemy of the good, and some progress is better than a principled stand to yields nothing.

However when I look around it seems to me that my relatives and friends and associates hardly seem to suffer this sort of conflict at all. Left is the way! Right is the Way!

I know that there is n end in sight for me. I will forever be balancing the times, my priorities, and what can be achieved, but  I dream of a day with more people will be open to their own conflicts and less religious in the certitude.

Share

Sunday Night Movie: The Last Starfighter

So I continued my movie thick weekend with a bit of pop fun from 1984, and one of the first films to attempt photo-realistic CGI, The Last Starfighter.

The story is about a young man, Alex Rogan ,on the edge of college age, who lives with hisTheLastStarfighter_quad-1-500x376 mother and brother in a trailer park in the boonies of California.  The location is so isolated and so very little happens that even an event so minor such as Alex breaking the record on an arcade video game will draw a crowd.

Alex dreams of bigger and brighter things than living life in a place filled with senior citizens and endless chores. However being poor and unable to secure a loan for college his dreams seems as barren as the trailer park’s nights. Continue reading

Share