Godzilla Minus 1.0; the Best Godzilla Movie

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It is quite a feat to dethrone Gojira that King of Godzilla and Kaiju features but in my personal opinion that is exactly what 2023’s Godzilla -1.0 achieved. To justify this position I will have to spoil some of each feature.

Toho Studios

1954’s Gojira, known in the US primarily by the 1955 re-edit Godzilla; King of the Monsters, is an outstanding piece of cinema ruminating on the atomic age and the trauma of the atomic warfare unleashed on Japan and its civilians. (We will not discuss the moral, ethical, military, or political aspect of the twin atomic bomb attacks. That is not the purpose of this essay.) From its opening scene with the hapless fishing trawler blasted by the unseen Gojira, deliberately reminiscent of the ill-fated tuna boat Lucky Dragon 5 and the terrible radiation poisoning its crew suffered from the first hydrogen bomb test, to the film final moments depicting Godzilla reduced to a skeleton by another monstrous super weapon, Gojira is about the atomic age and its ramifications. Co-inhabiting the film with this theme is the story of a love triangle between two men, Ogata and Dr Serizawa and the woman they love Emiko. There simply isn’t enough screen time to develop the triangle into a powerful story line nor does it tie in directly with the theme of the film. Only Serizawa’s research and development of the ‘Oxygen Destroyer’ which provides the means to end Gojira’s rampage provides thematic connection and resolution to the separate storylines.

Gojira (1954) is an amazing feat of budget constrained film making that invented a new genre and that remains thematically relevant 70 years later. It is a great film and until 2023 rules undisputed as the best of the franchise and the entire Kaiju genre.

Toho Studios

Godzilla Minus 1 opens with our main character, Shikishima, a kamikaze pilot who has abandoned his suicidal mission. Landing on Odo island with ‘mechanical troubles’ he witnesses the first appearance oof Godzilla and along with a single mechanic, Tachibana, survives the monsters rampage but earn the wrath of Tachibana. With the war’s ending Shikishima returns to a Tokyo destroyed by firebombing and the contempt of his neighbors for having survived the war. Years later, still suffering from survivors guilt for not pointlessly dying in the war and with an assembled found family, Shikishima’s life is thrown into chaos when Godzilla reappears, even larger than before, and devastates the area. Drawn into the plots and plans to destroy the monster he sees the opportunity to ‘fulfill’ his kamikaze mission in the intricate plan to deal with Godzilla. Reunited with Tachibana to restore an aircraft for the attack Shikishima receives absolution from the mechanic for his action on Odo island and ‘permission’ to live.

Throughout Godzilla Minu 1.0 the theme is about survival, the waste of lives in war, the importance of the government to respect the lives of its people. Shikishima’s emotional arc is tied directly to the ‘war’ against the monster. At its heart this film is the story of one man, his terrible burden surviving where so many others did not, and his finding of peace, love, and absolution. A powerful story with a single compelling character to drive it make Godzilla Minu 1.0 simply the best Godzilla movie ever.

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The End of the Non-Primary?

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Today as I write this the first votes in the first primary for the 2024 presidential election are being cast. Last week was the Iowa caucuses in which, braving truly terrible weather, Trump’s supporter gave him a victory with massive margins. Today it is likely that in New Hampshire Trump’s only remaining opponent, the ethically chameleon Nikki Halley, to his dominance will be swept aside. OH, there is a small possibility that Nikki will squeak out a tiny number of votes more than Trump. The state is notorious for knifing the winner of the Iowa contest, the electorate there is made up of much greater numbers of the politically moderate and it is a contest where it is easy for people to cross over and vote in the primary that does not match their political party. Clawing each and every vote from these non-Trumpist could possibly push her just barely ahead of Trump, but that is meaningless.

For one, Trump never loses. He is only the winner, or he is cheated. A GOP electorate that has been trained and fashioned to accept charges of ‘rigged’ on trump’s behalf means that a marginally victory is no victory at all. If she fights that she actually won it sinks her utterly with the base and if she doesn’t fight, well, then she loses.

It is also meaningless because there are no other states in the primary where she can replicate even such a tiny victory. Any sort of ‘victory’ here only prolongs the terminal state of her campaign. She’s a dead pol with only an illusion of life.

The GOP is truly and utterly Trump’s party. Policy doesn’t matter, principal doesn’t matter, laws do not matter, the only goal is Trump’s goal, and he serves only himself. I fervently hope that he never returns to any sort of political power, that the GOP is crushed in November to such an utter ruin that it is forced to rebuild and perhaps be reborn a saner party.

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TV Review: Monarch: Legacy of Monsters

Apple TV+

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Set in the American Kaiju-verse, (Godzilla (2014), Kong: Skull Island, and Godzilla vs Kong (2021), the series by use of a split timeline narrative, explores both the founding of the Kaiju hunting organization Monarch and the bureaucracy that had become ossified over the decades.

The founding storyline centers on Keiko, a Japanese scientist, Bill, an American Cryptozoologist, and Lee Shaw, an American Army officer assigned as security to Keiko. Together that discover the threat of the Kaiju, which the series names ‘Titans’ and battling the headwinds of racism and national security driven paranoia establish Monarch.

The ‘current’ storyline follows Cate, a traumatized survivor of Godzilla’s battle in San Francisco and granddaughter of Bill and Keiko, Kentaro, an artist from Tokyo and another grandchild of the founders of Monarch, May, a computer scientist on the run with a mysterious past. The siblings, along with May, search for their missing father with the aid of an elderly, but with an unexplained vigor, Lee.

To bridge the twin timelines with the character Lee, the producers cast actual father and son actors Kurt Russell as the elder Lee and Wyatt Russell as the younger version of the character.

The series does a decent job of balancing the doubled plot threads, though the choice to tell the historical timeline out of narrative order can lead to some confusion as that cotemporary timeline, aside from a flashback or two, is presented in a standard linear fashion. The characters and performances in both threads are decent and engaging with more Kaiju action presented that what might be expected from a television series. The big man himself, Godzilla, is not held back for a guest appearance in the series’ finale but is utilized, sparingly, as needed throughout the first season. The show has enough mystery and character to carrying interest without ever forgetting that this is set in a world where gigantic monsters exist. If you are looking for non-stop Kaiju wrestling then the series is likely to disappoint but I found it fun, entertaining, and with just enough character to make it worth the watch.

Monarch: Legacy of Monsters streams on Apple TV+

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Three Years Two Months

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The pandemic started in March of 2020, and I have worked hard diligently avoiding contracting COVID-19.  My sweetie-wife and I have kept our home as a vaccinated only zone and until last week my streak remained unbroken.

After two home testes that came back negative but with a worsening respiratory issue I contacted my doctor’s office, concerned that my immuno-suppressant arthritis medication might be interfering with the simple assay. They ordered a proper PCR test on Thursday and Friday morning I awoke to a positive result. I had contracted COVID-19.

Immediately my doctor suspended all my arthritis medication. It’s unwise to suppress your immune system when you are fighting an infection and the dedicated COVID team at Kaiser put me on the 5-day Paxlovid therapy. Which, due to drug interactions, caused them to suspend my cholesterol medication.

I can report that my COVID infection has proven to be quite mild. The flu I contracted in July laide me out more than this did, but I have maintained the self-isolation directive, spending this long weekend at home, and not seeing Gojira on the big screen with 50 or 60 friends.

Paxlovid Mouth, a side effect where someone on the therapy reports an intense bitter ‘bad’ taste in their mouth did indeed strike me. If you have ever bitten into an orange rind and had the citric acid squirt into the back of your throat, that is was it tastes like. If comes out of nowhere and repeats throughout the course of the therapy. Luckily, breath mints and throat lozenges are sufficient to mask the taste.

Today I return to work only a little sniffly and with a mild irregular cough.

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Quick Novel Update

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So, 3 out of 5 acts have been proofed so I am nearing the point where I will be looking for beta readers for ‘The Wolves of Wallace Point.’

I often hear about writers who detest their first drafts, but I am not one of those. Sure, sometimes the draft fails, and I didn’t get to my target. But it’s never detest or I can’t stand reading it as I edit and revise. This novel was no different even though it was written without an outline. There were elements that need minor adjustment because as things became clearer to me near the end earlier scenes had to be adjusted to ensure a consistent continuity.

As I wait for my sweetie-wife to complete her pass on the final two acts I have begun actual writing on the next horror novel. I may need to put something else as the opening scene however as this sequence is so dark and troubling it may be more of a turn off that an enticing opening.

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A Late Christmas Gift

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A gift my sweetie-wife ordered from the UK arrived this weekend, a six-disc collection of the BBC’s Ghost Stories For Christmas. A series of television productions, many which are adaptation of stories by M.R. James, that we have been wanting to watch for some time.

We have started in on any of them yet because we are completing the annual marathon of the extended editions of The Lord of the Rings. Man, 20 years old but they still hold up. After that we will be exploring the spooky, uncanny, and horrifying.

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A Party of Quislings

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Saturday marked the 3rd anniversary of the violent attempt to overthrow the results of the 2020 US Presidential election. For a moment, and only a fleeting moment, many elected Republicans saw clearly that their party’s leader was a criminal desperate to retain power that had been duly, legally, and properly removed from his grasp. The moment passed and now the entire rotten party is as corrupt as depraved and as unworthy of the American people as their mentally addled and emotionally stunted leader.

Of course, they do not see it that way. It has been illuminating to watch ‘conservatives’ online twist, distorted and invert the traits and characteristics of their political opponents. In their projection it is Joe Biden that is the corrupt criminal, trading political access for cash. It is Joe Biden twisted and warped with anger. It is Joe Biden that is that violates the constitution and that strips the rights away from the people. Each of these imagined ‘charges’ is of course the reality of Donald Trump but the dissonance between what they want, their own selfish policies and the vehicle that must lash themselves to in order to get it breaks their minds and forces the funhouse mirror interpretation of reality, one where all their crimes are neatly placed on the shoulders of others leaving their hands clean and their morality unblemished.

But the truth remains.

It is the Republican party that has an utter disregard for the rule of law.

It is the Republican Party that strips people of their rights.

It is the Republican Party that has contempt for our two centuries of democratic rule.

It is th Republican Party that capitulates and appeases out enemies and the enemies of freedom around the globe.

They are a party of Quislings.

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Quick Hit Review: Frybread Face and me

REI Co-Op Studios

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Currently streaming on Netflix Frybread Face and Me is a coming-of-age fil about a young Navajo boy, Bennie, (Keir Tallman) sent from his home in San Diego to live with his grandmother on the reservation for a summer as his parents address their martial troubles. At his grandmother’s home Bennie is introduced to aspect of Navajo culture that were alien to him, his extended family including his cousin Dawn (Charley Hogan) nicknamed Frybread Face.

Absent from the film is any grand climatic emotional scene but rather Bennie’s changes are built from more grounded simple elements of his life on the reservation. Executive Produced by Taika Waititi, Frybread Face and Me isn’t part of that filmmaker’s usual chaotic style but reflects writer/Director’s Billy Luther heartfelt connection with his people.

I really enjoy watching film from cultures different from my own and this one was no different. An aspect of Navajo culture that I had been unaware of that this story taught me is the ‘Baby’s first laugh’ custom. The Navajo celebrate an infant first laugh or giggle with food and gifts. Technically the baby hosts the celebration but as infant rarely have the faculties for such an endeavor at about three months old the duties are actually performed by the person who induced the laughter.

The film doesn’t shy away from the poverty faced by those living on the reservation but that aspect of life is simply that, another element of living while the focus of the story and of Bennie’s growth is the reality and love of family.

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2023 A Personal Review

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The year, as we in the west number it, is coming to a close and that is a time for reflection. This year has seen triumph and tragedy in my personal life, much like the years that preceded it and that will follow.

In January I began the world building work for my next science-fiction novel, a dystopic and cynical story set on the corporate cities of Mars under the thumb of a once brilliant billion now degenerated into madness and paranoia. With it set only a hundred years into the future that required lots of research and planning to keep from making myself appear too foolish. This month also saw a dear friend of nearly 40 years struck with a terrible wasting degenerative neuro-muscular disease.

February saw the released of a pair of films that I thoroughly enjoyed, Megan a fun take on the killer doll cliche and Cocaine Bear which delivered precisely what was labeled on the tin.

In March I continued the work on my Mars novel and endured the lackluster Antman and The Wasp: Quantum Mania and the even less enjoyable 65 but was treated to the spirited and fun Dungeons and Dragons: Honor Among Thieves.

April saw the historic event of a former President of the United States charged with crimes and his party lash themselves to the mast of his sinking ship. Sadly, nothing in the intervening 8 months changed and they remain devoted to his insurrection and criminality. April was also when I began thinking seriously that the time was right for someone to revisit the werewolf as presented in 1941’s The Wolf-Man with particular attention to the fascism in the subtext.

May was a birth month, a celebration if you wanted of my own and the experimental scene I wrote for a very vague and unformed concept of a werewolf novel. After its reception at my writers group and with their encouragement I continued on past that scene and unwittingly started writing a novel without a prepared outline.

In June I watched Asteroid City a strange almost poetic film nearly devoid of any traditional plot and yet strangely compelling. All world building work ceased as the werewolf novel took over all of my creative CPU cycles.

July was a very good month for movies with the release of Oppenheimer and Barbie both film outstanding in their quality with resonate themes of deep importance. My sweetie-wife and I finished the TV series Silo and agreed it had been a waste of time and talent as had Marvel’s Secret Invasion. It was about this time that I began to seriously consider that my unplanned novel was not going to crash and burn and might actually get finished.

In August The unplotted novel passed 40,000 word and my sweetie-wife and I discovered the delightful Australian murder/comedy series Deadloch a real hidden treasure on Amazon Prime.

September witnessed the passing of that dear friend diagnosed in January and once again the hard terrible lesson of life is that it ends. The movies of this month, A Haunting in Venice, and The Annual secret morgue of genre films, did little to mitigate the sadness of that period.

With October I became confident enough in my werewolf novel to reach out to a former editor and pitch him the book. He expressed an interest but also cautioned I would need a pen name for it. The Annual Enrollment Period (AEP) for Medicare Advantage enrollment started and the day-job became more stressful and busier but work on the novel continued.

November was a pleasant month. Two enjoyable features at the theater, The Marvels and Next Goal Wins provided comfort cinema, the annual sf convention LosCon provided friends and geek infusions as well as seeing to completion of the novel first draft.

That brings us to December, I closed out in theater film watching with the fantastic Godzilla Minus 1, abandoned the series The Crown as the Charles and Diana story held little interest for me, and turned my manuscript over to my darling sweetie-wife for her red pen of corrections.

As I said at the outset, 2023 held triumph and tragedy and now onto 2024.

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Quick Thoughts a New Discovery: 1670

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My sweetie-wife discovered the existence of this Netflix series from Poland 1670.

Netflix

The show is centered on a fictional Polish village in the year, you guessed it, 1670 and the trial and tribulations of its ruling noble families. It is a farcical comedy utterly unconcerned with period accuracy instead using the characters as commentary on our present world. Such as the business-minded second son who treats prayers the same way a bullying boss treats commands to underlings. It has been compared to the program What we Do in the Shadows because the characters continually break the fourth wall and address the audience directly. In at least one scene the camera itself is a participant, but without the framing device of a documentarian crew.

In the first 30-minute episode we both. laughed out loud several times and look forward to return to this strange program. It is from Poland and can be viewed either in Polish with Subtitling, our preferred method, or with an English language dub.

1670 streams on Netflix.

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