Casting Ethnic Characters

In the last few weeks, there have been two points of conflict in the geek and geek-adjacent film communities over casting of characters in upcoming movies.

This November we get a movie I have been really wanting, Doctor Strange, my second favorite Marvel Superhero. (Iron Man has always been by tops.) In the source material Strange learns his arts from an old Asian fellow known as The Ancient One. In the film this part has been gender-flipped to a woman and is being played by Caucasian actress Tilda Swinton.  Some have been upset by an character that was clearly Asian suddenly becoming Caucasian.

Frankly this one has bothered me that much. The ‘character’ of the Ancient One was dreadfully close to stereotype and over the line as a cliche. Moving away from cliche is an improvement. I know that there are many who disagree with me and I understand their sincerely held position, but I am not convinced. A cliche is bad writing and I’m happy that we have hopes of avoiding such things in this film.

The second storm is centered on a live-action version of the well-known Japanese Anime Ghost in the Shell. I have never seen the original, but I am open to it, it’s just my exposure to Anime in general is rather limited. However what we have here is Japanese source material, with Japanese characters, now being made with the lead character, Kusanagi, being played again by a Caucasian, this time Scarlett Johansson. I have nothing against Scarlett, she is a talented actress and I have seen her deliver a number of very interesting performances but there is no reason to ignore the ethnicity of character in the casting.

Producers and Directors generally defend these casting decisions as being forced by the financing forces beyond their control. Stating that without a big star they can’t get big budgets to make these epic films. This is true – as far as it goes, but there is a lie of omission here.The banks and

The banks and investor group that fund these project DO want big stars attached to the projects. The signing of major stars signals serious resources and commitment to a project. Without that, it is very hard to raise the fund for a massive budget. I would say beyond hard and nearly impossible. But nowhere is it written that the big star have to have the lead role. That is the dirty secret they would prefer you not recognize.

Here is a famous case to prove this: Superman The Movie. When the producers signed a negative pick-up deal with Warner Brothers to make them film, that put them on the hook to raise the funds the make it, and this was not going to be a cheap movie. They needed stars who were ‘bankable’ and indicated a level of serious artistic commitment. Kids at this point that did not sign relative new-comer Christopher Reeve as their lead, they signed Marlon Brando and Gene Hackman. That, coupled with star writer Mario Puzo, brought in the funds to make the movie.

This argument – oh we can’t have a Japanese actress the lead because we won’t get funding – is a dodge, don’t fall for it. They made the call to cast it the way they did, their call not something forced and beyond their power to counter. (There’s also been an excellent argument made elsewhere that Asian actors haven’t been given the chance to build up to star power the way other have been. Look at the long line of credits Scarlett has before she exploded to a top line budget item. That matters too.)

So in short, Doctor Strange I am fine with, less cliches is better, Ghost in the Shell I call shenanigans.

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A Man Should Know His Limitations

So, as regular readers here already know for the past several years I have maintained an annual pass to Universal Studios, Hollywood. (‘The entertainment capital of L.A.’ – sigh I remember when they were the entertainment capital of the world, not just one city.) Movies are one of my favorite things and going to the park by myself gave me a day to clear my head, have fun, and let ideas collide on their own while I was distracted. Many a trip ended with new concepts, plots, and characters for my writing.

Sadly, with the coming of The Wizarding World of Harry Potter, otherwise known as Harry Potter and The Really big Check — sorry Cheque, they have substantially raised their prices and instituted black out dates – pretty much every weekend during the summer – on their annual pass holders. I made the call that the price was too much, the utilization too limited, and the crowds too large for my purposes.

Searching for a new theme park day trip destination for myself I took a trip Sunday to Knott’s berry Farm. I like roller coasters, it’s half an hour closer than the Universal, and I could get a day pass at nearly half off from my work benefits.

It was a pleasant trip and I had fun, but I have made a discovery that it will not be what I need for creativity. On one point multiple roller coasters are too stimulating and the back burners of my brain appear to switch off. Also I discovered while most roller coasters do not make me motion sick, spiraling ones most certainly do. I had fun, but came home early than normal and with only modest idea creation, most of which occured during the drive time.

I still need the moderate level distraction for hours at a time when I can let creativity occur in the background processes. The answer is going to be the world Famous San Diego Zoo. I can walk it grounds, take in shows, lectures, and tours. Partake in theme park food, see fascinating wild life and be home in time for serious quality time with my sweetie-wife. Plus with two annual passes we can return to our Sunday in the zoo walks.

 

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Plotting to be Busy

Just a quick run down of how I expect to be a busy writer for the rest fo the year.

Starting this week my goal is 5000 words a week on the new YA novel, aiming to finish the first draft about August 1.

Every Sunday night, edit and revise the 5000 words from that week as part of a rolling edit so the 1st draft will be in better shape than is usual.

On Saturdays plot, research, and outline the novel after the current WIP. This is back to adult SF with a complex two plots each with a five act structure.

By early 2017 – have that planned second novel finished in a 1st draft form/

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A New Novel Started

Well, today I started actual writing, prose sentences and all, on a new novel. This is not outlining, or note-making, or character design, but the first draft starting.

It always looks like such a mountain of work at the start. The word counts completed are so tiny, just under a thousand and the completion target so, about 80,000 huge. However the only way it gets written is doing the work.

I have long maintained the hardest part of writing is butt to chair finger to keyboard.

This book is my first attempt at a YA adventure story, something along the line of the classic SF novel Between Planets. (The second SF book I ever read.)

After this novel the next will get a little darker with one character named Reginald Duncan.

 

 

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On MacBeth Adaptations

Sorry, I have been absent for a week. It’s been a nasty time with headaches every day. When  you suffer from migraine you sometimes run into periods like that.

I’ve bee thinking about MacBeth again, my favorite Shakespearean play. Recently my sweetie-wife and I watched the latest film production of the tragedy, this one starring Michael Fassbender as MacBeth. It was not a great production, oh it looked fantastic but some of their choice in interpreting the text I did not agree with.

That aside one of the things that has always fascinated me about the story is the relationship between MacBeth, the events, and the Witches. In many productions, such as this recent one, the witches are reduced to nothing more than vessels of prophesy, info dumps without agency of their own. This is not how they are in the text of the play. Consider the opening of Act I Scene III

SCENE III. A heath near Forres.

Thunder. Enter the three Witches
First Witch
Where hast thou been, sister?
Second Witch
Killing swine.
Third Witch
Sister, where thou?
First Witch
A sailor’s wife had chestnuts in her lap,
And munch’d, and munch’d, and munch’d:–
‘Give me,’ quoth I:
‘Aroint thee, witch!’ the rump-fed ronyon cries.
Her husband’s to Aleppo gone, master o’ the Tiger:
But in a sieve I’ll thither sail,
And, like a rat without a tail,
I’ll do, I’ll do, and I’ll do.
Second Witch
I’ll give thee a wind.
First Witch
Thou’rt kind.
Third Witch
And I another.
First Witch
I myself have all the other,
And the very ports they blow,
All the quarters that they know
I’ the shipman’s card.
I will drain him dry as hay:
Sleep shall neither night nor day
Hang upon his pent-house lid;
He shall live a man forbid:
Weary se’nnights nine times nine
Shall he dwindle, peak and pine:
Though his bark cannot be lost,
Yet it shall be tempest-tost.
Look what I have.
Second Witch
Show me, show me.
First Witch
Here I have a pilot’s thumb,
Wreck’d as homeward he did come.
Drum within

Third Witch
A drum, a drum!
Macbeth doth come.
ALL
The weird sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about:
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm’s wound up.
Enter MACBETH and BANQUO

The witches have motivations, goals, and purposes all their own, They are characters of malintent whose conscious actions drive the plot and force the events. In a lot of film productions these bits are discarded and that radically changes the nature of what transpires.

I am often intrigued by the question of culpability in the play. MacBeth would not have embarked on a course of treason and murder without the witches prophesy, something that if the witches know the future must also know. Yet it is by MacBeth’s hand, not his wife, not the witches that Duncan in murdered. He plunges the dagger, no one else.  Remove the witches’ malintent and Macbeth become more responsible unless one reads the prophecy as inevitable, but that is not the text.

Today I had an epiphany into a way to re-interpret this. I can’t share it publicly yet, because it may form the basis for a new novel, but it makes me terribly excited.

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Ooo a Review

This is cool, though a bit dated.

Today I took a day off from work and stay home to chill, relax, and play games as required recharging time. One of the thinge I did was poke around the internet and I found a review of a review of a short story published last year in Sci-Phi issue 6.

It is the first time that I’ve become aware of a review that wasn’t written by someone I knew, and frankly that was a blast.

Now the review is not a great one, clearly my short ‘The Story is a Lie,’ did not work for the reader, but as I say often in our writers’ group, ‘no honest critique can be wrong.’ This is the reviewer’s honest opinion and this is what the story as he read it. I am glad he took the time to review it and I hope future stories of mine work better for him.

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Spectacle In Search of Story

This morning my sweetie-wife and I went out and saw Batman vs. Superman: Dawn of Justice and the film is lacking. Some mild spoilers follow.

It looks like the decision was made over at Warner Brothers that the DC cinematic Universe had to catch up right away with the 1-batman-v-superman-dawn-justicegains made by the Marvel Cinematic Universe. Where Marvel used 5 films to build up to their big team picture. The Avengers, WB is trying to take a shortcut and get there with only two films for the build up. (Despite the subtitle Dawn of Justice, the forming of the Justice League is not part of the movie.)

This movie follows on directly from the events in Man of Steel and using new angles and footage to place Bruce Wayne aka Batman in the chaos of the metropolis fight at the conclusion of that film. Due to Superman’s massive abilities and the carnage caused by the Kryptonian fights Batman has gone utterly paranoid, quoting Ex-VP Dick Cheeney that even a 1 percent chance of danger from Superman requires his elimination.

The overall and crippling flaw in this film is the script and its lack of any coherent plot. There really is no story here at all, and characters act wildly at odds with their established natures. Batman, though a gifted fighter and technologically capable person is, at heart, a detective. He follows clues and figures crap out, but not in in this film. This Batman is led by the nose, makes flagrant assumptions, and engages in mindless cruelty.

Superman has been DC’s boy scout to Marvels’ Captain America and as such that make him a double hard character to write. He possesses near limitless power and is utterly good. The writers here solve this problem by simply throwing out his character. Superman man is sullen and broody, hardly sparing a thought other than for himself and how terrible is his burden.

The plot – such as it is – turns on incomprehensible events. For example after a number of armed baddies or killed in a far away land, by bullets, shot to death, Superman is suspected of their murders, Really? Not scorched to a crisp or crushed into itty bitty diamonds, but simply shot and we’re expected to think that lots of people are going to buy that Superman did that? Including the world’s greatest detective? Give me a break.

The best of part the film is Gal Gadot as Diana Prince aka Wonder Woman. She doesn’t have a lot to do, but what she does is nice, the actor is very good, and her story isn’t messed up, but perhaps that is a function of little screentime. Maybe if they tried to write more for her they would muck it up.

I can not recommend the move on any level. There are tons of action scenes, lots and lots of action, that makes no sense and have no emotional
meaning because of the lack of a story.

It boils down to – who cares?

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The Concert That Wasn’t

Yesterday I held a ticket for Olivia Newton-John in concert at a local casino, Pala. I hadn’t seen her in concert in more than thirty years and was looking forward to the evening. My sweetie-wife is not a fan and so this was to be a solo night out for myself.

The Casino/hotel complex is on a reservation and took about 45 minutes to drive to. I arrived early enough to had a quick meal, the largest chili dog I have ever seen at a very decent price, they certainly want your money at the gambling and not the cafe, and then went to the concert hall.

It was well attended, perhaps sold out I am not really sure. Only a few minutes late Olivia appeared on the stage and started singing Have You Ever Been Mellow. I can tell you definitively that she does not lip-synch her concerts. One, from my seat I could see the person operating the teleprompter with the lyrics, two, she was sick and is showed in her voice.

Before she completed the song she stopped, waved the band silent, and apologized to us that her voice was croak-y after catching something overseas and that she would do the best that she could. She launched into her next song, but the sore throat prevented her from getting to the high notes and she again stopped the show, this time letting us know she couldn’t perform. It was clear she was mortified and ashamed by her failure and I felt very bad for her. This is one of the real differences between a performance art and other arts. A writer can polished and edit and even not release a piece if they feel they are not hitting their marks, performance artists  do it live and their failures, even when it is not their fault, are live.

She didn’t send us away, she stayed on stage chatting with the audience, answering questions, and making arrangments with the hotel for photo opportunities. She also promised she would try to come back soon. I stayed for about half an hour of the chatting and questions, then left for home.

This morning the refund notice arrive in my email box, so I am happy the venue acted promptly, but I am sad I did not get to see her show.

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Chaos in the Electorate

Last year, when Trump and Sanders made their announcements I dismissed either as have a serious impact on the race. Clearly I was wrong.

This is the election cycle of the unpredictable, angry electorate. On the left and on the right there is a great clamoring for change. Now I would still bet against Sanders winning the nomination, the rules are stacked against him and he needs to really outperform, consistently, the rest of the primary to get the delegates needed. That is not to say he can’t Clearly this is the wrong cycle to make bold unwavering predictions. However, the hill is still quite steep for him.

Trump is starting to fall, but not from first. 538’s delegate tracker has him missing his targets in order to reach 50%+1 before the convention. He may get the majority, but it seems equally possible he may miss, but not by much. If that happens and they can’t settle it on the first ballot, it’s fireworks for the GOP in Cleveland. (An early clue may be the rules for the convention. If they are adopted without much fuss or fight, then expect a single ballot to nominate someone, if the rules are fought over long and hard then we may be in for a bumpy ride.)

It’s stunning to think that California’s late primary may actually be relevant.

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Double Movie Review: The Witch & Eye in the Sky

So it has been my pleasure to see two really good movies with 24 hours of each other. Here are my brief thoughts on each.

The Witch. When the trailers for this film appeared on my radar it intrigued me as a movie that I may want to see. Sadly anything you get into the horror genre 1-The Witchyou almost certainly get stuck with dreck, garbage, and only occasionally, gold. The Witch is gold. I was convinced to risk the theater prices when in an email conversation with one of my agents discussing the 1972 The Wicker Man, (It’s the first day of spring today so that means The Wicker Man is tonight’s movie.) she highly recommended The Witch.

The story and setting are simple. A mid 17th century Puritan family in new England is exiled from their colony and struggle to survive on the edge of a vast forest where an evil force possibly lurks. The periodness of this film looks perfect to me. The language, the characters, the modes of thought all strike me as dead one. The film works on what is suggested versus what is shown. It is a story steeped in atmospherics and mood. It is not for every and it is not an ‘accessible’ movie. If you go expecting lots of gore, combat, and special effects you will be very disappointed. If you liked the original The Wicker Man as  a thoughtful film about culture and religion, then this may work for you.

One final thought on The Witch. The story approaches witches and witchcraft from the perspective of Puritan Christians. There is no neo-pagan aspects to this story or its presentations and those inclined towards that path for their spirituality are likely to be offended by the film and its presentation of the subject matter.

Eye in the Sky. My wife and I went to see this film principally because it is one of the final feature films with the late Alan Rickman. Going into it a film cold is 1-Eye In The Skysomething I have not done in a very very long time. I think the last film I walked into without seeing a trailer was The Hudsucker Proxy. As with The Hudsucker Proxy, I was thoroughly happy with the result.

This film is about the modern war on terror, how it is fought, and the very difficult questions that arise from that conflict. It is not an action film. This is not about Heroic figures defying death and saving the day with a well-placed spray of bullets. This move is very realistic, dealing with a difficult situation in which there are no easy answers. The screenwriter played fair, no one is presented as a strawman, from enlisted military personnel to the high ranks of government people are drawn as fully realized characters with compelling points of view. The cast is uniformly fantastic, Helen Miren, Alan Rickman, Aaron Paul, and many many others bring you into their characters with performances that realistic and grounded. The technology is as far as I can tell spot on. The details of how such mission work are well presented and the cost for everyone involved is laid bare.

If you like your modern film filled with serious questions, no easy answers, and real people grappling with nasty choices, then this film is for you.

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