If you want to be a writer, then why aren't you -- you know -- writing?

Fighters in Space

Thursday, September 2nd, 2010

Thanks to George Lucas and his Star Wars films, modern SF has developed a love affair with fighters in space. Lucas used WWII aircraft footage as reference material for the special effects teams working on Star Wars and the influence is clear.

This led to a lot of imitators and copycats, all loving the carrier and fighter in space motif. For me to really became too much when the SF program Space: Above and Beyond (which I refereed to as Space: Abort and Begone) aired. In the program, which really was just WWII set in space, during a briefing pilots are advised to remember that the enemy fighter can out climb the allied fighters. Out – fucking – climb in weightless space. What the hell are they climbing against?

There are reason why carriers and fighter make perfect sense for wet navies, but trying to put them into space just makes the writer look all wet.

First, Ships and Planes travel through different media. A ship has to push water, heavy incompressible water, in order to move. This requires a great deal of energy to get very little speed. The USS Lexington in WWII could go at an astounding 34.5 knots.  (39.7 mph) to do this speed required 150,000 standard horsepower. An F4F Wildcat cruised at 155 mph, could go as fast as 318 mph on 1200 standard horsepower.

Nearly ten times as fast on less than one-tenth the power.

In space, the carrier and the fighter are traveling through the same medium, vacuum. There is no intrinsic reason why a fighter would be so much faster than a carrier. (yes the fighter has less mass, but if you have motive power that accelerate the fighter that fast, you have it for the big ship too, just takes more.)

Another reason planes and carriers makes sense on planetary surface is that planets are curved. Planes give ships an over the horizon spot capability. (In fact before WWII it was thought that spotting and scouting was the reason for Carriers, and that fighting would remain the domain of the big gun ships. The Imperial Japanese Navy persuaded us otherwise.) A ship in space has no horizon to limit detection. No need for small vulnerable spotters.

The third element that makes the airplane useful to surface navies is that the plan can carry a weapon load-out capable of sinking a ship. Note that this is general not done with the plane’s machine-guns or cannons. The attack planes carried either bombs or torpedoes. (Today it is the guided missile carried by planes that make them deadly to ships.) In SF movies we don’t see attack craft with one or two big heavy ship killers; they always attack big target with the same guns they used on the enemy fighters. Damn silly.

In terms of physics and real world analogs, space combat is going to look a lot like submarine warfare. Lots of sneaking. (if that’s possible — it may not be.) Cramped tiny spaces, and long range missiles or torpedoes for killing their targets. Note that under the water, with everyone in the same media, we don’t have carrier and fighters.

DVD Review: The Lost Skeleton Returns Again!

Tuesday, August 24th, 2010

A few years ago, before I had met my lovely sweetie-wife, I saw a charming movie at the local Art House theater. The movie was The Lost Skeleton of Cadavra. A tongue in cheek send up of bad SF/monster movies of the late 50′s and early 70′s. the film gave us many memorable comedy bits including the famed Amish Terrarium. If you have not seen this movie you need to see it.

Yes, not every scene works as well as it could have. Some scenes drag on too long, but overall I enjoyed the movie.

This week the sequel hit the DVD shelves. It’s rare that I buy a DVD without having seen the movie, but I was willing to take that risk with a Lost Skeleton sequel.

The good news is I felt I got my money’s worth. This was charming and funny. It was clear that the cast enjoyed working with each other again. (those whose characters had died in the first film were playing the twins of those original characters.)

Unlike cheap SF films of the era they actually tried to  shoe-horn in character  growth as part of the comedy and it mostly worked.

What didn’t work was that this film by its very nature could not be as original at the first. Many of the jokes are extensions of gags and jokes used in the first film. Because of that they lose punch and comedy needs punch.

There is nothing in the film as original or as quote worth as the aforementioned ‘Amish Terrarium.’

I can’t wholeheartedly recommend buying this DVD unless it really strike your fancy. Best rent it first.

SF history

Thursday, August 19th, 2010

Anyone who has been around lit SF for any amount of time is likely aware of the nearly instant debate that can be generated with a single name: Robert A Heinlein.
Depending on who you ask, Heinlein was….
A Communist
A Fascists
A Hippie
An Authoritarian
A Libertarian
The best Sf Writer of all time. (including future tense)
A Hack
A talented creator of female characters.
A sexist.

And he was all these things at the same time. Truly he is the Rorschach test of SF Fandom.
One of his most controversial works was the novel Starship Troopers. He wrote the book as a juvenile, it was rejected, new material was added and ti has not been out of print ever since. This is the book many point to when they call Heinlein a Fascist.

I have stumbled across — thanks to the comments and discussions at TOR SF an archive of criticisms and defenses of Starship Troopers spanning a time from 1959 when it was being serialized in F&SF through its publication as a novel and ending in 1963.

Wow. The Heinlein flame wars are sort of like the 100 years war. This was a fascinating series of comments and essays to read. It has not moved my thoughts on the matter. (I’m a Heinlein Fan, but I worship no man. Something I think got from reading Heinlein; though — like Ayn rand — fantatical followers are upsetting and close-minded.) The essay comparing Starship Troopers with The Star Dwellers has made me want to find a copy of The Star Dwellers and give it a read.

If you have any interest at all this link is worth your time.

Sunday Night Movie: The Day The Earth Stood Still

Monday, August 9th, 2010

Yesterday I got the news that award winning actress Patricia Neal has passed away and I resolved to make my Sunday Night Movie The Day The Earth Stood Still.

I have not seen very many films with Patricia Neal, but from what I have seen she was a talented actress of diverse skill and range. The films I know her best from are, of course, The Day The Earth Stood Still, and  A Face In The Crowd.

The first film clearly SF and the second very nearly SF. If you have never seen A Face In The Crowd this is a must see movie. A great, absolutely stellar cast, a pitch-perfect scrip and just as relevant today as when it was made.

Back to last night’s movie.

The Day The Earth Stood Still is a classic of SF films, and is a classic of films in general. Made in 1951 it was ahead of the curve for SF films, leading, along with Destination Moon, the charge into SF films of the 50s. Sadly, most of the films that followed were heavy on ray guns, monsters, and adventure and light in the thought and ideas that science-fiction can explore so well.

Very loosely inspired by the Harry Bates short story, Farewell the Master,  the movie is about the arrival of an alien, Klaatu, and his robot, Gort, to the planet Earth. Klaatu is greeted with gunfire and suspicion. The alien has a mission and message, but refuses to share it with any one nation or people, insisting that it must be heard by representatives of all the peoples and nations of the Earth.

This of course is impossible in a world divided between the United States and the USSR. Frustrated by terran stupidity, Klaatu eascape his captivity to learn more about humans and their fears firsthand.

What follows is in part a message film, in part a lovely look at the Earth through alien eyes, and in part a manhunt. (Or an alien-hunt if you prefer.)

I have problems with the specific message delivered in the film, but that’s okay. It’s a wonderful story, wonderfully told. I am not as allergic to ‘smug aliens’ as some of my friends are.

Of course if you have never seen this movie, I urge you to rent it. I own it on Blu-ray and the effects hold up very well for a film nearly 60 years old.

DO NOT see the remake. There is no remake. I refuse to acknowledge it.

Amazing CGI

Friday, July 23rd, 2010

Follow this link to the you tube of the newest Tron Legacy trailer. (Unveiled this week at San Diego Comic-con.) It is astoundingly mind-blowing that digital ‘de-aging’ they have managed to do to Jeff Bridges. I am stunned.

Hmmm Not as finished as I thought I was

Thursday, July 22nd, 2010

So I was doing more ink-on-paper edits to Cawdor and continued making a mental list scenes required the establish things I used int he payoff at the end of the book. Originally I had figured I needed three or so scenes to plug my narrative holes. (a Narrative hole in my terminology is quite different from a plot hole. A plot hole is a problem that if not resolved destroys the structure of the story. For example is the floating mountains in AVATAR are floating because they are dense with unobtainium, why aren’t the terrans just grabbing these floating mountains and boosting them to orbit? A Narrative hole is a missing scenes that helps fully explain the events or motivations of the characters, but the logic of the story is still sound.)

Anyway I though maybe another 2-3 thousands words to fill in the narrative holes. Today I wrote down my list of scenes and found it was 11 scenes long. (Mainly because a background character stepped up to increase the tension and now she has to be back established to fulfill that function.) Now I figure I may need anywhere from 10 to 15 thousand words to properly full out this story.

I have the room, the manuscript was on the small side and the story will be stronger for it, but *sigh* there are miles to go before I sleep.

Sunday Night Movie:Ikarie XB1

Tuesday, July 20th, 2010

This past Sunday was a bit different for my Sunday Night Movie feature in that is was a movie I watched together with my Sweetie-wife.

After writing on Saturday about the late lamented Creature Feature from my youth, I went on line to see if Planet Of The Vampire had been re-released on DVD again. (nope, not yet.) However I found the trailer for the movie at YouTube and of course I had to give it a go. While I was watching the trailer for Planet Of The Vampires, I spotted a clip for something from a ‘soviet-style SF film’ about exploring a derelict spaceship. It fascinated me and I wanted to watch the movie it came out of.

There were 198 comments on that YouTube post and a great deal of them were flame-wars over the fact that the film was Czechoslovakian and not Soviet or Russian. However there were very few posts naming the damned movie. Eventually I did discover the film was called Ikarie XB-1 and was made in 1963.

A quick searched showed that the filme was released on DVD in 2006, was out of print, could not be rented and used copies were going to sum too great for me to buy. (I’ll spend money on movies I know, but its rare that I will buy a movie I have never seen unless I get it dirt cheap.)

By the time Sunday came around I laid my hands on a copy of the film and me and my sweetie-wife watched it.

The film is about the flight of the first inter-stellar craft, Ikarie XB-1, en route to Alpha Centauri. (I am told by my lovely wife that Ikarie is Czech for Icarus.) The navigation must have been off on this trip as the round trip will take the ship fifteen years from earth’s perspective but just 28 months by ship-time. Sounds like the ship is going very nearly the speed of light, but round trip to Alpha C would then be about 9 years, not 15 Earth time.

Anyway the ship is manned by forty people, both men and women, single and married. The film is entirely about the trip and the hazards they face. It was a very serious, though flawed, attempt to do dramatic action and not wild action in an SF environment. There is an attempt at showing a different culture than what was standard in 1963. The crew are dealing with a  number of interpersonal issues and the stresses of the close-quarters living.

The derelict spaceship sequence that tripped me onto this title is from about the middle of the movie and really was quite nicely done. It was something much better than what we are normally used to seeing from SF of the late 50s and early 60s.

That said the film was on the slow side and I think the mountain the writers and film-makers set out to conquer was beyond their skills.

Still, I am glad I got a chance to see it. It is always interesting to see genre films of the period made from a decided non-western viewpoint.

A bygone age

Saturday, July 17th, 2010

Last night I did not video game as late as usual because I was suffering from pulled muscles that made sitting forward uncomfortable. I ended up surfing the channels on my TV looking for something to watch while I waited to unwind and get ready for bed.
On TCM (Turner Classic Movies) I spotted something that could have been a low-budget horror film from the late 50′s or early 60′s, but alas it was what looked a murder mystery. (Turns out to have been Girls On The Loose)

For the first time in years I thought about my Saturday night as an adolescent in Ft. Pierce Florida. Every Saturday night at 11 pm the local TV station would start Creature Feature. A double bill of horror and genre films that would play into the early morning hours.

I saw many an entertaining movie late Saturday night with a bowl of popcorn by my side. It was on Creature Feature that I first saw many classic movies such as The Creature From The Black Lagoon and quite a few of the Roger Corman ‘Poe’ Movies from the sixties.

Those days are gone. Late night TV now is a collection of infomercials — one of the sins of the Reagan era — and second rate TV shows. There isn’t much in the way of a Creature Feature with classic and cheesy movies I haven’t seen before. Now I know that we have DVD, Blu-ray, Movies on Demand, and Instant View movies on Netflix and I utilize all of those in my movie watching habits, but there is a real shortfall in this aspect of home video. It only shows me movies I have asked it to show me.

I never get surprised or exposed to a new movie this way because I search out the films I want to rent, buy, or view. Oh there is the occasional that I find by surfing the sites or rarely one that is recommended to me by the software actually looks interesting, but this is a different dynamic than the Creature Feature.

Every Saturday night I would lay back on the couch, the rest of the house asleep, and I was watch a genre movie. I usually knew no more than that when the features started. It was genre and that was enough to spark an interest. Sometimes the movies would be so bad or dull I would go to be, most of the time the movies were forgettable and have now been forgotten, but occasionally the movies would leave an impression that echoed through the decades.

I remember watching Planet Of Vampires on Creature Feature, a stylistic though flawed Italian SF movie. Years later I found it on DVD and bought it for a friend. We watched the film and man the makers of Alien were clearly influenced by this movie. Sadly I did not buy a copy of the DVD for myself and it is now out of print. I never would have seen this movie had it not been for Creature Feature.

This is terribly saddens me. Young people growing up today will not get the same exposure to the classic genre films that I got. They’ll see remakes of the really big name movies, such as The Day The Earth Stood Still, and perhaps track down the original, but that random sf/horror film of the weekend is a thing of the past. Many films that are not classics are going to be rarely seen just because of the death of Creature Features across the country. While The Killer Shrews is a film with more flaws than charms I am still happy that I saw the movie and when it turned up in a 50 movies boxed set I bought I was happy to watch it again.

Perhaps this is why I am a fan of our local club, San Diego Vintage SF, though my life has made it tough to attend in months. Every month a genre film from before 1968 is shown, along with a serial and cartoon. (Frankly I could skip the serial as it was never part of my movie going experience.) However SDVSF does not make up for the Creature Feature.

It would be wonderful is TCM did a regular program dedicated to SF,Horror, and Fantasy films. They already have these movies and they play them, but not as part of a generalized programming about them with a host, introduction and such. There is a richness in the genre and it extends beyond the recognized classics. A treasure likely to be rarely seen and forgotten with the years.

Movie Review: Predators

Tuesday, July 13th, 2010

Last Sunday morning a friend and I took in the movie Predators at the local multiplex theater.

I’m a big fan of the original film. I think Predator was a near perfect summer action movie. The sequel, Predator 2, I saw in the theater and frankly it bored me and I have scarcely any memory of it at all.

The Alien V Predator movies are an even further step down, so when I heard that Robert Rodriguez was getting a crack at revitalizing the franchise I was interested.

I particularly liked that he planned to ignore all the films in the franchise save the first one. This movie is the direct sequel that should have been

If you have seen the trailers and the commercials there won’t be any spoilers in my review, however some plot details, one in said previews, are going to be mentioned.

Rather than rehash the first film by having a Predator return to Earth, as Predator 2 did, (I remember that much.) Rodriguez has the Predators scoop up a number of humans and drop them into a hunting preserve. He wastes zero time in getting the plot started. There is no build up, os scene setting, or even recap of the previous movie. The characters and the audience are dropped straight into the action.

We quickly meet our cast of international characters, and without hesitation the game is on.

The action comes fast and furious — some times a little too fast. We lost one character about a thrid of the way through the film and I had totally missed that he got killed.

Still despite the fast action and the non-stop gunplay, the producers, writers, and directors find time for actual character moments. In fact I dare say this film has more character in it than the first film. We can certainly trace an evolution for Adrian Brody;s character and see the changes he undergoes much more than anything that happened to Dutch in the first film.

Frankly I enjoyed myself and for matinee price I certainly got my money’s worth.

What an in process Manuscript looks like.

Saturday, July 10th, 2010

So I’m going over with for I am calling my 1.5 revision. Every page that I am editing has been edited once already. However in the case of some of those pages that first edit was several months ago and ideas I ha about the novel have evolved since then.

Here is a peek at just how massive the edits are, even after a complete pass.

I do think that my life would be easier if I could somehow learn to wtire it correctly the first time.

Of course that really isn’t possible. Aside from the spelling errors and typos that need to be found, there is the little matter that I really don’t understand my novel from my own outline. It is the process of writing the novel that teaches me what it is really about and what I really need to concentrate on.

What made sense three-four months ago is no longer the themes I am pushing.