Category Archives: Blu-ray

Blu-ray review: Ben-Hur

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For Christmas my sweetie-wife gave me a copy of the 50th Anniversary Edition of Ben-Hur on Blu-ray. We spent several evening going through the three documentaries associated with the set (lovely bonus material) be diving into the epic film. (For those not in the know, Ben-Hur an example of massive movie making from the Studio System is better then three hours long.)
The full title is Ben-Hur: A Tale of The Christ and given that title it is as you would expect set in and about the purported time of Christ in the Roman Empire. Christ however is not the main character, though he a central character and event in the film. The Film is about Juda Ben-Hur (Charlton Heston) a prince of the Hebrew, a rich merchant and land-owner in Judea under the Romans. Ben-Hur’s boyhood best friend forever, Massala (Stephen Boyd) A Roman has returned as Tribune to the new governor. Times are not good for Judea, rebellion is in the air and the Romans do not tolerate rebellion. Clumsily trying to enlist Ben-Hur against the Jewish rebels, Massala turns Ben-Hur into an enemy and on a flase pretext, arrests Ben-Hur for attempting to murder the new Governor.
What follows is a story of loss, enslavement, revenge, love, and in the end, redemption. The film was shot in MGM 65, a big format wide-screen process developed for films of epic scope and nothing says epic better than this movie.
The blu-ray is from a fully restored print that has been carefully transferred. I have never seen Ben-Hur projected, but I can say that this presentation is stunningly beautiful. The colors are sharp and vibrant, the blacks are deep, the sounds wonderful (Thought for my sweetie-wife’s sake the sub-woofer was off, I suspect the chariot race would have blown us out of our seats.) and the clarity unrivaled. This is exactly the sort of the thing that can be achieved with blu-ray, but all too often is not due to budgeting in the transfer.

A very pleasant Saturday

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So yesterday was another board and card gaming day, but this one got an earlier start as my friend Brad came over about noon so we could get in a game of Federation Commander. That game did not go very well for myself. I was rolling poorly and Brad was rolling hot. Still it was fun and I don’t think I made any bonehead mistakes as I had in the game previous.

Around 5:30 we got together for the regular B7C gaming session and that went alright. (Though I did not win any of the games I did come close in Showbiz Shuffle.)

After my sweetie-wife retired for the evening we sat and watched a blu-rau, The Wrath Of Khan. Not only was that a throughly enjoyable film to watch, all of use including Brian snapped with commented during the screening. It is so good to hear Brian’s voice getting clearer each week. After the movie it was sit around bullshitting for a little while and at one point something was said that set Brian off laughing. It was one of those laughing jags that is so difficult to stop. I really felt good hearing him laugh like that.

Sunday Night Movie: The Maltese Falcon (1941)

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This is truly one of my favorite films. The Maltese Falcon is the film that launched the genre of Film Noir and in many ways it has never been equalled.

I first saw the film in my Introduction to Cinematography class back in my old college days. That was a grand course. Every Tuesday and Thursday we’d sit though about 25 minuets of lecture, then watch a film. (Films started on Tuesday and we completed them on the Thursday session.) It was done chronologically, starting with silent films and working our ways through the decades of film production. (Mostly we saw American films, but there were a few foreign movies.) Many movies I would have never sought out I watched there and I truly learned to love all sorts of film.

The Maltese Falcon is movie that made Bogart as start, it launched the directing career of John  Houston, and it forever stamped on our collective psyche what a hard-boiled detective is like.

Curiously this is the third adaptation of the novel into film. The first was made ten years earlier and did modest box office, the second was made in 1936 and strangely titled, “Satan Met a Lady.” It starred Betty Davis in the femme Fatale roole, but the film was played more for laughs than serious crime fiction and it failed with audiences and critics alike.

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Sunday Night Movie:The Caine Mutiny

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Yesterday when I was bumming around town and playing videos games with my pal Bear he asked me what was my Sunday Night Movie feature going to be and I replied that I was thinking of re-watching Robocop.

After my sweetie-wife went to bed and it was time to start up a feature I realized that I was in the mood for something meatier that Robocop. I wanted a dramatic film, not a genre piece. I scanned my collection and my eyes fell on The Cain Mutiny.

I can’t remember the first time I saw The Cain Mutiny. I know it was television during the 80s’, before the dreaded infomercials had pushed movies out as the low-budget local tv station fare. I remember tripping across the film fairly close to the start and I was pulled in at once by the riveting writing, characters, and performances.

If you only know Humphrey Bogart as the cool always in control detective then this film is one you really should see. It’s a film he did after he escaped the studio system and could be in the kind of roles that would stretch him as an actor.

The central character of the film is Willis Seward Keith, a young 90-day wonder of an Ensign. Willie has problems, mainly he’s too attached to his mother still and has not learned to be his own man. He’s got an on-again/off-again relations with a lovely signer, May Wynn, and has been assigned to a worn out, rusted hulk of a ship, the DMS Caine. Willie saw himself making an important contribution to the war effort, (the setting is WWII), but instead he’s on an ‘outcast ship, manned by outcasts, and named after the greatest outcast of them all.’ Or so Communications officer Lt. Keefer informs him.  Things seem to take a turn for the better when a new captain is assigned to the Caine, Lt. Commander Phillip Francis Queeg. Queeg is old navy, a life-long naval officer and a by the book man. When the new captain makes it clear that the Caine is going to become a new ship and taunt ship Willie couldn’t be more pleased.

However, Queeg has his own demons  and the drama of the story is rich with loyalty, betrayal, and cowardice.

This is a movie that every time it came on TV and I caught even a portion I stopped and I would always end up watching it to the end. I eventually copied off the air on a VHS tape, and then later got it on laserdisc. Now it’s one of my favorite DVDs. When it comes out on blu-ray I will replace it without qualms or any need for additional bonus material.

I tracked down a library copy of the Pulitzer prize winning novel a  few years ago. This film is a pretty good adaptation of half the novel. I don’t begrudge them that they only told half the story. Even at that the running time was 2 hours 5 minutes. There is little that is in the film that was’t in the book. Contrary to popular myth, Bogart did not invent the bit with Queeg and the ball-bearings, that was in the book.

If you get a chance see this movie and read the book.

Sunday Night Movie:The Living Dead at Manchester Morgue

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Like another movie I own, Planet Of The Vampires, The Living Dead at Manchester Morgue is a film that has been released under a bewildering array of titles. Released in 1974 this is a zombie movie that is  post-Night of The Living Dead (1968) but preceded both films that ushered in the Zombie Apocalypse®, Zombie and Dawn of the Dead (1979.)

Placed in such a unique position in zombie movie chronology The Living Dead at Manchester Morgue is a film particular to its time and place in history. For quite a while it was wholly  unavailable on home video and therefore rarely seen. I myself had not heard of this Italian/Spanish co-prpduction until it was mentioned during Zombie week at tor.com.

Today the Zombie Apocalypse® is a well established meme in the greater trans-world culture. Nearly everyone knows what is meant by the Zombie Apocalypse® and it is a common parlor game to thought-experiment your survivalist victory against the hordes of undead. In these thought-scenerios the undead are nearly always the ghouls envision by George A Romero in his film Night of The Living Dead. If one is a heretic, you propose an apocalypse of Zack Snyder’s fast zombie from the re-make of Dawn of The Dead, but most purist reject these zombies. (I do not, I own both versions the 1979 and the 2004 on home video.) If one is utterly desiring of death and failure, you might go with the Dan O’Bannon zombies of Return Of The Living Dead, but really who is interested in an apocalypse of indestructible zombies? Continue reading →

Sunday Night Movie: Star Trek III: The Search For Spock

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It is a well know dictum in the SF community that the ‘good’ Star Trek films are all the even numbered ones and that the odd numbered movies are ‘bad.’ I have advised people to remember that what the even numbered, II, IV, and VI, have in common is Nicholas Meyer. He had a hand in writing all three and directed two of them.

I myself have espoused this Even/Odd dictum to people about how to judge Star Trek movies. (Counting all the Next Generation films as ‘odd.’ The first, a weak and bull film was the best of the lot. They proceeded to become more and more idiotic as the series progressed becoming what can oxymoronically called Luddite Science-Fiction.)

Recently Star Treks, II, III, and IV were released a a single blu-ray set with new bonus features. I resisted as best I could, but when I found a set for about $25 I broke down and purchased it even thought it had a ‘bad’ movie in the collection. I spent part of the weekend watching the bonus material and oohing and awing how gorgeous the films look in the Blu-ray format. Last night I decided that I would make Star Trek III: The Search For Spock my Sunday Night Movie.

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Sunday Night Movie: The Adventures Of Robin Hood (1938)

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By way of my Netflix account I got ahold of the Blu-ray for the 1938 production of The Adventures Of Robin hood, starring Errol Flynn as Robin Hood.

There have been a number of Robin hood productions. The character has been in the popular imagination for literally centuries. Which means two things to movie makers.

One, that there is a built-in audience for the stories, and producers love a built-in audience. Producers really hate risk, when it comes to putting money into films they can be very conservative.

And two Robin Hood is in the Public Domain and they don’t have to pay no rights to nobody.

This production of Robin Hood was hardly the first. Douglas Fairbanks had been in a very successful silent version and was considered the definitive screen Robin Hood until this film was realeased. Continue reading →

Sunday Night Movie: The Day The Earth Stood Still

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Yesterday I got the news that award winning actress Patricia Neal has passed away and I resolved to make my Sunday Night Movie The Day The Earth Stood Still.

I have not seen very many films with Patricia Neal, but from what I have seen she was a talented actress of diverse skill and range. The films I know her best from are, of course, The Day The Earth Stood Still, and  A Face In The Crowd.

The first film clearly SF and the second very nearly SF. If you have never seen A Face In The Crowd this is a must see movie. A great, absolutely stellar cast, a pitch-perfect scrip and just as relevant today as when it was made.

Back to last night’s movie.

The Day The Earth Stood Still is a classic of SF films, and is a classic of films in general. Made in 1951 it was ahead of the curve for SF films, leading, along with Destination Moon, the charge into SF films of the 50s. Sadly, most of the films that followed were heavy on ray guns, monsters, and adventure and light in the thought and ideas that science-fiction can explore so well.

Very loosely inspired by the Harry Bates short story, Farewell the Master,  the movie is about the arrival of an alien, Klaatu, and his robot, Gort, to the planet Earth. Klaatu is greeted with gunfire and suspicion. The alien has a mission and message, but refuses to share it with any one nation or people, insisting that it must be heard by representatives of all the peoples and nations of the Earth.

This of course is impossible in a world divided between the United States and the USSR. Frustrated by terran stupidity, Klaatu eascape his captivity to learn more about humans and their fears firsthand.

What follows is in part a message film, in part a lovely look at the Earth through alien eyes, and in part a manhunt. (Or an alien-hunt if you prefer.)

I have problems with the specific message delivered in the film, but that’s okay. It’s a wonderful story, wonderfully told. I am not as allergic to ‘smug aliens’ as some of my friends are.

Of course if you have never seen this movie, I urge you to rent it. I own it on Blu-ray and the effects hold up very well for a film nearly 60 years old.

DO NOT see the remake. There is no remake. I refuse to acknowledge it.

A bygone age

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Last night I did not video game as late as usual because I was suffering from pulled muscles that made sitting forward uncomfortable. I ended up surfing the channels on my TV looking for something to watch while I waited to unwind and get ready for bed.
On TCM (Turner Classic Movies) I spotted something that could have been a low-budget horror film from the late 50′s or early 60′s, but alas it was what looked a murder mystery. (Turns out to have been Girls On The Loose)

For the first time in years I thought about my Saturday night as an adolescent in Ft. Pierce Florida. Every Saturday night at 11 pm the local TV station would start Creature Feature. A double bill of horror and genre films that would play into the early morning hours.

I saw many an entertaining movie late Saturday night with a bowl of popcorn by my side. It was on Creature Feature that I first saw many classic movies such as The Creature From The Black Lagoon and quite a few of the Roger Corman ‘Poe’ Movies from the sixties.

Those days are gone. Late night TV now is a collection of infomercials — one of the sins of the Reagan era — and second rate TV shows. There isn’t much in the way of a Creature Feature with classic and cheesy movies I haven’t seen before. Now I know that we have DVD, Blu-ray, Movies on Demand, and Instant View movies on Netflix and I utilize all of those in my movie watching habits, but there is a real shortfall in this aspect of home video. It only shows me movies I have asked it to show me.

I never get surprised or exposed to a new movie this way because I search out the films I want to rent, buy, or view. Oh there is the occasional that I find by surfing the sites or rarely one that is recommended to me by the software actually looks interesting, but this is a different dynamic than the Creature Feature.

Every Saturday night I would lay back on the couch, the rest of the house asleep, and I was watch a genre movie. I usually knew no more than that when the features started. It was genre and that was enough to spark an interest. Sometimes the movies would be so bad or dull I would go to be, most of the time the movies were forgettable and have now been forgotten, but occasionally the movies would leave an impression that echoed through the decades.

I remember watching Planet Of Vampires on Creature Feature, a stylistic though flawed Italian SF movie. Years later I found it on DVD and bought it for a friend. We watched the film and man the makers of Alien were clearly influenced by this movie. Sadly I did not buy a copy of the DVD for myself and it is now out of print. I never would have seen this movie had it not been for Creature Feature.

This is terribly saddens me. Young people growing up today will not get the same exposure to the classic genre films that I got. They’ll see remakes of the really big name movies, such as The Day The Earth Stood Still, and perhaps track down the original, but that random sf/horror film of the weekend is a thing of the past. Many films that are not classics are going to be rarely seen just because of the death of Creature Features across the country. While The Killer Shrews is a film with more flaws than charms I am still happy that I saw the movie and when it turned up in a 50 movies boxed set I bought I was happy to watch it again.

Perhaps this is why I am a fan of our local club, San Diego Vintage SF, though my life has made it tough to attend in months. Every month a genre film from before 1968 is shown, along with a serial and cartoon. (Frankly I could skip the serial as it was never part of my movie going experience.) However SDVSF does not make up for the Creature Feature.

It would be wonderful is TCM did a regular program dedicated to SF,Horror, and Fantasy films. They already have these movies and they play them, but not as part of a generalized programming about them with a host, introduction and such. There is a richness in the genre and it extends beyond the recognized classics. A treasure likely to be rarely seen and forgotten with the years.