Myth, Culture, and The Moving Picture.

John Scalzi over at his blog whatever posted an essay in response to this blog post. Like Scalzi I would urge you to go read the pose and then come back to my thoughts.

While Scalzi addressed the idea of taking back SF conventions, award, and SF culture in general, I am more interested in the whole concept of the right myths to be telling.

Mr. Lehman seemed to be supporting a stand that principle American myths in SF were being undermined by ‘enemies’ and that it was important that the right myths be told, and written.

I agree with him utterly that myths are one of the primary definitions of a culture. Understand their myths and you have gone a long way to understanding them. Myths are also critical in the transmission of culture across generations. So there we are again in agreement.

What he seems to miss in my opinion is just how fluid myths are. They are never the same from tale to tale and their alteration, divergence, and mutations is part of what drives changes in culture. He speaks of the cowboy myth, one that was born of dime novels and expanded upon my film and television. I wonder which cowboy myths are the right ones? The Roy Rogers, white hates and black hats, never shoot anyone in the back, always tell the truth cowboys? Perhaps the gritty people are no good and you cannot depend on them myth of ‘High Noon?’ Or maybe the violent, murdering butchers of ‘Unforgiven?’ just within the cowboy myth and over a few short decades the meaning changed and the truth as I see it is that there is no ‘correct’ or ‘right’ cowboy myth. All of them speak to something about America and its people, all of them speak to the changes that she endured and continues to endure.

Myths change the people and people change the myths. It is a feedback loop of a dynamic unstable system. Science-fiction myuths used to be something else, but they changed as new voice came in, added their own experiences, as the culture changed and elevated myths that better spoke to them as that time. It is a constant process. It is not one driven because some people went to mechanical engineering school while others plotted and planned in social engineering schools. SF is a business first and what you see on the shelves today is a result of the market demanding it be there. (I speak of course concerning the traditionally published, outside of that everything in the world is available.)

There is no perfect set of SF myths and stories anymore than there are for cowboys or knights. Trying to restrict it top a perfect set a platonic ideal of what SF is about is as futile as reducing a motion picture to a singe perfect frame and insisting that only that frame need be viewed.

New voices will always come in, they will always bring in new idea, some will be accepted, some will not. Some old ideas will endure, others will fade. It is the nature of culture to change.

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3 thoughts on “Myth, Culture, and The Moving Picture.

  1. Brad

    It seems to me that what Lehman is complaining about is the attempt to control society and control culture by underhanded means. A fear which is as old as 1948, when Orwell wrote 1984 with features like the Ministry of Truth and Newspeak. The control of culture by destruction rather than construction, subtraction rather than addition.

  2. Missy

    I find it interesting that someone would EVER portray Science fiction as a genre that should or even can have a static mythos. Science fiction, theoretically and naturally, is based on SCIENCE. Science changes and grows and has for centuries. Looking at the early black and white silent film about landing on the moon and contrast that with the actual moon landing. While the travel and destination are consistent, the details of the process are substantially and intrinsically different. So to, as science changes must Science Fiction change. We have many myths about first contact and interaction with alien life forms. Those can certainly be categorized but what will happen when/if we REALLY have contact with non-Earth born intelligent life? Much like Quantum Theory, reality will snap into place but until then the cat is both dead and alive.

  3. Joyce

    I agree. Myths change and that change is both driven by and reflected in pop culture among other things. I have been teaching since 1990, high school and college, history and literature. Lehman talks about the cowboy myth. That myth is almost nonexistent among much of today’s youth. I can still remember the shock I felt when I mentioned something about American history and illustrated it with a John Wayne movie anecdote. The blank faces in the room floored me. These students had absolutely NO idea who John Wayne was. They had never seen any western. Neo from the Matrix films, yes. Black hat v white hat, cavalry to the rescue, John Ford’s America. forget about it. That myth is dying as those who knew it pass.

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